thu 23/10/2025

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Reminiscence review - looks great but doesn't deliver

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Deceit, Channel 4 review - how Colin Stagg became prime suspect in the Rachel Nickell case

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theartsdesk Q&A: writer and comedian Tom Davis

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Watch the Sound with Mark Ronson, Apple TV+ review - riveting survey of the technology that transformed music

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I Am Victoria, Channel 4 review - improvised drama in need of more substance

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Professor T, ITV review - whimsical tales of boffinly detection

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Old review - time flies in tropical island mystery

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

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Lie With Me, Channel 5 review - abuse and betrayal in the Melbourne suburbs

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Carlos Ghosn: The Last Flight - Storyville, BBC Four review - the tycoon who fell to earth

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Sex/Life, Netflix review - Mills & Boon for the YouPorn era?

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Mosley: It's Complicated review - flattering portrait of a clever and ruthless power-broker

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The Tomorrow War, Amazon Prime - futuristic blockbuster outstays its welcome

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Ghislaine Maxwell: Epstein's Shadow, Sky Documentaries review - the iniquitous fall of the tycoon's daughter

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Framing Britney Spears, Sky Documentaries review - the rollercoaster ride of the former teen icon

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Physical, Apple TV+ review - too much pain, not enough gain

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We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...