mon 20/05/2019

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Whitney: Can I Be Me review - tragic account of superstar who fell to earth

Read more...

Poldark, Series 3, BBC One review - tempestuous passions and pantomime villains ride again

Read more...

Summer of Love: How Hippies Changed the World review - the weird and wonderful roots of the Sixties counterculture

Read more...

The Mummy review – please don't let them make a sequel

Read more...

Ackley Bridge, Channel 4 review – can the town's new academy bring racial and social harmony?

Read more...

Sgt Pepper's Musical Revolution, BBC Two review - how the Fab Four changed pop music forever

Read more...

Wonder Woman review - Gal Gadot shines in uneven superhero yarn

Read more...

CD: Roger Waters – Is This the Life We Really Want?

Read more...

Broken, BBC One review - things look bleak in McGovernville

Read more...

Sachin: A Billion Dreams review - the incredible feats of cricket's 'Little Master'

Read more...

White Gold, BBC Two review – rattling pace and razor-edged dialogue

Read more...

McLaren review - illuminating portrait of New Zealand's racing ace

Read more...

10 Questions for film director Roger Donaldson – 'motor racing in the 1960s was incredibly dangerous'

Read more...

Kat and Alfie: Redwater, BBC One review – 'EastEnders' spinoff suffers from no fixed identity

Read more...

King Charles III, BBC Two review - royal crisis makes thrilling drama

Read more...

Alien: Covenant review - we've seen most of this before

Read more...

Pages

latest in today

Gentleman Jack, BBC One review - the revolutionary life of A...

In 2010, Maxine Peake starred in The Secret Diaries of Miss Anne Lister, but this new...

Al Murray as the Pub Landlord, Embassy Theatre Skegness revi...

Al Murray's Pub Landlord character has been around since the mid-1990s. As such, it's a wonder that Murray has managed to reinvent the embittered...

Chamber Music, Brighton Festival 2019 review - Wu-Tang Clan...

Martial arts mayhem, Shaolin philosophy, a tribe of masked hip hop warriors emerging from the mist of Staten Island...

Rokia Traoré: Dream Mandé: Bamanan Djourou, Brighton Festiva...

Much of Rokia Traoré’s set tonight comprises folk songs about...

CD: Sting - My Songs

Some say that every successful rock star's career can be divided into three phases. First comes the youthful exuberance. Next, there's mature...

What We Do In the Shadows, BBC Two review - black comedy vam...

This is a toothsome treat for Sunday nights and one of those rare occasions when the...

First Person: Ellen McDougall on finding the commonality in...

I’ve wanted to direct Thornton Wilder’s Our Town for a long time.

The play is beautifully written and its form feels not only...

Cannes 2019: Pain and Glory review - a dour, semi-autobiogra...

There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as...

Thomas Harris: Cari Mora review – mayhem in Miami

This March, a real-estate office in Miami Beach, Florida, put a parcel of prime seafront land on the market. A vacant estate with plans filed for...

Reissue CDs Weekly: Ronnie Lane

It was inevitable that Rod Stewart’s distracting solo adventures would eventually kill off...