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Fire and ice are the elements invoked at the start of Handel’s remarkable opera of jealousy and betrayal, yet what gives it its power is the world of subtlety and shadow that lies between them. In Jetske Mijnssen’s dynamic, darkly witty directorial debut at the Royal Opera House, she creates a canvas on which each character’s contradictions can be felt to the full, capturing every nuance of their rapturous highs and sonorous lows.
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