Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
The Book of Clarence review - larky jaunt through biblical e...
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...
Lisa Kaltenegger: Alien Earths review - a whole new world
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...
All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...
An Actor Convalescing in Devon, Hampstead Theatre review - o...
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...
First Persons: composers Colin Alexander and Héloïse Werner...
For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...
Album: Paraorchestra with Brett Anderson and Charles Hazlewo...
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...
Anthracite, Netflix review - murderous mysteries in the Fren...
Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...