Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
theartsdesk in Stockholm: the Birgit Nilsson Prize unites tw...
Why are great Wagnerian singers the most down-to-earth and...
LFF 2018: Roma review – Alfonso Cuarón’s triumphant return t...
It’s not for nothing that Alfonso...
LFF 2018: The Favourite review - Queen Anne's bizarre l...
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CD: Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E...
“Caustic motherfucker”. There it is, right up in the first few lines of...
Wise Children, Old Vic review - Emma Rice in fun if not quit...
"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed by a...
Dogman review - Matteo Garrone takes on the mafia again
There aren’t many movies that cater to audiences with a passion for...
A Guide For The Homesick, Trafalgar Studios review - warmly...
This blisteringly intense evening at Trafalgar...
LFF 2018: In Fabric review – Peter Strickland’s horror comed...
While much has been said of Luca Guadagnino’s remake of Dario Argento’s cult horror Suspiria, it’s the latest stylishly...
Science Fair review - big on ambition, light on rigour
More than 1,700 teenage finalists representing 78 countries take part in the annual International...