Markie Robson-Scott
Articles By Markie Robson-Scott
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Henry V, Tobacco Factory Theatres, Bristol review -
Henry V is a play shot through with martial energy and the terrible chaos of war. The almost overpowering violence and energy that characterise...
Katherine Ryan, Garrick Theatre review - feminism with extra...
Katherine Ryan was making her West End debut – a big moment in any comic’s career – but she made her entrance on stage at the Garrick unannounced...
Faces Places review - Agnès Varda's enchanted journey
On the eve of her tenth decade, the marvellous ...
James Graham: 'the country of Shakespeare no longer rec...
Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously...
The Outsider, Print Room at the Coronet review - power in re...
As the Syrian conflict enters its final convulsions, renewing memories of how the Sykes-Picot agreement – between an Englishman and a Frenchman –...
Heathers The Musical, Theatre Royal Haymarket review - a sar...
This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010...
CD: Prince - Piano and a Microphone 1983
Knowing a deceased artist's archives are available for re-release is a double-edged sword. Will there be a shoddy flood of any and every old bit...
Agnès Varda: 'You think I'm finished?!' - int...
At a time when the issue over the scarcity of opportunities for female...