What can you do with lots of big sheets of white paper, three rolls of Sellotape and a couple of torches? These are items from the “props incident room”, as he would call it, of Phelim McDermott’s workshop. With them, and the other workshop that is his fertile imagination, he has conjured up a very special show.
Attending the tale of Sweeney Todd was my introduction to musical theatre. I was in my early 20s and a friend of mine had invited me to the summer show at Guildford School of Acting and Dance. Reluctantly, I went along, fearing jazz hands, happy talk and an overdose of The Kids From Fame.
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