tue 16/04/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Old review - time flies in tropical island mystery

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

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Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

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Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

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Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

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The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

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Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

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Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

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Physical, Apple TV+ review - too much pain, not enough gain

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Loki, Disney+ review - the God of Mischief gets his own TV series

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Lupin, Part 2, Netflix review - master of disguise versus racists and lies

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Nobody review - Bob Odenkirk reinvents himself as all-action dynamo

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The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

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Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

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Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

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latest in today

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...

The Comeuppance, Almeida Theatre review - remembering high-s...

I’ve never been one for school reunions, but even if I had kept in touch with former classmates I think that American...

theartsdesk on Vinyl 83: Deep Purple, Annie Anxiety, Ghetts,...

VINYL OF THE MONTH

London Afrobeat Collective Esengo (Canopy)

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Heather McCalden: The Observable Universe review - reflectio...

Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial...

Spencer Jones: Making Friends, Soho Theatre review - award-w...

Lockdown feels more like a dream now: empty streets;...

Album: EMEL - MRA

At a time when conflicts in the Middle East are reaching fever pitch, Emel Mathlouthi represents hope. Her new album MRA, is titled for...

Music Reissues Weekly: Congo Funk! - Sound Madness From The...

Brazzaville is on the north side of the Congo River. It is the capital of the Republic of the Congo. Kinshasa is on the south side of the Congo....

First Person: Leeds Lieder Festival director and pianist Jos...

Everyone needs friends and everything is connected. As we throw the doors open on to the 2024 Leeds Lieder Festival I am struck by just how...

Ellie Goulding, Royal Philharmonic Concert Orchestra, Royal...

For a singer so often sampled in electronic dance music, it’s a high-end...