sat 24/02/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Drive to Survive, Season 4, Netflix review - bitter rivalries on and off the track

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Shane, Amazon Prime review - the outsized life and times of cricket's King of Spin

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The Ipcress File, ITV review – adaptation of Len Deighton thriller fires on all cylinders

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Peaky Blinders, Series 6 review, BBC One - have we reached peak Peakies?

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Chloe, BBC One review - good start, weak finish

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Inventing Anna, Netflix review - fake heiress saga outstays its welcome

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Here Before review - family values under supernatural pressure

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The Real Charlie Chaplin review - not as revealing as its title suggests

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Pam & Tommy, Disney+ review - the infamous sex tape that went global

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The Teacher, Channel 5 review - inappropriate behaviour in the school environment

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Belfast review - coming of age amid the terror of the Troubles

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The Responder, BBC One review - the loneliness of the long-distance copper

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Long Promised Road review - another attempt to probe the fragile genius of Brian Wilson

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Nightmare Alley review - a dazzling trip through a heart of darkness

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Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

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Rules of the Game, BBC One review - feminist workplace drama topples into farce

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Sánchez, National Symphony Orchestra, Martín, National Conce...

Ravel’s Boléro, however well you think you know it, usually wows in concert with its disconcerting mix of sensuality, fun and violence....

Sargent and Fashion, Tate Britain review - portraiture as a...

At the turn of the 20th century, London’s smart set queued up to get their...

Uproar, Rafferty, Royal Welsh College, Cardiff review - a ra...

It’s not often one comes out of a concert of mainly new works with a spring in one’s step. A sigh of relief is rather more usual. But this concert...

The Big Life, Stratford East review - big-hearted musical br...

Is there a healthier sound than that of laughter ringing round a theatre? 

There are plenty of opportunities to...

Album: Everything Everything - Mountainhead

There are few bands who can claim to operate in a similar visionary style as Everything Everything. Since their 2010 debut Man Alive, the...

Marx in London, Scottish Opera review - the humour of histor...

An opera about a day in the life of Karl Marx doesn’t exactly...

Hir, Park Theatre review - incendiary production for Taylor...

In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

Procul Harum’s “A Whiter Shade of Pale” is given a new lease on life in...

Samuel Takes a Break... in Male Dungeon No. 5 after a long b...

You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...