Features & Interviews
First Person: singer-songwriter Sam Amidon on working in Dingle with Teaċ Daṁsa on 'Nobodaddy'
Monday, 25 November 2024
Walking in the morning from my Airbnb along the road in West Kerry, a seven-minute walk with ocean on one side and farmland on the other, down to the Teaċ Daṁsa workshop space. I would bring all possible clothes for the short walk because the weather could go through all possible phases in those seven minutes.
First Person: Alec Frank-Gemmill on reasons for another recording of the Mozart horn concertos
Wednesday, 13 November 2024
One former teacher of mine said of their recording of the Mozart horn concertos “I’m not really sure why I bothered”. Said recording is excellent, so they were probably just being excessively modest. Nevertheless, every new version of these pieces does beg the question, why do we need another one?
'His ideal worlds embraced me with their...
Saturday, 02 November 2024
"I always enjoy seeing sunlight play on the rocks, the water, the trees and plains. What variety of effects, what brilliance and what softness... I...
Documentary highlights from the 2024 London Film...
Saturday, 26 October 2024
One of the many pleasures of the London Film Festival is the chance to see high-quality documentaries on the big screen. If lucky, these films might...
First Person: Bob Riley on Manchester Camerata...
Thursday, 24 October 2024
In May, it was announced that Greater Manchester was to become the UK’s first Centre of Excellence for Music and Dementia, hosted by Manchester...
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First Person: Lindsey Ferrentino on the play that has led Adrien Brody to the London stage
The American dramatist on bringing 'The Fear of 13', and its Oscar-winning lead, to the Donmar |
First Person: Tim Etchells on 40 years of making a noise with Forced Entertainment
The experimental theatre company marks four decades with its new production 'Signal to Noise' |
First Person: conductor Robert Hollingworth on a four-choir rarity by Benevoli
I Fagiolini join with two other choirs for a spectacular in St Martin-in-the-Fields |
10 Questions for Black String’s Youn Jeong Heo
K-Music special: The founder of Korea’s finest quartet discusses their intense and otherworldly music |
theartsdesk in Bradford - Leeds International Piano Competition 2024 finalists shine in St George's Hall
A clear winner, but all pianists worked superbly with a great conductor and orchestra |
First Person: soprano Elizabeth Atherton on the decimation of the classical music sector in Wales
Singer who began her career on contract with Welsh National Opera clarifies savage cuts by Welsh and English Arts Councils |
The law's sick voyeurism - director Cédric Kahn on 'The Goldman Case'
Kahn's drama about the 1976 trial of Pierre Goldman mirrors conflicts in modern France |
Here comes the flood: Bob Dylan's 1974 Live Recordings
Night after night: Sony's latest gargantuan release from the vaults |
First Person: Alexandra Dariescu on highlighting women at the Leeds International Piano Competition
A distinguished pianist fights for more balanced international programming |
theartsdesk in Switzerland: Lucerne and Gstaad offer curious audiences fresh perspectives on much-loved works
Two summer festivals find ever new ways to make each concert a memorable event |
theartsdesk at Jaminaround 2024 - preview of the unique Dorset venue's second edition
A music venue that prizes intimacy |
theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia
Bolshoi superstar who made her name in London returns with a new generation |
The Micro Golden Age of Mid Eighties Fantasy Films
They don't make 'em like 'The NeverEnding Story', 'Labyrinth', and 'Legend' anymore |
theartsdesk at the Ryedale Festival: dances, and songs, to the music of time
North Yorkshire's summer celebration blooms, and grows |
Bill Viola (1951-2024) - a personal tribute
Video art and the transcendent |
First Person: trans opera singer Lucia Lucas on Tippett’s 'New Year' and her life in music
The baritone’s success with Birmingham Opera Company has led to further reflections |
First Person: Katharina Kastening on directing slimline Bizet in a year rich in 'Carmen' productions
Peter Brook's 'La Tragédie de Carmen' further reimagined at Buxton |
theartsdesk Q&A: violinist and music director Pekka Kuusisto on staged Shostakovich, Sibelius, sound architecture and folk fiddling
Al fresco talk around 'Concert Theatre DSCH', playing at the Southbank Centre |
First Person: The Henschel Quartet at 30
On places, people, and playing Freda Swain's 'Norfolk' Quartet at the Aldeburgh Festival |
First Person: LIFT artistic director Kris Nelson on delivering the best of international theatre to the nation's capital
LIFT2024 promises a characteristically broad and bracing array of global performance |
Remembering conductor Andrew Davis (1944-2024)
Fellow conductors, singers, instrumentalists and administrators recall a true Mensch |
Extract: Pariah Genius by Iain Sinclair
A form-defying writer explores the troubled mindscape of a Soho photographer |
First Persons: composers Colin Alexander and Héloïse Werner on fantasy in guided improvisation
On five new works allowing an element of freedom in the performance |
First Person: Leeds Lieder Festival director and pianist Joseph Middleton on a beloved organisation back from the brink
Arts Council funding restored after the blow of 2023, new paths are being forged |
The future of Arts Journalism
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