mon 07/07/2025

Adam Sweeting

Adam Sweeting's picture
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Red Eye, ITV review - Anglo-Chinese relations tested in junk-food thriller

Read more...

Anthracite, Netflix review - murderous mysteries in the French Alps

Read more...

Civil War review - God help America

Read more...

Scoop, Netflix review - revisiting a Right Royal nightmare

Read more...

This Town, BBC One review - lurid melodrama in Eighties Brummieland

Read more...

Passenger, ITV review - who are they trying to kid?

Read more...

3 Body Problem, Netflix review - life, the universe and everything (and a bit more)

Read more...

The Delinquents review - escape to the country, Buenos Aires style

Read more...

Manhunt, Apple TV+ review - all the President's men

Read more...

The New Boy review - a mystical take on Australia's treatment of its First Peoples

Read more...

The Gentlemen, Netflix review - Guy Ritchie's further adventures in Geezerworld

Read more...

Prisoner, BBC Four review - jailhouse rocked by drugs, violence and racism

Read more...

Drive to Survive, Season 6, Netflix review - F1 documentary overtaken by events

Read more...

The Way, BBC One review - steeltown blues

Read more...

Kin, Series 2, BBC One review - when crime dynasties collide

Read more...

Bob Marley: One Love review - sanitised official version of the Jamaican icon's story

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Music Reissues Weekly: Motörhead - The Manticore Tapes

Manticore was owned by Emerson, Lake and Palmer and their manager. The organisation provided the name for the band’s label. Apart from ELP and its...

Kiefer / Van Gogh, Royal Academy review - a pairing of oppos...

When he was a callow youth of 18, German artist Anselm Keifer got a travel grant to follow in the footsteps of his idol, Vincent van Gogh. Some...

Siglo de Oro, Wigmore Hall review - electronic Lamentations...

Siglo de Oro are a vocal ensemble who specialise in older music – and especially neglected older music – but they have also...

Album: Barry Can't Swim - Loner

Despite being Mercury nominated, Bazza’s hardly a household name. Nevertheless, his debut album ...

Jenny Saville: The Anatomy of Painting, National Portrait Ga...

When in the 1990s, Jenny Saville’s peers shunned painting in...

Hot Milk review - a mother of a problem

Rebecca Lenkiewicz’s Hot Milk, adapted from Deborah Levy’s 2016 Man Booker shortlistee, has been described as a "psychological drama"....

Glastonbury Festival 2025: Five Somerset summer days of musi...

MONDAY 30th JUNE 2025

“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

Tom Raworth: Cancer review - truthfulness

I recently heard a BBC Radio 4 presenter use the troubling phrase: "Not everyone agreed on the reality of that." Once the domain of Andre Breton’s...