mon 14/10/2024

Reviews

A Raisin in the Sun, Lyric Hammersmith review - of race and men

Aleks Sierz

Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also a cultural goldmine. So powerful is its depiction of the postwar African-American experience that it has inspired at least two other recent dramatic responses: Bruce Norris’s Clybourne Park (2010) and Kwame Kwei-Armah’s Beneatha’s Place (2013).

Salem’s Lot review - listless King remake

Nick Hasted

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of their skins.

Disclaimer, Apple TV+ review - a misfiring...

Helen Hawkins

It seems to be silly season for big-name directors. First, Coppola’s Megalopolis and Steve McQueen’s Blitz: why? Now Alfonso Cuarón’s Disclaimer:...

Music Reissues Weekly: Arvo Pärt - Tabula Rasa

Kieron Tyler

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most...

The Turn of the Screw, English National Opera...

David Nice

At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is...

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

London Film Festival 2024 - the Vatican, the Blitz, a trip to Poland and a surfin' nightmare

Adam Sweeting

Another cinematic feast as LFF '24 gets underway

The Last of the Sea Women review - a moving tale of feisty traditional divers

Sarah Kent

Eye-opening Korean doc about intrepid harvesters of the deep

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - top cast plays unhappy families

David Nice

Mini-masterpiece and splashy sequel carried off with as much conviction as they can take

Timestalker review – she's lost control again

Hugh Barnes

Alice Lowe directs herself as a woman pursuing the wrong dude, century after century

Kanga, Manchester Collective, Singh, RNCM Manchester review - string ensemble playing at its most rewarding

Robert Beale

New classics introduced and a world premiere with a dark story

The Lehman Trilogy, Gillian Lynne Theatre review - three brothers, two crashes, one American Dream

Gary Naylor

Sensational stagecraft elevates familiar tale of immigrant success in the USA

Filumena, Theatre Royal Windsor review - Mozartian marriage comedy with pasta sauce

Ismene Brown

Dazzling Felicity Kendal conquers time in a tour de force of comedic playing

Brace Brace, Royal Court review - too slender to satisfy

Aleks Sierz

New play about the consequences of a plane hijack is energetic but unconvincing

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries

Sarah Kent

Two artists, 50 years apart, invite audience participation

Gigi and Dar, Arcola Theatre review - a war-game of two halves

Helen Hawkins

Josh Azouz and Kathryn Hunter concoct an uneasy mix of comedy and tragedy

Portraits of Dangerous Women review - quirky indie comedy

Markie Robson-Scott

Pascal Bergamin explores unlikely friendships in the English countryside

Album: The Offspring - Supercharged

Ellie Roberts

Another successful Pop Punk celebration

The Other Place, National Theatre review - searing family tragedy

Demetrios Matheou

Emma D’Arcy and Tobias Menzies lock horns in twisted and triumphant take on ‘Antigone’

Bellringers, Hampstead Theatre review - mordant comedy about the end of the world

Helen Hawkins

Daisy Hall's astonishing debut is both darkly funny and deadly serious

Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended

Sarah Kent

The artist who refused to grow up

French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running

Gary Naylor

Comedy gains momentum when characters are rounded out

Ludwig, BBC One review - entertaining spin on the brainy detective formula

Helen Hawkins

David Mitchell is a perfect fit for this super-sleuth

Ellen DeGeneres, Netflix Special review - no mea culpa and few jokes

Veronica Lee

Former chatshow host’s bizarre take on cancellation

The Hardacres, Channel 5 review - a fishy tale of upward mobility

Adam Sweeting

Will everyday saga of Yorkshire folk strike a popular note?

Juno and the Paycock, Gielgud Theatre review - a shockingly original centenary revival of O'Casey's tragi-comedy

Heather Neill

J Smith-Cameron and Mark Rylance bring the classic characters to life

Hardenberger, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - splendour and a trumpeter's voluntary

Robert Beale

Individuality and discipline in Strauss, Stravinsky, Haydn… and more

Angry and Young, Almeida Theatre review - vigorous and illuminating double bill

Aleks Sierz

Two all-time 1950s classics, 'Look Back in Anger' and 'Roots', get super revivals by young directors

Blond Eckbert, English Touring Opera review - dark deeds afoot in the woods

Bernard Hughes

Judith Weir’s chamber opera explores Freudian themes through a modern lens

Songs We Carry, Ana Silvera and Saied Silbak, Kings Place review - harmony between Arab and Jew

Mark Kidel

Witnesses to the possibility of reconciliation and love

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters

latest in today

A Raisin in the Sun, Lyric Hammersmith review - of race and...

Lorraine Hansberry’s A Raisin in the Sun is not only the first play by a black woman to premiere on Broadway, back in 1959, but it’s also...

Salem’s Lot review - listless King remake

A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw...

Music Reissues Weekly: Arvo Pärt - Tabula Rasa

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most...

The Turn of the Screw, English National Opera review - James...

At first, you wonder if the peculiar voice of Henry James’s maybe unreliable narrator can be preserved in this production. Surely the outcome is...

London Film Festival 2024 - the Vatican, the Blitz, a trip t...

Conclave

Director Edward Berger won an...

The Last of the Sea Women review - a moving tale of feisty t...

“The ocean is our home… Even in my next life I will dive again,” says Geum Ok, one of a band of female divers from Jeju, a volcanic island 60...

Trouble in Tahiti/A Quiet Place, Linbury Theatre review - to...

Most of us have been there: an impasse in a marriage, a bereavement in a dysfunctional family. Leonard Bernstein certainly had when he composed...

Album: Justin Adams & Mauro Durante - Sweet Release

Sweet Release opens up a landscape of redemption by riding the rails of a classic ...