tue 17/09/2024

Helen Hawkins

Articles By Helen Hawkins

Our Country's Good, Lyric Hammersmith review - lively but patchy revival

Read more...

Sambre: Anatomy of a Crime, BBC Four review - satisfying novelistic retelling of a French true crime saga

Read more...

A Night with Janis Joplin: The Musical, Peacock Theatre review - belting Blues singing in an oddly sanitised format

Read more...

The 39 Steps, Trafalgar Theatre review - return of an entertaining panto for grown-ups

Read more...

Death of England: Michael / Death of England: Delroy, Soho Place review - thrilling portraits, brilliantly performed, of rebels without a cause

Read more...

The Grapes of Wrath, NT Lyttelton review - a bleak journey into migrant purgatory

Read more...

A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathos

Read more...

Time Bandits, Apple TV+ review - larky expanded rerun of the Gilliam/Palin classic

Read more...

About Dry Grasses review - warts and all portrait of an unhappy man

Read more...

Red Speedo, Orange Tree Theatre review - two versions of American values slug it out

Read more...

ECHO, LIFT 2024, Royal Court review - enriching journey into the mind of an exile

Read more...

Janet Planet review - teasing dissection of a mother-daughter relationship

Read more...

More Than One Story review - nine helpings of provocative political theatre

Read more...

Visit from an Unknown Woman, Hampstead Theatre review - slim, overly earthbound slice of writer's angst

Read more...

Grud, Hampstead Theatre review - sparky investigation of a geeky friendship

Read more...

Skeleton Crew, Donmar Warehouse review - slow burn that satisfyingly catches fire

Read more...

Pages

latest in today

Donohoe, Roscoe, Stoller Hall, Manchester review - two great...

A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest...

Here comes the flood: Bob Dylan's 1974 Live Recordings

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes that are now a half...

Wang, Lapwood, LSO, Pappano, Barbican review - grace and pow...

It takes stiff competition to outshine Yuja Wang, who last night at the Barbican complemented her spangled silver sheath with a disconcerting pair...

My Favourite Cake review - woman, love, and freedom

The taxi cab has become a recurring motif in modern Iranian cinema, perhaps because it approximates to a kind of dissident bubble within the...

Beethoven Sonata Cycle 1, Boris Giltburg, Wigmore Hall revie...

A happy, lucid and bright pianist, a forbidding Everest among piano sonatas: would Boris Giltburg follow a bewitching, ceaselessly engaging first...

The Band Back Together, Arcola Theatre review - three is a d...

We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that...

Music Reissues Weekly: Sean Buckley & The Breadcrumbs

Although Dagenham’s Sean Buckley & The Breadcrumbs are less than a footnote in the story of beat boom-era Britain, appearances on archive...

The Critic review - beware the acid-tipped pen

The setting is the lively 1930s London theatre world, but any sense that The Critic will be a lighthearted thriller should soon be...

Van Gogh: Poets & Lovers, National Gallery review - pass...

Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the...