fri 19/04/2019

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Trust Me, Series 2, BBC One review - hospital killer chiller

Read more...

Wild Rose review - how country music can set you free

Read more...

Don't Forget the Driver, BBC Two review - trying to beat the Bognor blues

Read more...

Pet Sematary review - spine-jolting shocks, but a disappointing ending

Read more...

Line of Duty, Series 5, BBC One review - already it's dark, dirty and dangerous

Read more...

Road to Brexit, BBC Two review - a rotten historian for a rotten parliament

Read more...

Victoria, Series 3, ITV review - can Her Maj cope with the Age of Revolution?

Read more...

The White Crow review - gripping depiction of the brilliance of Nureyev

Read more...

Shetland, Series 5 Finale, BBC One review - Sicario-on-Sea?

Read more...

Triple Frontier, Netflix review - war-on-drugs thriller suffers identity crisis

Read more...

Cheat, ITV review - fear and loathing in academia

Read more...

Leaving Neverland: Michael Jackson and Me, Channel 4 review - sordid revelations from the court of the King of Pop

Read more...

Serenity review - a game of two ill-fitting halves

Read more...

Strike Back: Silent War, Sky 1 review - bullets, bodies, baddies and a stolen atom bomb

Read more...

The Aftermath review - it looks great but it lacks bite

Read more...

This Time with Alan Partridge, BBC One review - a man out of time?

Read more...

Pages

latest in today

Climate Change: The Facts, BBC One review - how much reality...

Peer down the glassy dark and you’ll see them. White bubbles trapped in the frozen lake which appear to be rising to the surface. Look through the...

Tommy Tiernan, Shepherd's Bush Empire review - playful...

Tommy Tiernan is something of an institution in his native Ireland, as a stand-up comic, newspaper columnist, sometime chat-show host and full-...

Loro review – hedonism must have an end

"Them" - the "loro" of the title (with a further play on “l’oro”, gold) - denotes the mostly sleazy opportunists willing to use and be used by "...

CD: Rodrigo y Gabriela - Mettavolution

There aren’t many musicians to catch the ear of a substantial community of music lovers that includes both metalheads and world music fans, as...

Get The Blessing, Hare & Hounds, Birmingham review – Wes...

Get The Blessing are a band whose music never fails to conjure up images of someone like Steve McQueen driving along a coastal Californian road,...

theartsdesk Q&A: Bananarama

Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member...

Dragged Across Concrete review - Mel Gibson's hard-boil...

Mel Gibson’s vile drunken rants a decade ago, his 63 years and the price of both inform his role as...

CD: The O'Jays - The Last Word

How to put a full-stop on an over 50 year recording career? For multiple Music Hall of Fame-rs The O’Jays, the answer...