sat 19/07/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

theartsdesk Q&A: writer and comedian Tom Davis

Read more...

Watch the Sound with Mark Ronson, Apple TV+ review - riveting survey of the technology that transformed music

Read more...

I Am Victoria, Channel 4 review - improvised drama in need of more substance

Read more...

Professor T, ITV review - whimsical tales of boffinly detection

Read more...

Old review - time flies in tropical island mystery

Read more...

Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

Read more...

Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

Read more...

Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

Read more...

Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

Read more...

Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

Read more...

The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

Read more...

Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

Read more...

Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

Read more...

Physical, Apple TV+ review - too much pain, not enough gain

Read more...

Loki, Disney+ review - the God of Mischief gets his own TV series

Read more...

Lupin, Part 2, Netflix review - master of disguise versus racists and lies

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Bookish, U&Alibi review - sleuthing and skulduggery in a...

As a sometime writer of Poirot, Sherlock and Christmas ghost stories,...

The Ballad of Suzanne Césaire review - a mysterious silence

A glamorous black woman sits in a Forties bar under a Vichy cop’s gaze, cigarette tilted at an angle, till two male companions join her in...

Youssou N'Dour and Super Étoile de Dakar, Roundhouse re...

There is a freshness about a show by Youssou N’Dour that never seems to lose its glow. He still has one of the great voices of Africa, a versatile...

BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - g...

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First...

Album: Bonnie Dobson & The Hanging Stars - Dreams

What a great album – and what a great story to lift the heart in these fetid times. A story that crosses oceans and decades and brings together a...

Harvest review - blood, barley and adaptation

Lovers of a particular novel, when it’s adapted as a movie, often want book and movie to fit together as a hand in a glove. You want it to be like...

Poor Clare, Orange Tree Theatre review - saints cajole us si...

What am I, a philosophical if not political Marxist whose hero is Antonio Gramsci, doing in Harvey Nichols buying Comme des Garçons...

Album: Alex Warren - You'll Be Alright, Kid

The best-selling single so far this year in the UK is ...

That Bastard, Puccini!, Park Theatre review - inventive comi...

Before Luigi Illica wrote the libretti for Puccini’s Tosca and Madama Butterfly, he had joined the composer as the...