sun 05/10/2025

Reviews

'We are bowled over!' Thank you for your messages of love and support

Tom Birchenough

We are bowled over! 

Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review - towards a Mozart masterpiece

David Nice

One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That happened to me last week at the New Ross Piano Festival when 22-year-old pianist Magdalene Cho turned us upside down in Bach’s Sixth Partita. It happened again last night when Peter Whelan and his Irish Baroque Orchestra hit 1788 with one of the three symphonic masterpieces Mozart composed in a single summer, the 39th.

Music Reissues Weekly: The Earlies - These Were...

Kieron Tyler

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-marks review...

Hamlet, National Theatre review - turning tragedy...

Demetrios Matheou

The National’s latest production of Hamlet opens with a bang: a sureness of style, atmosphere and refreshing comedic effect, accompanied by a...

France, LPO, Gardner, RFH review - the sound of...

Boyd Tonkin

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic....

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Like Water for Chocolate, Royal Ballet review - splendid dancing and sets, but there's too much plot

Helen Hawkins

Christopher Wheeldon's version looks great but is too muddling to connect with fully

Lee Miller, Tate Britain review - an extraordinary career that remains an enigma

Sarah Kent

Fashion photographer, artist or war reporter; will the real Lee Miller please step forward?

Rohtko, Barbican review - postmodern meditation on fake and authentic art is less than the sum of its parts

Rachel Halliburton

Łukasz Twarkowski's production dazzles without illuminating

Lee, Park Theatre review - Lee Krasner looks back on her life as an artist

Gary Naylor

Informative and interesting, the play's format limits its potential

Ariodante, Opéra Garnier, Paris review - a blast of Baroque beauty

Mark Kidel

A near-perfect night at the opera

Murder Before Evensong, Acorn TV review - death comes to the picturesque village of Champton

Adam Sweeting

The Rev Richard Coles's sleuthing cleric hits the screen

Kanneh-Mason, Britten Sinfonia, Shave, Milton Court - a grin and a big beaming smile

Bernard Hughes

A pair of striking contemporary pieces alongside two old favourites

Urchin review - superb homeless drama

Demetrios Matheou

Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut

Lapwood, Hallé, Wong, Bridgewater Hall, Manchester review - journeys into space

Robert Beale

Star of the console takes us on a cosmic dance , while Elgar brings us back to earth

Measure for Measure, RSC, Stratford review - 'problem play' has no problem with relevance

Gary Naylor

Shakespeare, in this adaptation, is at his most perceptive

theartsdesk at the New Ross Piano Festival - Finghin Collins’ musical rainbow

David Nice

From revelatory Bach played with astounding maturity by a 22 year old to four-hand jazz

Mr Blake at Your Service review - John Malkovich in unlikely role as an English butler

Markie Robson-Scott

Weird comedy directed by novelist Gilles Legardinier

The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer fest

Aleks Sierz

West End transfer of National Theatre hit stars Stephen Fry and Olly Alexander

Justin Lewis: Into the Groove review - fun and fact-filled trip through Eighties pop

Bernard Hughes

Month by month journey through a decade gives insights into ordinary people’s lives

Don't Let's Go to the Dogs Tonight review - vivid adaptation of a memoir about a Rhodesian childhood

Helen Hawkins

Embeth Davidtz delivers an impressive directing debut and an exceptional child star

Lady Gaga, The Mayhem Ball, O2 review - epic, eye-boggling and full of spirit

Thomas H Green

One of the year's most anticipated tours lives up to the hype

Get Down Tonight, Charing Cross Theatre review - glitz and hits from the 70s

Gary Naylor

If you love the songs of KC and the Sunshine Band, Please Do Go!

Nick Helm, Touring review - brash comic shows his vulnerable side

Veronica Lee

Matters of the heart and heavy metal

Slovenian avant-folk outfit Širom’s 'In the Wind of Night, Hard-Fallen Incantations Whisper' opens the door to inner space

Kieron Tyler

Unconventional folk-based music which sounds like nothing else

One Battle After Another review - Paul Thomas Anderson satirises America's culture wars

Graham Fuller

Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller

Black Rabbit, Netflix review - grime and punishment in New York City

Adam Sweeting

Jude Law and Jason Bateman tread the thin line between love and hate

Kerry James Marshall: The Histories, Royal Academy review - a triumphant celebration of blackness

Sarah Kent

Room after room of glorious paintings

The Hack, ITV review - plodding anatomy of twin UK scandals

Helen Hawkins

Jack Thorne's skill can't disguise the bagginess of his double-headed material

Punch, Apollo Theatre review - powerful play about the strength of redemption

Rachel Halliburton

James Graham's play transfixes the audience at every stage

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latest in today

'We are bowled over!' Thank you for your messages... ...
Scott, Irish Baroque Orchestra, Whelan, RIAM, Dublin review...

One miracle of musical performance is that a work you’ve loved for years can be revealed as never before in an outstanding interpretation. That...

Music Reissues Weekly: The Earlies - These Were The Earlies

The reappearance of These Were The Earlies for its 21st-anniversary is a surprise. Although The Earlies' debut LP received a maximum-...

France, LPO, Gardner, RFH review - the sound of other worlds

Even in the 21st century, it may not take that long for an outlandish literary experiment to jump genres and become an established musical classic...

Like Water for Chocolate, Royal Ballet review - splendid dan...

Christopher Wheeldon has mined a new seam of narrative pieces for the...

Rohtko, Barbican review - postmodern meditation on fake and...

It’s truly thrilling to see the Barbican embracing big concept long-form theatre again, seeking out productions that are as conceptually...

Lee, Park Theatre review - Lee Krasner looks back on her lif...

Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The Boys...

Ariodante, Opéra Garnier, Paris review - a blast of Baroque...

The revival of Robert Carsen’s production of Handel’s Ariodante at the...