thu 23/01/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Trom, BBC Four review - there's something fishy in the North Atlantic

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Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

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Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60

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The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?

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Man vs Bee, Netflix review - or should it be Bee vs Bean?

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Elvis review - Austin Butler shines in patchy biopic

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Sherwood, BBC One review - a traumatic journey through a painful past

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We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat

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Pistol, Disney+ review - Punk history repeats itself as farce

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Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years ago

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Das Boot, Series 3, Sky Atlantic review - submarine warfare finds new horizons

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Top Gun: Maverick review - Tom Cruise defies age and gravity

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The Essex Serpent, Apple TV+ review - tradition and superstition versus the march of progress

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The Staircase, NOW review - addictive dramatisation of real-life murder investigation

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DI Ray, ITV review - Parminder Nagra battles killer gangs and cultural stereotypes

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Downton Abbey: A New Era review - will we ever see its like again?

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

The Lonely Londoners, Kiln Theatre review - Windrush Generat...

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...

Prime Target, Apple TV+ review - the appliance of science

An opening sequence of a drone flying over a busy street in Baghdad, followed by a huge explosion that leaves many casualties and a gaping hole...

Giltburg, Pavel Haas Quartet, Wigmore Hall review - into the...

Serious realisation of the seven often thorny Martinů string quartets is a major undertaking. When I spoke to Veronika Jarůšková and...

Amelia Coburn, Komedia, Brighton review - short set from ris...

The quandary is this. Middlesbrough singer Amelia Coburn made one of my favourite albums of last year, her debut, Between the Moon and the...

The Brutalist review - we're building to something

There’s a moment, as we build to a climax in Brady Corbet’s first film, The Childhood of a Leader (2015), when a servant at a...

Album: FKA Twigs - Eusexua

It would be really easy to get hung up on the definition for this album. Is it a new sexuality term? A holiday genre of technopop? A planet that...

Out There, ITV1 review - drugs and thugs disfigure the Welsh...

If nothing else, ITV’s new thriller Out There is a fabulous advertisement for the Welsh countryside. Many scenes were shot in Brecon and...

William Tell review - stirring action adventure with silly d...

Despite Rossini’s banger of an overture and a Looney Tunes cartoon starring Daffy Duck as William Tell, I’ll wager that few non-German-speakers...

Album: Tunng - Love You All Over Again

This is Tunng’s ninth album, their first in five years, and marks their 20th anniversary by consciously going full circle to the...