Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
CD: Taylor Swift - Lover
If there's a central motif to the sprawling, 18-track opus that is Taylor Swift’s seventh release - and it’s an album...
Edinburgh International Festival 2019: Bach's Multiple...
Puccini's and Abbé Prévost's glitter-seduced...
Appropriate, Donmar Warehouse review - fraught family reunio...
You can’t fail to feel the ghosts in Appropriate: they are there in the very timbers of the ancient Southern...
Prom 46: Kanneh-Mason, CBSO, Gražinytė-Tyla review - brillia...
Let us never tire of singing the praises of the Proms, nor ever take them for granted. For two...
CD: Tanya Tucker - While I'm Livin'
When Johnny Cash and Rick Rubin released the former’s stripped back, soul-bearing American Recordings in 1994 the impact was massive. Not...
Edinburgh International Festival 2019: Breaking the Waves, S...
Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of...
Power, politics and Peaky Blinders - the Shelby family retur...
This is how Steven Knight pictured Peaky...
Bauhaus 100, BBC Four review - a well-made film about the ma...
The Bauhaus school and its subsequent influence make an extraordinary story, and this...
Eels, Hammersmith Apollo review – dark, swampy and endlessly...
"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's...
CD: Sleater-Kinney - The Center Won't Hold
This album’s title began as a reaction to fractiousness under...