tue 10/09/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Anthracite, Netflix review - murderous mysteries in the French Alps

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Civil War review - God help America

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Scoop, Netflix review - revisiting a Right Royal nightmare

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This Town, BBC One review - lurid melodrama in Eighties Brummieland

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Passenger, ITV review - who are they trying to kid?

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3 Body Problem, Netflix review - life, the universe and everything (and a bit more)

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The Delinquents review - escape to the country, Buenos Aires style

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Manhunt, Apple TV+ review - all the President's men

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The New Boy review - a mystical take on Australia's treatment of its First Peoples

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The Gentlemen, Netflix review - Guy Ritchie's further adventures in Geezerworld

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Prisoner, BBC Four review - jailhouse rocked by drugs, violence and racism

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Drive to Survive, Season 6, Netflix review - F1 documentary overtaken by events

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The Way, BBC One review - steeltown blues

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Kin, Series 2, BBC One review - when crime dynasties collide

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Bob Marley: One Love review - sanitised official version of the Jamaican icon's story

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Griselda, Netflix review - Sofía Vergara excels as the Godmother of cocaine trafficking

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latest in today

The Mad Hatter's Tea Party, ZooNation, Linbury Theatre...

The Mad Hatter gets it about right when he tells Alice: “You’re entirely bonkers… but all the best people are.” Kate Prince takes this line and...

La traviata, Royal Opera review - a charismatic soprano in a...

Later this autumn Richard Eyre’s La Traviata celebrates its 30th birthday. Not bad going for the director’s first ever foray...

Red Rooms review - the darkest of webs

A woman sits at her computer. She copy-pastes an address into a search engine. She goes to street view. She zooms in. Click. Opens...

Sambre: Anatomy of a Crime, BBC Four review - satisfying nov...

Like the BBC’s documentary series The Yorkshire Ripper Files before it, the French six-part drama Sambre on...

Beetlejuice Beetlejuice review - a lively resurrection

Sometimes love never dies and the dead never rot. A lot of water has flowed down the River Styx since...

Blu-ray: Floating Clouds

Once regarded as highly as Kurosawa and Ozu, Japanese director Mikio Naruse’s star has fallen in recent decades, with few of his films readily...

Starve Acre review - unearthing the unearthly in a fine folk...

Blame the high cost of city housing, or killer smog. What else can explain a bright young couple’s move from 1970s...

First Person: Alexandra Dariescu on highlighting women at th...

This year, I am delighted to be supporting the Alexandra Dariescu Award at the Leeds International Piano Competition for an outstanding...

Proms 63-65, Choral Day review - from Harris to Handel/Mozar...

The Proms’ Indian summer of big visiting orchestras is over – and what a parade...

Album: Juniore - Trois, Deux, Un

Although it takes seconds to discern that Juniore are French, a core inspiration appears to be the echoing surf-pop instrumentals of Californian...