fri 03/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Penny Dreadful: City of Angels, Sky Atlantic review - the good, the bad and the unspeakable

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Das Boot, Series 2 Finale, Sky Atlantic review - deeper and darker

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The Hidden Wilds of the Motorway, BBC Four review - mysteries and marvels of the M25

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The Choir: Singing for Britain, BBC Two review - the pandemic versus the power of song

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Roswell, New Mexico, ITV2 review - they've landed!

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Perry Mason, Sky Atlantic review - low life and hard times in Depression-era LA

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The Salisbury Poisonings, BBC One review - the Cold War comes to Wiltshire

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A House Through Time, Series Finale, BBC Two review - timely series reaches uneven conclusion

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Das Boot, Series 2, Sky Atlantic review - multi-layered war drama goes from strength to strength

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Little Fires Everywhere, Amazon Prime review - in every dream home a heartache

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A Very British Hotel Chain: Inside Best Western, Series Finale, Channel 4 review - let's hear it for Alasdair the hotel inspector

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Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain future

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Philharmonia, Channel 4 review - death on the podium

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Unprecedented, BBC Four review - perspectives on the pandemic

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A House Through Time, Series 3, BBC Two review - Bristol under the microscope

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Defending Jacob, Apple TV+ review - does murder run in the family?

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latest in today

Laughing Boy, Jermyn Street Theatre review - impassioned agi...

On the morning of the press show of Laughing Boy, the BBC news website’s top story was about the abuse of children with learning...

Guildhall School Gold Medal 2024, Barbican review - quirky-w...

While the Royal College of Music Symphony Orchestra were performing Messiaen’s Turangalîla-Symphonie – weirdly, despite its size...

Album: Sia - Reasonable Woman

Sia has well and truly stepped into her power. Gone are the days of releasing songs that were pitched to megastars but turned down (“This Is...

Minority Report, Lyric Hammersmith Theatre review - ill-judg...

Towards the end of David Haig’s new adaptation of Philip...

Mitski, Usher Hall, Edinburgh review - cool and quirky, yet...

It was her 2018 album Be the Cowboy which saw Mitski propelled to stardom status. Laurel Hell, which followed in 2022...

Album: EYE - Dark Light

Skirting along the peripheries of doom metal,...

Two Strangers (Carry A Cake Across New York), Criterion Thea...

Small-scale shows, nurtured in offbeat places, are becoming all the rage in the...

Queyras, Philharmonia, Suzuki, RFH review - Romantic journey...

As he approaches his 70th birthday, Masaaki Suzuki has not just travelled into pastures new but proved himself thoroughly at home in them. The...

Nadine Shah, SWG3, Glasgow review - loudly dancing the night...

First Nadine Shah raised hopes, then dashed them. “I’ve never had a dance off onstage before,” she observed at one point, impressed by the shapes...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate M...

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the...