Film Reviews
Weapons review - suffer the childrenSaturday, 09 August 2025
Weapons’ enigmatic title, as with Zach Cregger’s previous film Barbarian, reveals little of what follows. The smalltown Pied Piper premise is sufficiently alluring: at 2.17 am, all bar one of a primary school class leave their beds and sprint through night streets, arms flung back like fighter jets, before vanishing utterly. Read more... |
Oslo Stories Trilogy: Dreams review - love lessonsWednesday, 06 August 2025
Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in the Golden Bear-winning Dreams, the first UK release from Norwegian director Dag Johan Haugerud’s Oslo Stories trilogy. Love and Sex complete the thematically interwoven sequence, which unpick assumptions about sexual identity with gentle irony. Read more... |
Late Shift review - life and death in an understaffed Swiss hospitalFriday, 01 August 2025
Floria (the superb Leonie Benesch: The Crown; The Teachers’ Lounge; September 5) is a nurse, working the severely understaffed night shift in a Zurich hospital. She is constantly doing three things at once, sanitising her hands, snapping her gloves on and off, measuring medications into syringes, finding veins for IVs and saying, endlessly, “Ich komme gleich” (I’ll be there soon) or “Have you pain on a scale of one to ten?” Read more... |
The Naked Gun review - farce, slapstick and crass stupidityFriday, 01 August 2025
The original Naked Gun series (spun off from the Police Squad! TV show) brought reliable belly-laughs to the Eighties and Nineties and starred the incomparable Leslie Nielsen as the preposterous detective Frank Drebin, but for this regenerated version Liam Neeson has stepped up to the plate. Read more... |
The Fantastic Four: First Steps review - innocence regainedSunday, 27 July 2025
Marvel goes back to its origins, gulping the fresh air of Stan Lee and Jack Kirby’s first hit comic The Fantastic Four in 1961. Ignoring recent flop film versions, it revels in a self-contained, space-age world as yet uncluttered with other costumed characters, and heroes who aren’t brooding vigilantes but human beacons of light. Read more... |
Dying review - they fuck you up, your mum and dadFriday, 25 July 2025
Despite the title of Matthias Glasner’s award-winning drama, and the death that swirls around its characters, dying isn’t really its subject, but the mess of living. Read more... |
The Ballad of Suzanne Césaire review - a mysterious silenceSaturday, 19 July 2025
A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in clandestine conversation. The woman is Suzanne Césaire (Zita Hanrot), an influential Martinican journalist and essayist on Surrealism, feminism, Négritude (Francophone black consciousness) and an anti-colonial philosophy honed to a dangerous edge by the Fascist-aligned authorities. Read more... |
Harvest review - blood, barley and adaptationFriday, 18 July 2025
Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like sheet music transfigured into the sound of an orchestra. Too often, though, the resulting film can resemble the sound of the orchestra trying to play in boxing gloves. Read more... |
Friendship review - toxic buddy alertThursday, 17 July 2025
The frenetic brand of humour that Tim Robinson brings to Friendship comes from a long lineage. There have been turbo-charged, mad-staring, cringe-inducing figures occupying the centre of comedies and propelling them at least as far back as Molière, and continuing through John Cleese, Jim Carrey, and others. Read more... |
S/HE IS STILL HER/E - The Official Genesis P-Orridge Documentary review - a shapeshifting open window onto a counter-cultural radicalWednesday, 16 July 2025
“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile away.” Read more... |
Superman review - America's ultimate immigrantMonday, 14 July 2025
A three-century-spanning countdown rapidly ticks to a version of now, and a beaten Superman (David Corenswet) ploughing into Arctic snow. His super-whistle fetches Superdog Krypto to excavate him like a favourite bone, and drag him to crystalline sanctuary the Fortress of Solitude. Read more... |
The Other Way Around review - teasing Spanish study of a breakup with unexpected depthSaturday, 12 July 2025
Can a romcom be intellectually challenging while hitting all the sweet spots of the genre? Jonás Trueba, the director of the award-winning Spanish film The Other Way Around (Volveréis, literally “you will return”), has confected something close to that. Read more... |
Hot Milk review - a mother of a problemFriday, 04 July 2025
Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama". Strictly speaking, it's a psychoanalytic one – a clue-sprinkled case study, involving talk therapy, of a woman whose repressed trauma has confined her to a wheelchair for 20 years. Read more... |
The Shrouds review - he wouldn't let it lieThursday, 03 July 2025
“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers (1975), and that slippery adage could sum up more than a few of the Canadian sensationalist’s movies in the past 50 years – not least his latest, The Shrouds, which was in competition at Cannes last year. |
Jurassic World Rebirth review - prehistoric franchise gets a new lease of lifeWednesday, 02 July 2025
The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with pizzazz by Steven Spielberg, it was ground-breaking (and indeed ground-shaking) enough to earn admission to the Library of Congress’s National Film Registry on account of being “culturally, historically, or aesthetically significant”. Read more... |
Sudan, Remember Us review - the revolution will be memorisedTuesday, 01 July 2025
In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir, hoping to chronicle the dream of an Arab country shaken up by a feminist revolution. The young pro-democracy activists, mostly women, she met at a sit-in protest outside army headquarters in Khartoum became the focus of Sudan, Remember Us, which she filmed over the next four years. Read more... |
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