Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Mary's Babies, Jermyn Street Theatre review - rollercoa...
Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatment of childless women and, back...
Biss, Philharmonia, Boyd, RFH review – compulsive life-force
Mozart in E flat (the Overture to The Marriage of...
The Phlebotomist, Hampstead Theatre review - thought-provoki...
Contemporary British theatre loves time travel — and not just to the past. It also enjoys imagining the future, especially the bad stuff ahead. So...
Soltani, LPO, Gardner, RFH review – disciplined and dynamic...
No successor has yet been named to Vladimir Jurowski as Principal Conductor of the...
World Metal Congress, Rich Mix, London review - celebration...
The stereotypical image of heavy metal music suggests...
The Life I Lead, Park Theatre review - pleasant enough but l...
I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead,...
Victoria, Series 3, ITV review - can Her Maj cope with the A...
ITV has an enviable knack for creating populist historical...
My Baby, Castle & Falcon, Birmingham review – the Dutch/...
Balsall Heath’s Castle & Falcon is one of the newer live music venues in...
Karl Ove Knausgaard: So Much Longing in So Little Space revi...
Around the works canteen, a dozen huge wall-paintings depict, in bright cheerful colours spread across radically stylised forms, happy scenes of...