Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
The Hunt, Almeida Theatre review - tense Scandinoirland dram...
For a while, child abuse has been banished from our stages. After all, there is a limit, surely, to how much pain audiences can be put through....
Yesterday review - Beatlemania in a parallel universe
The price of fame and the value of artistic truth are among the topics probed in...
Present Laughter, Old Vic review - Andrew Scott continues hi...
"Will You Still Love Me Tomorrow?" can be heard pulsating through the...
Apollo 11 review - an awe-inspiring leap
How could this story be told again? Director Todd Douglas Miller has found a way: strip away narrative and give the audience the purity of...
theartsdesk on Vinyl 50: Depeche Mode, Black Midi, Primal Sc...
So theartsdesk on Vinyl reaches its 50th edition. That’s at least a novels’ worth of words. Maybe two! But we’re not stopping yet...
Ax, Keenlyside, Dover Quartet, Wigmore Hall review – celebra...
Emanuel Ax here celebrated his 70th birthday with an all-...
The Planets, Series Finale, BBC Two review - ice cold on Nep...
As an aid to meditation, Professor Brian Cox’s latest series The Planets (...
Drag SOS, Channel 4 review - absolutely fabulous
According to the Manchester drag collective the Family Gorgeous, “drag should be for everyone.” And on the evidence of Drag SOS (...
