sun 14/09/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Amateur review - revenge of the nerd

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MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

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This City is Ours, BBC One review - civil war rocks family cocaine racket

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The Alto Knights review - double dose of De Niro doesn't hit the spot

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Adolescence, Netflix review - Stephen Graham battles the phantom menace of the internet

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Black Bag review - lies, spies and unpleasant surprises

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Drive to Survive, Season 7, Netflix review - speed, scandal and skulduggery in the pitlane

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A Cruel Love: The Ruth Ellis Story, ITV1 review - powerful dramatisation of the 1955 case that shocked the public

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Bergerac, U&Drama review - the Jersey 'tec is born again after 34 years

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A Thousand Blows, Disney+ review - Peaky Blinders comes to Ripper Street?

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Zero Day, Netflix review - can ex-President Robert De Niro save the Land of the Free?

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Hacks, Season 3, NOW review - acerbic showbiz comedy keeps up the good work

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Surviving Black Hawk Down, Netflix review - the real story behind Ridley Scott's Oscar-winner

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Vietnam: The War That Changed America, Apple TV+ review - painful and poignant stories from a terrible conflict

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Brian and Maggie, Channel 4 review - Thatcherism's date with TV destiny

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Flight Risk review - the sky's the limit for Michelle Dockery and Mark Wahlberg

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Music Reissues Weekly: Robyn - Robyn 20th-Anniversary Editio...

Sometimes, record labels don’t like what those on their roster have recorded. Such was the case with BMG Sweden and Robin Carlsson who, as Robyn,...

Album: Twenty One Pilots - Breach

For the past decade, the Ohio alternative superstars Twenty One Pilots have cultivated a deep lore starting with 2015’s Blurryface, and...

Downton Abbey: The Grand Finale review - an attemptedly eleg...

It can be a hostage to fortune to title anything “grand”, and so it proves with the last gasp of Julian Fellowes’s everyday story of...

BBC Proms: Ehnes, Sinfonia of London, Wilson review - aspect...

Critics (including this one) casually refer to John Wilson’s Sinfonia of London as an all-star outfit, an army made up of generals. This week I...

Album: Ed Sheeran - Play

“It’s a long way up from rock bottom/There’s been times I felt I could fall further.” So runs the opening line of Ed Sheeran’s eighth studio album...

Presteigne Festival 2025 review - new music is centre stage...

If you were a devotee of Dmitri Shostakovich whose only opportunity to attend some live performances marking this year’s 50th anniversary of his...

Islands review - sunshine noir serves an ace

From its ambiguous opening shot onwards, writer/director Jan-Ole Gerster’s Islands is a tricksy animal, which doesn’t just keep...

A Single Man, Linbury Theatre review - an anatomy of melanch...

Mind, body, body, mind. Medical science confirms the powerful two-way traffic between emotional and physical health. Nonetheless the idea of...

theartsdesk Q&A: actor Sam Riley on playing a washed-up...

You won't find Sam Riley lying at the pool in a holiday resort – unless it's for work. "I'd rather stay home to be honest", says the...