thu 25/04/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Schumacher, Netflix review - authorised version of the life of an F1 legend

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The North Water, BBC Two review - a terrible voyage into the great beyond

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The Collini Case review - it might be legal, but that doesn't mean it's justice

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theartsdesk Q&A: filmmaker Marco Kreuzpaintner

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Clickbait, Netflix review - fiendishly cunning thriller keeps everybody guessing

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Vigil, BBC One review - murder most watery

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The White Lotus, Sky Atlantic review - dark side of a tropical paradise

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Britannia, Series 3, Sky Atlantic review - murder, mysticism and anaemic slapstick

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The Beach Boys: Feel Flows - the Sunflower and Surf's Up Sessions 1969-1971

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Hit & Run, Netflix review - Lior Raz excels as a hard man on a hazardous mission

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Reminiscence review - looks great but doesn't deliver

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Deceit, Channel 4 review - how Colin Stagg became prime suspect in the Rachel Nickell case

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theartsdesk Q&A: writer and comedian Tom Davis

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Watch the Sound with Mark Ronson, Apple TV+ review - riveting survey of the technology that transformed music

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I Am Victoria, Channel 4 review - improvised drama in need of more substance

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Professor T, ITV review - whimsical tales of boffinly detection

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latest in today

Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...

With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...

Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...

The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...

That They May Face The Rising Sun review - lyrical adaptatio...

In director Pat Collins’s lyrical adaptation of John McGahern’s last novel, with cinematography by Richard Kendrick, the landscape is perhaps the...

Album: Pet Shop Boys - Nonetheless

This album came with an absolutely enormous promo campaign. As well as actual advertising there were “Audience With…” events, and specials on BBC...

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...