mon 13/05/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

The Beast Must Die, Britbox review - a crime story which plumbs psychological depths

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Time, BBC One review - grim and gritty study of life behind bars by Jimmy McGovern

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Mare of Easttown, Season Finale, Sky Atlantic review - great performances in a town called malice

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Before We Die, Channel 4 review - Lesley Sharp excels as a detective in crisis

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Cruella review - fabulous fashions, creaky narrative

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Those Who Wish Me Dead review - Angelina Jolie battles baddies and blazes in Montana

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We Are Lady Parts, Channel 4 review - female Muslim punk band rocks the house

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Army of the Dead review - triumphant return to zombieland by director Zack Snyder

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The Underground Railroad, Amazon Prime review - a horrifying ride through America's heart of darkness

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The Woman in the Window review - hitching a ride with Hitch

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Domina, Sky Atlantic review - a little less conversation, a little more action required

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Danny Boy, BBC Two review - when law and war collide

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Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Deluxe Edition

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Line of Duty, Series 6 Finale, BBC One review - crafty ending leaves wriggle room for a sequel

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Intergalactic, Sky One review - lovely CGI, shame about the drama

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Viewpoint, ITV review - the perils of the peeping tom police

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latest in today

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often blithely chat about the works’ epic struggle between life and death, creation and...

Conchúr White, St Pancras Old Church review - side-stepping...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

Rhod Gilbert, G-Live Guildford review - cancer, constipation...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

Album: Beth Gibbons - Lives Outgrown

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008.  She has lived through so many...

Britten Sinfonia, The Marian Consort, Milton Court review -...

Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...

Music Reissues Weekly: Little Girls - Valley Songs

The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...

DVD/Blu-ray: The Holdovers

Glance at The Holdovers’ synopsis and you might suspect that...

Kingdom of the Planet of the Apes review - a post-human para...

Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...