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reviews
Rachel Halliburton |

I have to confess I was deeply sceptical that Haruki Murakami’s 1985 magical realist novel would work on stage. The plot, after all, which splices together cyberpunk and fantasy, takes us through scenarios which include unicorns that turn gold in the autumn, a sinister Gatekeeper who amputates people’s shadows, and a hidden laboratory in the Tokyo Sewer System. 

Robert Beale |

The stars in this rating are all down to the musical quality of the performance and the abilities of the singers – a leading quartet all of whom are making their Opera North debuts, excellent supporting roles sung by members of the Chorus of Opera North, the chorus themselves, the orchestra and the conducting skills of music director Garry Walker.

Sarah Kent
To the casual eye, Robert Ryman’s paintings look white; but when I once asked him why he chose not to use colour, he got really annoyed and insisted…
Aleks Sierz
Every day, on the first day of the seventh lunar month, the Gates of Hell open and ghosts are allowed to return to our world. Because the souls of…
Stuart Begley
“Hail, Mary, full of Grace”, the first words uttered by Gabriel to Mary in Luke's account of the Annunciation, are not heard in Testament – the…
Matt Wolf
Jonathan Larson's New York-centred show finds a loving London home
Nick Hasted
Mark Zuckerberg hits the Darth Vader dark side in a miscast, inert sequel
Veronica Lee
Irish comic in confident debut hour
David Nice
Bridge Theatre transfer is totally compelling, with strong vocals throughout
Helen Hawkins
Monica Dolan excels as the shy Galway woman who turned intrepid investigator
James Saynor
Our first look at the global movie compendium, which returns with 250 offerings
Graham Rickson
Expansive, expensive musical biopic with a starry cast, led by John Malkovich
Gary Naylor
Somewhat laboured comedy enlivened by a warm, all-male cast
Sarah Kent
Absence made humorously present
Adam Sweeting
Last time around for Anthony Horowitz's bookish heroine Susan Ryeland?
Tim Cumming
A Korean and French septet move beyond boundaries at London’s K-Music Festival
Gary Naylor
Two halves do not make a whole
Guy Oddy
Harsh & fierce sounds of resistance at a serious volume
Gary Naylor
Bold and pacy, but lost in its ambition
Robert Beale
An operetta once dogged by misfortune finds its happy ending at last
Sarah Kent
An archive opened to view
Nick Hasted
Amiable inside account of Rushdie's courageous recovery from his ruinous stabbing
David Nice
Oscar Wilde's seemingly freefall prison lament becomes a compelling study in insanity
Stuart Begley
Ireland's leading orchestra gets a dose of Wilsonian Idealism
Adam Sweeting
Desperate convicts battle the law and the elements in the Oregon wilderness
Gary Naylor
It's a long hour with nightmarish nihilists
Alice Brewer
Style fails to meet philosophical ambition in a novel that treads old ground
Aleks Sierz
Marianne Elliott’s magnificent revival of Edward Albee’s classic stars Gillian Anderson and Billy Crudup
David Nice
Stanislas de Barbeyrac's protagonist matches Jakub Hrůša's conducting for intensity

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I have to confess I was deeply sceptical that Haruki Murakami’s 1985 magical realist novel would work on stage. The plot, after all, which…
The stars in this rating are all down to the musical quality of the performance and the abilities of the singers – a leading quartet all of…
To the casual eye, Robert Ryman’s paintings look white; but when I once asked him why he chose not to use colour, he got really annoyed and…
Every day, on the first day of the seventh lunar month, the Gates of Hell open and ghosts are allowed to return to our world. Because the…
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