thu 25/07/2024

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Hive review - how a group of Kosovan widows rebuilt their lives

Read more...

Drive to Survive, Season 4, Netflix review - bitter rivalries on and off the track

Read more...

Shane, Amazon Prime review - the outsized life and times of cricket's King of Spin

Read more...

The Ipcress File, ITV review – adaptation of Len Deighton thriller fires on all cylinders

Read more...

Peaky Blinders, Series 6 review, BBC One - have we reached peak Peakies?

Read more...

Chloe, BBC One review - good start, weak finish

Read more...

Inventing Anna, Netflix review - fake heiress saga outstays its welcome

Read more...

Here Before review - family values under supernatural pressure

Read more...

The Real Charlie Chaplin review - not as revealing as its title suggests

Read more...

Pam & Tommy, Disney+ review - the infamous sex tape that went global

Read more...

Belfast review - coming of age amid the terror of the Troubles

Read more...

The Teacher, Channel 5 review - inappropriate behaviour in the school environment

Read more...

The Responder, BBC One review - the loneliness of the long-distance copper

Read more...

Long Promised Road review - another attempt to probe the fragile genius of Brian Wilson

Read more...

Nightmare Alley review - a dazzling trip through a heart of darkness

Read more...

Munich: The Edge of War review - Jeremy Irons excels in a revisionist portrait of Neville Chamberlain

Read more...

Pages

latest in today

About Dry Grasses review - warts and all portrait of an unha...

Nuri Bilge Ceylan’s latest is a test of stamina: a 3hr 15min study of a man paralysed...

Album: 137 - Strangeness Oscillations

Something of a jazz supergroup this one: with drum virtuoso, the...

Prom 6, Verdi's Requiem, BBCNOW, Bancroft review - runn...

Returning after ten months to the unique vasts of Albert’s colosseum, especially for a Verdi Requiem as powerful as this and a packed hall, felt...

10 Questions for DJ-producer Dave Clarke

Dave Clarke (b. 1968) is, arguably, Britain’s greatest techno...

The Butterfly House, Clonter Opera review - Puccini in biogr...

For 50 years Clonter Opera, the song-on-the-farm project in rural Cheshire, has been encouraging would-be...

Album: The Very Things GXL - Mr Arc-Eye (Under a Cellophane...

Back in the mid-80s, a group of lads from Worcestershire, who’d previously been known as the Cravats, were putting an exceedingly strange spin on...

Prom 5, BBC National Orchestra of Wales, Bancroft review - a...

This looked like a classic Prom in the grand old BBC tradition: two big but lesser-known pieces by pivotal figures (Schoenberg and Zemlinsky)...

Madeleine Peyroux, Barbican review - a transport of delight

You can take the woman out of the Left Bank, but you can’t take the Left Bank out of the woman. Madeleine Peyroux would be perfectly at home in a...

Red Speedo, Orange Tree Theatre review - two versions of Ame...

Before Lucas Hnath wrote Red Speedo, he had heard a 2004 speech at a hearing investigating baseball doping that declared the...

Album: Kevin Fowley - À Feu Doux

“Ne pleure pas, Jeannette” is a version of the 15th-century French song "La pernette se lève." It tells the story of Jeannette, whose parents want...