tue 13/05/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Jetty, BBC One review - lowlife in a Northern town

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Sleep review - things that go bump in the night

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Fly Me to the Moon review - NASA gets a Madison Avenue makeover

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The Turkish Detective, BBC Two review - a bad business in the Bosphorus

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The Night Caller, Channel 5 review - all he hears is radio ga ga

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I Am: Celine Dion, Prime Video review - inside the superstar singer's living hell

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theartsdesk Q&A: Lucie Shorthouse is flying high with 'We Are Lady Parts' and 'Rebus'

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The Exorcism review - salvaged horror movie is a diabolical mess

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The Bikeriders review - beer, brawls and Harley-Davidsons

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Presumed Innocent, Apple TV+ review - you read the book and saw the movie...

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Eric, Netflix review - a fairytale of New York

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theartsdesk Q&A: Matthew Modine on 'Hard Miles', 40 years in showbusiness and safer cycling

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Tokyo Vice, Series 2, BBC iPlayer review - an exciting ride that stretches credibility

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The Beach Boys, Disney+ review - heroes and villains and good vibrations

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theartsdesk Q&A: Eddie Marsan and the American Revolution, posh boys and East End gangsters

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Rebus, BBC One review - revival of Ian Rankin's Scottish 'tec hits the jackpot

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

DVD/Blu-ray: Slade in Flame

Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...

Music Reissues Weekly: Roots Rocking Zimbabwe

“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...

Supergrass, Barrowland, Glasgow review - nostalgia played wi...

It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...

Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...

Album: Peter Doherty - Felt Better Alive

Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...