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Adam Sweeting |

It’s that time of year again.

Sarah Kent
I’ll never forget watching Tracey Emin reduce an audience to tears at the Royal Festival Hall. About 25 people were expected, but some 500 turned up…
Helen Hawkins
The indomitable Nicolas Kent has devised a new theatre piece to prick our consciences and refocus our minds, after his sterling work on the ugly…
Simon Thompson
Pretty much any performance of Mahler’s “Resurrection” Symphony is a special occasion, but this one perhaps more so than most. For one thing, it was…

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Veronica Lee
Gag-heavy hour
Adam Sweeting
Lisa McGee's drama is comedy, tragedy and much more besides
Kieron Tyler
Thought-provoking primer in US pop’s varied pre-psychedelic musical landscape
Boyd Tonkin
A master pianist dives deep into the farewell moods of Brahms and Beethoven
stephen.walsh
Big sounds needing more space but no better playing
Jon Turney
A Harvard professor presents a sprawling urban history
James Saynor
A vivid and bustling study of 18th century religious purists
Rachel Halliburton
Style, sophistication and philosophical elegance
James Saynor
A fatalistic tale of clubbers in peril and an awful lot of sand
Thomas H. Green
Despite a limited audience, an evening of whole-hearted sing-alongs
Sarah Kent
It pays to delay; how to be a great painter at 91
aleks.sierz
Alexi Kaye Campbell’s new play tells the story of George Eliot’s early struggle for independence
Boyd Tonkin
Styles harmonise in music of memory and mourning
Kieron Tyler
When guitar solos are as important as the meaning of the song
Veronica Lee
Shaggy-dog story about a Hollywood party
Thomas H. Green
The widest ranging record reviews in the cosmos
David Nice
First-rate singing, playing and conducting, and the portable production has some impact
Robert Beale
A haunting encounter with Cassandra Miller’s Viola Concerto
Gary Naylor
No sex please, we're British (and Irish)
Graham Fuller
The military dictatorship unleashed a carnival of killing and corruption, but Kleber Mendonça Filho's sprawling genre-buster shows there was hope, too
Matt Wolf
Popular novel-turned-musical pushes the bounds of credibility to breaking point and beyond
Kieron Tyler
Stunning, originally shelved, American version of Pil’s first album resurfaces
Adam Sweeting
Phony Tony or saviour of the world?
Rachel Halliburton
Chadwick Boseman's play is a feast of visual and sonic invention

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