classical music reviews, news & interviews
Rachel Halliburton |

Aaron Copland’s gleaming, monumental Fanfare for the Common Man was written to mark the USA’s entry into World War II. Those thunderous drums and soaring trumpets symbolised the moment when America formally announced itself as the greatest power in the world and its most ardent champion of democracy.

Graham Rickson |

 

Sibelius: Symphonies 1-7 Helsinki Philharmonic Orchestra/Jukka-Pekka Saraste (Ondine)

Violin Concerto, Lemminkäinen Suite Ava Bahari (violin), Gothenburg Symphony Orchestra/Santtu-Matias Rouvali (Alpha Classics)

Helen Charlston
“I’m a German Romantic at heart – there’s no better music.”  I found myself saying this recently after performing Robert Schumann’s song cycle…
David Nice
Despite Proms appearances, I'm still not sure that Tom Fetherstonhaugh, mover and shaker of the young Fantasia Orchestra, has yet had quite the…
Graham Rickson
Elgar & Dvořák: Cello Concertos Alban Gerhardt (cello), WDR Sinfonieorchester/Andrew Manze (Hyperion) Image…

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us in this mission.

Subscribing to the site will help us in our coming redesign and expansion.

If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

David Nice
Two recitals in a thousand, other events good to excellent
Robert Beale
Distinction and emotional impact from young musicians and an exuberant maestro
Boyd Tonkin
A brass hero blows through favourite pieces - and a bluesy newcomer
Graham Rickson
Baroque concertos, opera arias on solo horn and new music for contrabass flute
David Nice
Subtle, introspective 'Harold in Italy' followed by over-punchy 'Symphonie fantastique'
Rachel Halliburton
Semi-staged version brings a heightened appreciation of the symphony's jostle of voices
David Nice
Cellist/singer with friends and top quartet make welcome returns to the DICMF
Bernard Hughes
Striking performances by a quartet with a strong sense of identity
Graham Rickson
Life-enhancing Danish piano music and a trio of epic symphonies
David Nice
'Santtu' clearly loves 'Symphonia Domestica', the composer's family mock-epic
David Nice
Mozart with other-worldly refinement, focused passion in Brahms
David Nice
The Norwegian soprano has arrived as a great recitalist in partnership with a vivid pianist
Bernard Hughes
Veteran American singer in fine voice, complemented by characterful accordion
Robert Beale
Luxurious sonic experience and tonal beauties in a moving Mahler 6
Graham Rickson
Baroque keyboard music in new colours, a celebration of a great English composer and Russian fairytales
David Nice
Stunning collaboration between actors and musicians typifies this bracing enterprise
Bernard Hughes
Period instruments and voices recreate the glory of a historical investiture
Robert Beale
Rautavaara’s birds, Nielsen’s arguments, and an outstanding Sibelius concerto
David Nice
A celebrated sibling brings style and panache to two brothers
Bernard Hughes
Adventurous programming showcases choir’s versatility and skill
stephen.walsh
Lucid playing with some unwanted appendages
Claire Booth
A very individual singer joins Ensemble 360 for eight days of superb programming
Simon Thompson
Principal cellist plays two concertante works, the orchestra glittering alongside him
Graham Rickson
French baroque music, British orchestral fireworks and an award-winning Dutch pianist

latest in today

I didn’t want to review Shania Twain. My sense of her is of ancient mega-selling hits I can’t stand. I didn’t even go to her Sunday…
Social engineering gets a bad press. The whiff of creating a eugenics-inspired master race by other means clings to it, so too agitprop…
The title “Tone Phase 1 for 2 Guitars & 4 Oscillators” is a giveaway, clearly indicating what’s going to be heard once the LP has…
Aaron Copland’s gleaming, monumental Fanfare for the Common Man was written to mark the USA’s entry into World War II. Those thunderous…
 Sibelius: Symphonies 1-7 Helsinki Philharmonic Orchestra/Jukka-Pekka Saraste (Ondine)Violin Concerto, Lemminkäinen Suite Ava Bahari (…
What an extraordinary band are The Punch Brothers, a bunch of conspicuously talented musicians whose six albums never fail to delight and…
The man who made Interstellar, Tenet and Oppenheimer can hardly be accused of not thinking big. Now, with The Odyssey, he’s thinking epic.…
Buxton’s summer jamboree for opera lovers this year offers a brace of baroque works, written 90 years apart, with the character of…
Dismemberment is a key motif in the writer-director Simon Stone’s The Oresteia. It reflects the treatment of two of the piece’s several…
Ana Mendieta’s work gives me the creeps. This is a deeply unfashionable view, so much so that I may well be cancelled for it. Mendieta is…

Most read

We tend to indulge hagiography when it comes to biopics of pop icons. To get the rights to their music, producers often have to let the…
The first word of The Iliad is “war”; the first word of The Odyssey is “man”. After that, the twists and turns of Homer’s epic poems veer…
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises…
The man who made Interstellar, Tenet and Oppenheimer can hardly be accused of not thinking big. Now, with The Odyssey, he’s thinking epic.…
John Martin is heaven. Well, as many of his contemporaries would have pointed out, John Martin is also hell, or The Last Judgement, or, as…
Aaron Copland’s gleaming, monumental Fanfare for the Common Man was written to mark the USA’s entry into World War II. Those thunderous…
Social engineering gets a bad press. The whiff of creating a eugenics-inspired master race by other means clings to it, so too agitprop…
Art can inspire music, and vice versa. When concert (as opposed to theatre or film) scores are accompanied by images, however, the effect…
A startling one in 10 British adults apparently went to a music festival this year. Given that I’m a music journalist and I didn’t, maybe I…
Ana Mendieta’s work gives me the creeps. This is a deeply unfashionable view, so much so that I may well be cancelled for it. Mendieta is…