sun 17/02/2019

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Shetland, Series 5, BBC One review - uneven start to new season

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Endeavour, Series 6, ITV review - reassuringly accomplished return of the brainy copper

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Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

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Das Boot, Sky Atlantic review - menacing drama on land and sea

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theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

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Green Book review - is this Oscar hopeful too good to be true?

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Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

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Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

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Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

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Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

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The Favourite review - scintillatingly warped portrait of the court of Queen Anne

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Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

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Torvill & Dean, ITV review - skating into history

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The Dead Room, BBC Four review - ghosts at the microphone

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Watership Down, BBC One review - run rabbit run

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Springsteen on Broadway, Netflix review - one-man band becomes one-man show

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latest in today

Q&A Special: Actor Bruno Ganz on playing Hitler

There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the...

CD: Avril Lavigne - Head Above Water

Avril Lavigne was the original Punk Pop Queen. Fearless, feisty and...

Berberian Sound Studio, Donmar Warehouse review – improves t...

Two men called "Massimo" face the audience, one very tall, one very, well, minimo. The tall Massimo (Tom Espiner, pictured below...

The Kid Who Would Be King review - a timeless charmer

The Arthurian legend’s tight fit as a Brexit allegory perhaps proves how...

John Ruskin: The Power of Seeing, Two Temple Place review -...

The power of seeing was the bedrock of John Ruskin’s philosophy. In the bicentenary of his birth, a revelatory exhibition at Two Temple Place in...