It's hard to criticise a movie that opens with a shot of an Allied G.I. spitting and urinating on a Nazi insignia, but that moment of smug satisfaction (Nazi punks must die!) is fleeting. Nuremberg, written and directed by James Vanderbilt, has more on its mind than self-congratulation.
He wouldn't teach English, Toby Jones says. But drama? "Maybe," he pauses, "drama in the widest possible sense of the word, because it is an ever-expanding field, I suppose."
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