Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Q&A Special: Actor Bruno Ganz on playing Hitler
There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the...
A Private War review - Rosamund Pike burns with passion in w...
The Sunday Times war correspondent Marie...
Mektoub, My Love: Canto Uno review - cold carnal overdose fr...
Abdellatif Kechiche, the Tunisian-French...
The Magic Flute, Welsh National Opera review - charming to h...
I last saw this Magic Flute, directed by Dominic...
CD: Avril Lavigne - Head Above Water
Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and...
Berberian Sound Studio, Donmar Warehouse review – improves t...
Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below...
The Kid Who Would Be King review - a timeless charmer
The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how...
John Ruskin: The Power of Seeing, Two Temple Place review -...
The power of seeing was the bedrock of John Ruskin’s philosophy. In the bicentenary of his birth, a revelatory exhibition at Two Temple Place in...