thu 02/05/2024

Helen Hawkins

Articles By Helen Hawkins

A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead

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La Syndicaliste review - a star outshines her conspiracy thriller script

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The Super 8 Years review - Nobel laureate’s meditative self-portrait from home movies

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Mrs Doubtfire, Shaftesbury Theatre review - bold musical makeover of the hit comic film

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The Change, Channel 4 review - beguiling feminist comedy with a stellar cast

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School Girls, Lyric Hammersmith review - an African Mean Girls with added bite

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Idiots Assemble: Spitting Image The Musical, Phoenix Theatre review - more crude than cruel

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The Curious Case of Benjamin Button, Southwark Playhouse Elephant review - superbly performed folksy musical

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Groundhog Day, Old Vic review - Tim Minchin’s musical returns in full-on style

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Yours Unfaithfully, Jermyn Street Theatre review - resonant debate about open marriage from 1933

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Carmen review - curio from choreographer turned director Benjamin Millepied

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Mad About the Boy review - entertaining cradle-to-grave Noel Coward documentary

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Re-Member Me, Hampstead Theatre review - wittily staged but poignant lip-syncing

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Succession Season Four finale, Sky Atlantic review - a glorious bonfire of the vanities

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Invisible, Bush Studio review - engaging monologue about Brown cultural identity

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Moon Is the Oldest TV review - a fitting tribute to a visionary modern artist

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latest in today

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...

Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...

It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...

Album: EYE - Dark Light

Skirting along the peripheries of doom metal,...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...