tue 10/12/2019

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Sometimes Always Never review - small but perfectly crafted

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What's My Name: Muhammad Ali, Sky Atlantic review - why they called him The Greatest

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Years and Years, Episode 5, BBC One review - darker and darker

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Big Little Lies, Series 2, Sky Atlantic review - supercharged start for new season

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Gloria Bell review - dancing away the heartache

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63 Up, ITV review - age is beginning to wither them

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Her Majesty's Cavalry, ITV review - my kingdom for a horse

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Sundance London 2019 review - psychotic maniacs and old-fashioned weepies

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Thunder Road review - potent and poignant debut feature

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Chernobyl, Episode 4, Sky Atlantic review - life in the death zone

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The Planets, BBC Two review - boy-band boffin rides again

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Summer of Rockets, BBC Two review - pride and prejudice in 1950s Britain

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Alastair Campbell: Depression and Me, BBC Two review - is there an alternative to a life on anti-depressants?

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Heathrow: Britain's Busiest Airport, ITV review - 80 million passengers but not much action

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Gentleman Jack, BBC One review - the revolutionary life of Anne Lister

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John Wick: Chapter 3 - Parabellum review - mayhem in Manhattan

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Pages

latest in today

Traces, Alibi review - pedigree cast battles implausible plo...

Alibi is usually your one-stop shop for re-runs of Father Brown or Death in Paradise, so well done them for commissioning this...

Charpentier Christmas settings, Solomon's Knot, St John...

There is no mention of Marc-Antoine Charpentier in David Cairns's comprehensive Berlioz biography. So it seems all the more remarkable that the...

Dido, Maida Vale Studios review - old hits bring unresolved...

She’s back. Dido stopped touring in 2004 and stayed away from it for 15 years. But since starting again in March of this year, she has gone at it...

Radio & Juliet/Faun/McGregor + Mugler, London Coliseum r...

A pas de deux is normally an opportunity for two dancers to express the pinnacle of their skill and...

Les Arts Florissants, Christie, Agnew, Barbican review – spl...

“How many times have you heard the conductor sing?”...

Dinosaur Pile-Up, O2 Institute, Birmingham review - grungy p...

Dinosaur Pile-Up may have been around for more than a decade, but it would be fair to say that their career has been something of a slow burn....

Requiem for Hieronymus Bosch, BBCSO, Bychkov, Barbican revie...

“Hieronymus!” bellowed David Wilson Johnson from the Barbican...

Cyrano de Bergerac, Playhouse Theatre review - James McAvoy...

Actor James McAvoy is much in demand: in the BBC's His Dark Materials he is busy saving a parallel world, while in the poetic universe of...

theartsdesk Q&A: Conductor Semyon Bychkov in Prague

It's a very big deal for musical Prague: Czechia's symphonic...