wed 06/08/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Count of Monte Cristo, U&Drama review - silly telly for the silly season

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The Naked Gun review - farce, slapstick and crass stupidity

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The Narrow Road to the Deep North, BBC One review - love, death and hell on the Burma railway

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The Waterfront, Netflix review - fish, drugs and rock'n'roll

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Ballard, Prime Video review - there's something rotten in the LAPD

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Bookish, U&Alibi review - sleuthing and skulduggery in a bomb-battered London

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Insomnia, Channel 5 review - a chronicle of deaths foretold

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Live Aid at 40: When Rock'n'Roll Took on the World, BBC Two review - how Bob Geldof led pop's battle against Ethiopian famine

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Hill, Sky Documentaries review - how Damon Hill battled his demons

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Jurassic World Rebirth review - prehistoric franchise gets a new lease of life

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F1: The Movie review - Brad Pitt rolls back the years as maverick racer Sonny Hayes

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Prost, BBC 4 review - life and times of the driver they called 'The Professor'

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The Buccaneers, Apple TV+, Season 2 review - American adventuresses run riot in Cornwall

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The Gold, Series 2, BBC One review - back on the trail of the Brink's-Mat bandits

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Dept. Q, Netflix review - Danish crime thriller finds a new home in Edinburgh

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The Rise and Fall of Michelle Mone, BBC Two - boom and bust in the lingerie trade

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latest in today

'We are bowled over!' Thank you for your messages... ...
Oslo Stories Trilogy: Dreams review - love lessons

Rising temperatures, prickling skin, longing’s all-consuming ache: first love’s swooning symptoms overtake 17-year-old Johanne (Ella Øverbye) in...

Album: Black Honey - Soak

The default setting for Brighton indie quartet Black Honey...

Káťa Kabanová, Glyndebourne review - emotional concentration...

Even more perhaps than straight theatre, opera seems to draw attention to the meaning behind what may on the face of it appear a simple story....

The Count of Monte Cristo, U&Drama review - silly telly...

Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and...

theartsdesk Q&A: filmmaker Dag Johan Haugerud on sex, lo...

"First love is always both terrible and wonderful at the same time", says the 60-year-Norwegian dramatist-novelist-director...

Edinburgh Fringe 2025 reviews: Lost Lear / Consumed

Lost Lear, Traverse Theatre ...

Edinburgh Fringe 2025 reviews - Alison Spittle / Christopher...

Alison Spittle, Monkey Barrel ★★★

Alison Spittle is fat, she tells us at the top of the show. But not as...

Blu-ray: Two Way Stretch / Heavens Above

The years between 1955’s The Ladykillers and 1964’s Dr Strangelove were the years of what Sanjeev Bhaskar recently described as...

Make It Happen, Edinburgh International Festival 2025 review...

You could distinctly hear the murmurs of recognition from the Edinburgh audience – responding to knowing mentions of the city’s Leith and...