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Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Hijack, Apple TV+ review - trapped at 40,000 feet with a bunch of armed thugs

Thursday, 29 June 2023 Read more...

Spiral of Lies, Channel 4 review - bodies, fibs and bad karma in Biarritz

Tuesday, 27 June 2023 Read more...

Turn of the Tide, Netflix review - cocaine madness comes to the Azores

Saturday, 24 June 2023 Read more...

No Hard Feelings review - nothing about this queasy comedy feels quite right

Thursday, 22 June 2023 Read more...

Best Interests, BBC One review - a family feels the unbearable strain of terminal illness

Tuesday, 13 June 2023 Read more...

Chevalier review - a less than extraordinary film about an extraordinary man

Friday, 09 June 2023 Read more...

Hypnotic review - a riotously enjoyable thriller

Sunday, 28 May 2023 Read more...

Inland review - a cracked mosaic of memories, impressions and lurking anxiety

Wednesday, 24 May 2023 Read more...

Ten Pound Poms, BBC One review - a new life in the Great Southern Land

Monday, 15 May 2023 Read more...

A different angle on the Anne Frank story in 'A Small Light'

Wednesday, 03 May 2023 Read more...

Fatal Attraction, Paramount+ review - Adrian Lyne's bunny-boiler blockbuster expanded onwards and outwards

Tuesday, 02 May 2023 Read more...

Citadel, Prime Video review - did Amazon really pay $300m for this?

Sunday, 30 April 2023 Read more...

The Diplomat, Netflix review - can London's new American ambassador prevent World War Three?

Saturday, 29 April 2023 Read more...

Malpractice, ITV1 review - she got into a mess on the NHS

Monday, 24 April 2023 Read more...

How To Blow Up a Pipeline review - can eco-terrorism be justified?

Friday, 21 April 2023 Read more...

Why Didn't They Ask Evans?, ITV1 review - Agatha Christie gets a tense and twisty reworking by Hugh Laurie

Monday, 10 April 2023 Read more...

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The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

Yazmin Lacey confirms her place in a vital soul movement wit...

We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

From Historical to Hip-Hop, Classically Black Music Festival...

To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...