sun 23/02/2020

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Safe Harbour, Series Finale, BBC Four review - too much message, not enough drama

Read more...

Das Boot, Sky Atlantic review - menacing drama on land and sea

Read more...

theartsdesk Q&A: Matthew Heineman on directing 'A Private War'

Read more...

Green Book review - is this Oscar hopeful too good to be true?

Read more...

Screenwriter Adam Price on 'Ride Upon the Storm' - 'If we discuss faith, we will possibly not kill each other'

Read more...

Black Lake, Series 2 Finale, BBC Four review - Swedish chiller fails to thrill

Read more...

Magnum P.I., Sky 1 review - slick and formulaic remake of Eighties original

Read more...

Call My Agent!, Netflix review - French movie stars turn out for witty and waspish TV show

Read more...

The Favourite review - scintillatingly warped portrait of the court of Queen Anne

Read more...

Les Misérables, BBC One review - Dominic West looks the part in new Victor Hugo adaptation

Read more...

Torvill & Dean, ITV review - skating into history

Read more...

The Dead Room, BBC Four review - ghosts at the microphone

Read more...

Watership Down, BBC One review - run rabbit run

Read more...

Springsteen on Broadway, Netflix review - one-man band becomes one-man show

Read more...

Lizzie review - murder most meticulous

Read more...

Sir Cliff Richard: 60 Years in Public and in Private, ITV review - bachelor boy bounces back

Read more...

Pages

latest in today

Panikos Panayi: Migrant City review – the capital of the wor...

Some menus never change. In 1910, the Loyal British Waiters Society came into being, prompted by “xenophobic resentment at the dominance of...

Patricia Grace: Potiki review – a searching examination of h...

With the publication of her first work, Waiariki (1975), Patricia Grace became the author of the first ever collection of short stories...

Reissue CDs Weekly: Bona Rays

For record buyers, Bona Rays left limited evidence for their existence. One single was issued by the aptly named Mystery Records in 1981. Pressed...

CD: Grimes - Miss Anthropocene

Grimes is hilarious. For all the grandiose conceptualism, apocalyptic visions, high tech sonic manipulation, outré costumes, modish witchery,...

Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethov...

In Beethoven anniversary year, there are three ways to...

Hunters, Amazon Prime review - bringing God's justice t...

Apparently network executives initially reacted with alarm to the premise of Hunters,...

Supergrass, Barrowland, Glasgow review - nostalgic reunion p...

As Gaz Coombes noted around the halfway point of Supergrass’s Barrowland set “the last time we were here it was to say goodbye”. That was a decade...

Midnight Family review - a thrilling documentary set in Mexi...

“It’s cool to see a car crash or a gunshot wound, it’s exciting.” Emergency...

Message in a Bottle, Peacock Theatre review - a hiphop singa...

It’s hard enough to imagine hip hop set to the songs of Sting, but a hip hop show in which 27...