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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
A febrile energy powers Timothy Sheader’s production of Jesus Christ Superstar, which arrives in the West End with an edgy vibe that…
The most up-front factor defining the 10 tracks of Sweet Thief’s 26 minutes is Zoë Randell’s voice. Figuratively, she does not – vocally,…
The Aviva studios in Manchester consist of an open plan warehouse with black walls and no windows. The space is vast, dark and difficult to…
Ania Magliano has built a solid body of work over the past few years with her thoughtful, self-reflective shows (gaining an Edinburgh…
A recent OFCOM study found that over 90% of young people tune into video-sharing platform and streamers and only spend a quarter of their…
Playwright and novelist Rodolfo Usigli wasn’t impressed with Luis Buñuel’s 1955 film version of his novel Ensayo de un crimen, unhappy with…
“I’m a German Romantic at heart – there’s no better music.” I found myself saying this recently after performing Robert Schumann’s…
Amelia Baker is a troubadour and storyteller of dark but enchanting tales. In the guise of Cinder Well, she brings these stories to life…
Two couples meet up for an apparently convivial meal, except that there’s a minefield under their feet. And when they trigger an explosion…
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A febrile energy powers Timothy Sheader’s production of Jesus Christ Superstar, which arrives in the West End with an edgy vibe that…
In the vein of My Left Foot, Inside I’m Dancing and Gaby: A True Story, Margarita, With A Straw focuses on living a full life with cerebral…
Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last…
They say that the most important part of any drama is the journey that it takes its leading characters on. Whatever events have taken place…
Towards the end of the last century, the Spanish director Pedro Almodóvar made a run of screwball comedies, starting with Women on the…
For all the bleakness of its subject matter, there’s considerable exhilaration to Ali Soozandeh’s animation feature Tehran Taboo. That’s…
It has never been easier for cinema to capture the terror and splendour of the mountains. Cameras can do what they never could before,…
Stuttgart Ballet, one of Europe's most highly respected companies, is clearly determined to show London its best sides – all of them.…
“Guys, don’t grow old gracefully… it wouldn’t suit you,” The Who’s Pete Townshend told the Rolling Stones at their induction to the Rock n…
Maggie Gyllenhaal’s sophomore feature is a punkish, gothic, genre-dancing, feminist riot, whose verve, imagination and serious intent…