tue 16/09/2025

Markie Robson-Scott

Articles By Markie Robson-Scott

Nitram review - chilling drama based on the Port Arthur gunman

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Swan Song review - the fabulous Udo Kier as a small-town hairdresser on his last legs

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Bergman Island review - Mia Hansen-Løve's joyful English-language debut

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Luzzu review - a Maltese fisherman struggles with modernity

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The Quiet Girl review - finding a home away from home

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Emily St John Mandel: Sea of Tranquility review - time travel, pandemics and the simulation hypothesis

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The Wall of Shadows review - a holy Himalayan mountain and a Sherpa family's dilemma

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The Northman review - Robert Eggers's elemental Viking epic

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The Split, Series 3, BBC One review - the Defoes are back, more conflicted than ever

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Killing Eve, Series 4, BBC One review - has Villanelle found God?

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The Night Doctor review - down and out in Paris

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The Eyes of Tammy Faye review - Jessica Chastain pulls out all the stops

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Tessa Hadley: Free Love review - the Sixties, the suburbs and the hippie dream

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A Hero review - a morality tale with no firm conclusions

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Hope review - brilliance and honesty from Norwegian director Maria Sødahl

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Mothering Sunday review - Odessa Young shines in adaptation of Graham Swift's novella

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That difficult second documentary – or if you will, “rockumentary” – seems to have been especially challenging for...

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So it’s come to this: WNO’s autumn season reduced to two operas, a Tosca borrowed from Opera North and a revival of their own Candide...

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The Bush is likely to continue its fine recent run of hit plays, with this funny, poignant, culturally authentic and beautifully acted two-hander...

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Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

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For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...