gallery photographis & art displays
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The Death of Robin Hood is a painterly film, but a melancholy rather than a merry one. A key descriptor in the rhymes and ballads, “merry”…
Cadogan Hall – audience capacity 953 – is probably the smallest venue Todd Rundgren has ever played in London. It’s not about a star which…
First performed by its author, Ntozake Shange, and four female friends in a Californian bar in 1974, this piece moved on to more mainstream…
To plug into Chat Pile’s new album is to latch onto a wormhole that reaches back to the mid 1980s to sample a scene that was post-post-punk…
"Iconic" must be the most used and abused word in the reviewer’s lexicon - a single in the Top Ten and a slot down the bill at a wannabee…
Andy Sheppard, like other artists who record frequently for ECM, has built a substantial oeuvre in the label’s mighty catalogue, and in the…
After the mighty artillery of the Berliner Philharmoniker, here was a German-themed and German-delivered Prom full of subtle, even heart-…
Bogart’s 1950s filmography reads like an X-ray of Golden Age Hollywood’s bipolar soul. That uneasy marriage of art and commerce delivered…
Bomb disposal clearly isn’t a job for the faint-hearted, but Vicky McLure’s Lana Washington, who heads the specialist Metropolitan Police…
It’s hardly surprising that director Grant Gee, one of the most outstanding documentarians around – with acclaimed films about Joy Division…