sat 08/08/2020

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Keeping Faith, Series 2, BBC One review - family misfortunes

Read more...

I Am Nicola, Channel 4 review - not really love, actually

Read more...

Pavarotti review - enjoyable but superficial survey of a superstar

Read more...

The Day We Walked on the Moon, ITV review - it was 50 years ago to the day

Read more...

Inside the Social Network: Facebook's Difficult Year, BBC Two review - how big can it get?

Read more...

Charles I: Downfall of a King, BBC Four review - beheaded monarch upstaged by exotic presenter

Read more...

Cyclists: Scourge of the Streets?, Channel 5 review - can we make the roads a safer place?

Read more...

Dark Money, BBC One review - powerful idea poorly executed

Read more...

Judi Dench's Wild Borneo Adventure, ITV review - national treasure meets natural wonders

Read more...

Inside the Bank of England, BBC Two review - economical with the actualité

Read more...

Yesterday review - Beatlemania in a parallel universe

Read more...

The Planets, Series Finale, BBC Two review - ice cold on Neptune

Read more...

Drag SOS, Channel 4 review - absolutely fabulous

Read more...

Beecham House, ITV review - a cartoon version of 18th century India

Read more...

Years and Years, Series Finale, BBC One review - soggy ending fails to inspire

Read more...

Ackley Bridge, Series 3, Channel 4 review - we gotta get out of this place

Read more...

Pages

latest in today

Heart's Delight, Opera Holland Park review - a classy h...

Nostalgia of all kinds played a part in this summer evening’s divertissement. Some audience members were probably remembering when operetta held a...

Perfect 10 review - a small movie with a big heart

We first see Leigh (Frankie Box), the cheeky heroine of Scottish...

Alex Halberstadt: Young Heroes of the Soviet Union review -...

Since the collapse of the Soviet Union, there has been a collective examination of its past, with Nobel Prize-winner Svetlana Alexievich at...

Everything: The Real Thing Story, BBC Four review - brillian...

This documentary is bittersweet viewing on quite a number of levels. First, it’s got all the glory and tragedy of the most compelling music...

Album: Moscoman - Time Slips Away

After 2016’s A Shot in the Light, DJ, producer and Disco Halal labelrunner Chen Moscovici has leaned full-tilt into...

theartsdesk Q&A: Record label New Heavy Sounds

New Heavy Sounds is one of Britain’s most exciting and undersung labels. Founded in 2011, they have consistently released music that boasts...

The New Normal, Royal Victoria Patriotic Building review - s...

We live in strange times, so it's appropriate that a socially distanced pop-up arts...

A masked elegy: portraits of string players at the Fidelio O...

Out of a silent and empty City of London, unusually still even for a Sunday afternoon, it felt surreal to come upon a centre of light and activity...

The Streets, EartH review - empathy in isolation

Mike Skinner got out just in time, pulling the plug on The Streets at the point of exhaustion. After Original Pirate Material’s hopeful...