sun 28/09/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Murder in Provence, ITV review - a little light sleuthing amid fabulous French scenery

Read more...

Where the Crawdads Sing review - picturesque film glosses over its darker themes

Read more...

The Gray Man, Netflix review - the Russo brothers explore big-bang theory

Read more...

Trom, BBC Four review - there's something fishy in the North Atlantic

Read more...

Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

Read more...

Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60

Read more...

The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?

Read more...

Man vs Bee, Netflix review - or should it be Bee vs Bean?

Read more...

Elvis review - Austin Butler shines in patchy biopic

Read more...

Sherwood, BBC One review - a traumatic journey through a painful past

Read more...

We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat

Read more...

Pistol, Disney+ review - Punk history repeats itself as farce

Read more...

Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years ago

Read more...

Das Boot, Series 3, Sky Atlantic review - submarine warfare finds new horizons

Read more...

Top Gun: Maverick review - Tom Cruise defies age and gravity

Read more...

The Essex Serpent, Apple TV+ review - tradition and superstition versus the march of progress

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: The Peanut Butter Conspiracy - The Mo...

“It's a Happening Thing,” January 1967’s debut single from...

Goldscheider, Brother Tree Sound, Kings Place review - music...

Last night’s concert at Kings Place was a programme of...

The Billionaire Inside Your Head, Hampstead Theatre review -...

What would it be like to be driven by OCD urges into idolising Elon Musk and aspiring to be one of his tribe of tech bros? In his debut...

theartsdesk Q&A: composer Donghoon Shin on his new conce...

Donghoon Shin has a taste for the esoteric – a love of labyrinths, literary puzzles, and contradictory aspects of the self. One of his favourite...

Doja Cat's 'Vie' starts well but soon tails o...

Doja Cat is a fascinating one-off. She’s a rap-centric...

Lacrima, Barbican review - riveting, lucid examination of th...

So often the focus – in the coverage of a royal wedding – is the story of the woman wearing the bridal dress. While every...

Joanna Pocock: Greyhound review - on the road again

Joanna Pocock’s second full-length book, Greyhound, tells the story of a single journey made and remade. In 2006, after the death of her...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...