sun 05/04/2020

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Planets, Series Finale, BBC Two review - ice cold on Neptune

Read more...

Drag SOS, Channel 4 review - absolutely fabulous

Read more...

Beecham House, ITV review - a cartoon version of 18th century India

Read more...

Years and Years, Series Finale, BBC One review - soggy ending fails to inspire

Read more...

Ackley Bridge, Series 3, Channel 4 review - we gotta get out of this place

Read more...

Sometimes Always Never review - small but perfectly crafted

Read more...

What's My Name: Muhammad Ali, Sky Atlantic review - why they called him The Greatest

Read more...

Years and Years, Episode 5, BBC One review - darker and darker

Read more...

Big Little Lies, Series 2, Sky Atlantic review - supercharged start for new season

Read more...

Gloria Bell review - dancing away the heartache

Read more...

63 Up, ITV review - age is beginning to wither them

Read more...

Her Majesty's Cavalry, ITV review - my kingdom for a horse

Read more...

Sundance London 2019 review - psychotic maniacs and old-fashioned weepies

Read more...

Thunder Road review - potent and poignant debut feature

Read more...

Chernobyl, Episode 4, Sky Atlantic review - life in the death zone

Read more...

The Planets, BBC Two review - boy-band boffin rides again

Read more...

Pages

latest in today

Reissue CDs Weekly: Hangman’s Beautiful Daughters

A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The...

Blu Ray / DVD: The Elephant Man

David Lynch’s second feature, his only period movie, is as good as anything else he has ever done, building on the claustrophobia of his first,...

One Man, Two Guvnors, National Theatre at Home review – blis...

Armchair theatre-lovers rejoice. During the lockdown, the...

The Platform review - timely, violent and effective

Horror has always been a good vehicle for...

Album: Pokey LaFarge, Rock Bottom Rhapsody - a gourmet gumbo

Talk about a great big melting pot! The eighth studio album by the man born 36 ago as Andrew Heissler in Bloomington, Indiana, and known to the...

Lazy Susan, Soho Theatre On Demand review - sketch duo'...

You may have seen Lazy Susan's excellent BBC pilot last year; now a series has been commissioned from Freya Parker and Celeste Dring so we can...

ReMastered: Tricky Dicky and the Man in Black, Netflix revie...

Netflix’s ReMastered series is one of the streaming channel’s undersung gems. Launching in 2018, when Tricky Dick and the Man in...

The Turn of the Screw, Opera North, OperaVision review - cla...

Feeling stir-crazy right now? Imagine being confined to one room with a half-crazed housekeeper, two dysfunctional kids and two increasingly...

Mark Kermode's Secrets of Cinema, BBC Four review - the...

Mirrors and windows, looking at ourselves or out into the world, reflecting the culture or making it: compare and contrast. This was the...