Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Album: Gregory Porter - Christmas Wish
The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it...
Paul Lewis, Wigmore Hall review - Schubert sonatas revisited...
A decade has passed since Paul Lewis concluded an endeavour of a kind never previously undertaken: to perform, over two and a half years and...
The Homecoming, Young Vic Theatre review - Pinter's dis...
As the audience enters, thick mist envelopes the thrust stage and jazz music fills the...
Blu-ray: Blackhat
The Boxing Day release of Michael Mann’s first feature in eight years, Ferrari, finally follows up Blackhat, a Chris Hemsworth-...
Kin, BBC One review - in Dublin's not-so-fair city
Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’...
Voces8 Foundation Choir and Orchestra, Smith, Voces8 Centre...
There’s a game called Whamageddon, where people see how deep into December they can go without hearing “Last Christmas”. I’m like that, but with...
Dreaming and Drowning, Bush Theatre - dense and intense mono...
Kwame Owusu’s 55-minute one-hander does...
Infinite Life, National Theatre review - beguiling new comed...
A sun deck with seven pale-green padded loungers is the latest setting for the latest...
Rodelinda, The English Concert, Bicket, Saffron Hall review...
If ever a marriage was made in heaven, it would have to be the one between Lucy Crowe’s beleaguered Queen Rodelinda and Iestyn Davies’ King...
£1 Thursdays, Finborough Theatre review - dazzling new play...
It’s 2012 and the London Olympics might as well be happening on the Moon for Jen and Stacey. In fact, you could say the same for...