tue 22/10/2024

Film Reviews

Milisuthando review - exorcising apartheid

Nick Hasted

“The street I grew up in had no name and is in a country that no longer exists,” director Milisuthando Bongela begins her meditation about growing up in Transkei, a semi-fictional black nation which helped facilitate apartheid yet felt like a utopia.

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Since Yesterday review - championing a neglected female music scene

India Lewis

Since Yesterday: The Untold Story of Scotland's Girl Bands is one of those films that, perhaps embarrassingly, feels very necessary. An examination of the history of solely all female bands in Scotland since the 1960s, it is a great demonstration of how little seems to have changed, particularly when it comes to the industry’s perceived "risk" when backing these groups.

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The Wild Robot - beasts and bot bond, gradually

Pamela Jahn

Is it mere coincidence or already a new trend? Animated films about the unlikely friendships between robots and animals are thriving. Earlier this year, Pablo Berger's heart-warming retro tale Robot Dreams proved that fur and metal can go a long way when it comes to creating a kids' film that is in touch with the times. In The Wild Robot, things are a little more complicated: machines and feral creatures get to learn from each other the hard way.

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Smile 2 review - worthy follow up to runaway hit

Harry Thorfinn-

No film tackles the knotty topic of inherited mental illness with as much gleeful abandon as Smile. Mental health has been a popular subtext in contemporary horror for the past decade, but Parker Finn's Smile felt refreshing in how unsubtle it was. The premise was a curse that drives you mad with violent hallucinations that eventually force you to kill yourself, passing the curse on to whoever witnesses your death.

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London Film Festival 2024 - Daniel Craig, Amy Adams, Twiggy, Christopher Reeve and some snails

Adam Sweeting

Queer

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The Apprentice review - from chump to Trump

James Saynor

It’s common to say that Shakespeare would have liked such-and-such a modern story, but I think he actually might have gone for this one. The Bard’s eye was drawn to cruelty at every turn, and bad-to-the-bone cruelty seeps from each scene of The Apprentice, a drama about Donald Trump’s rise to fame and gain.

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The Crime Is Mine review - entertaining froth from a crack cast

Helen Hawkins

For his latest pick’n’mix sortie into the world of the women’s picture, François Ozon has gone back to the 1930s and a popular play of the time, Mon Crime (1934). In his hands it emerges as an île flottante of a film that slips down easily but isn’t that nourishing, even though he adds some crunchier elements along the way.

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Woman of the Hour, Netflix review - gripping drama follows a true-life Seventies serial killer

Markie Robson-Scott

“I knew he was risky, but like fuck it, everyone’s risky.” A young woman (Kelley Jakle) poses for pictures on a deserted mountain road in Wyoming in 1977, telling Rodney, a charming, award-winning photographer (Daniel Zovatto), about the boyfriend who walked out on her when she got pregnant. She cries, grateful for his attention, and he listens sympathetically. Suddenly, his expression changes and he attacks her, strangling her, then revives her, then attacks again.

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Endurance review - the greatest escape, AI-assisted

Hugh Barnes

Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition, which set out in 1914 only to be marooned until August 1916, was a failure but a “glorious failure”, in the words of one crew member, the meteorologist Leonard Hussey. It is also perhaps the greatest survival story ever told.

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Salem’s Lot review - listless King remake

Nick Hasted

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of their skins.

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London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmare

Adam Sweeting

Conclave

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The Last of the Sea Women review - a moving tale of feisty traditional divers

Sarah Kent

“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60 miles south of the Korean peninsular.

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Timestalker review – she's lost control again

Hugh Barnes

Unlike the controversial Netflix show Baby Reindeer, which challenges many of the same attitudes towards sexual harassment, self-delusion, and stalking’s gender bias, Alice Lowe’s second feature as director, writer, and star does not bill itself as a true story.

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Portraits of Dangerous Women review - quirky indie comedy

Markie Robson-Scott

“I like laws and rules,” Steph (Jeany Spark), a jaded primary school teacher, tells a pet-shop employee – she’s adopting a cat, though that venture is doomed to failure - defensively. “They’re what separate us from the monkeys and chaos.”

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Things Will Be Different review - lost in the past

Nick Hasted

Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.

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Joker: Folie à Deux review - supervillainy laid low

James Saynor

“Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing good business for Hollywood before and since.We root for them and we don’t root for them at the same time, which is perhaps why not everyone in Hollywood has agreed with the hotcake thing. 

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