fri 19/04/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Mosul, Netflix review - gruelling story of Iraq's Nineveh SWAT team

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Tin Star: Liverpool, Sky Atlantic review - massed mayhem on Merseyside

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Coronation Street: 60 Unforgettable Years, ITV review - inside story of the world's longest-running TV soap

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Host review - Zoom seance triggers unspeakable consequences

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The Dambusters, Channel 5 review - yet another telling of the Bouncing Bomb story

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County Lines review - a scary descent into drug-dealer purgatory

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The Undoing, Series Finale, Sky Atlantic review - bluff and double-bluff as the truth is revealed

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Small Axe: Red, White and Blue, BBC One review - sobering real-life story of police officer Leroy Logan

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Possessor review - death by virtual reality

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The Good Lord Bird, Sky Atlantic review - picaresque account of the myth of John Brown

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Offended by Irvine Welsh, Sky Arts review - are we seeing the end of free speech?

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The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulence

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theartsdesk Q&A: screenwriter Jed Mercurio

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The Queen's Gambit, Netflix review - chess prodigy's story makes brilliant television

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The Sister, ITV review - half-baked dramatisation of esteemed novel

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The Undoing, Sky Atlantic review - trouble in paradise for gilded Manhattan couple

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...