fri 14/06/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Citadel, Prime Video review - did Amazon really pay $300m for this?

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The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

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Malpractice, ITV1 review - she got into a mess on the NHS

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How To Blow Up a Pipeline review - can eco-terrorism be justified?

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Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

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Magpie Murders, BBC One review - zinging TV adaptation of Anthony Horowitz's bestseller

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Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

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Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

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John Wick: Chapter 4 review - is this the El Cid of shoot-'em-up movies?

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Infinity Pool review - it's like The White Lotus on bad acid

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Play Dead review - chills, thrills and stolen body parts

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Endeavour: The Final Episode, ITV1 review - the final bow for Oxford's finest

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MH370: The Plane That Disappeared, Netflix review - a field day for conspiracy theorists

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Daisy Jones & The 6, Amazon Prime review - hit rock'n'roll novel doesn't make great TV

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Liaison, Apple TV+ review - tangly Franglais thriller presses some hot buttons

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Drive to Survive, Season 5, Netflix review - fly-on-the wall F1 show may need a reboot

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latest in today

Smashing Pumpkins and Weezer, OVO Hydro, Glasgow review - do...

The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the...

Àma Gloria review - small-scale triumph with a big emotional...

In Marie Amachoukeli’s Àma Gloria there’s a remarkable performance by a child actor, Louise...

Susquatch Sunset review - nature red in tooth and claw (albe...

There’s a category of movies that are best seen having read nothing about them. Susquatch Sunset falls into that blood group as...

Jazz Emu, Soho Theatre review - delightfully daft musical sp...

Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego. But strangely enough,...

Album: Moby - Always Centered at Night

US electronic perennial Moby has had a good run. He was a rave...

Wilding review - a life enhancing experience

Imagine you’ve inherited a castle in West Sussex plus five square miles of farmland. You continue the family tradition of mixed arable and dairy...

Miss Julie, Park Theatre review - Strindberg's kitchen...

You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s ...

Album: Kneecap - Fine Art

For a band just putting out their debut album, West Belfast’s Kneecap have been courting media attention for some while and have already been seen...

theartsdesk at the 2024 Aldeburgh Festival - romantic journe...

It may be unusual to begin festival coverage with praise of the overseer rather than the artists. Yet Roger Wright, who quietly leaves his post at...

theartsdesk on Vinyl 84: Ibibio Sound Machine, Dave Clarke,...

VINYL OF THE MONTH

Ariel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen...