sat 20/10/2018

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

LFF 2018: The Favourite review - Queen Anne's bizarre love triangle

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LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and Jackman

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Informer, BBC One review - keeping tabs on terror

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LFF 2018: Colette review - zinging with zeitgeisty relevance

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First Man - Neil Armstrong's giant leap

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The Cry, BBC One review - every parent's nightmare

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A Discovery of Witches, episode 2, Sky 1 review - when the sorceress met the vampire

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Never Here review - conceptual art may damage your health

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Strangers, episode 2, ITV review - conspiracy theories multiply

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Killing Eve, BBC One review - the dying game

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Lucky review - fabled character actor stars in his own obituary

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Black Earth Rising, BBC Two review - Blick's new blockbuster

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h 100 Awards: Broadcast - TV's national treasures

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The Negotiator review - Jon Hamm shines in Beirut-based thriller

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Age Before Beauty, BBC One review - mid-life makeover madness

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Hidden, Series Finale, BBC Four review - a whydunnit, not a whodunnit

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theartsdesk in Stockholm: the Birgit Nilsson Prize unites tw...

Why are great Wagnerian singers the most down-to-earth and...

LFF 2018: The Favourite review - Queen Anne's bizarre l...

Olivia Colman will in due course be appearing as Elizabeth II in ...

CD: Baxter Dury, Etienne de Crécy and Delilah Holliday - B.E...

“Caustic motherfucker”. There it is, right up in the first few lines of...

Wise Children, Old Vic review - Emma Rice in fun if not quit...

"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed by a...

Dogman review - Matteo Garrone takes on the mafia again

There aren’t many movies that cater to audiences with a passion for...

LFF 2018: In Fabric review – Peter Strickland’s horror comed...

While much has been said of Luca Guadagnino’s remake of Dario Argento’s cult horror Suspiria, it’s the latest stylishly...

Science Fair review - big on ambition, light on rigour

More than 1,700 teenage finalists representing 78 countries take part in the annual International...