Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Noel Gallagher's High Flying Birds, Cardiff Castle revi...
Blessed with a red sunset and an adoring crowd, Noel Gallagher brought life to the ruins of...
Spice Girls, Croke Park, Dublin review - uncomplicated fun
They’re back and they’re looking and sounding good – and Spice Girls mania took over Dublin’s city centre for several hours before...
Cannes 2019: Matthias & Maxime review - a gently charmin...
It has been ten years since Canadian auteur...
The Waterboys, Roundhouse review - energetic delights
Was it imagination or did The Waterboys’ audience at...
Too Late To Die Young review - an absorbing, Chilean coming-...
Chilean Dominga Sotomayor’s third feature is...
CD: Soundwalk Collective with Patti Smith - The Peyote Dance
Soundwalk Collective is a multi-disciplinary audio-visual collective founded by Stephan Crasneanscki, a musical psycho-geographer and field...
Los Angeles Master Chorale, Gershon, Sellars, Barbican revie...
By some strange alignment of the stars, Peter Sellars’s staged version of Orlando di Lasso’s...
Rocketman review - fabulous musically but a tad miserable to...
Rocketman opens with its hero in flamboyant stage costume stomping into a drab group therapy session. Pulling the sparkling horns off his...
Four Quartets, Barbican Theatre review - ultimate stage poet...
The first surprise is that this hasn’t been done before. The poems that comprise TS Eliot’s...