sat 24/02/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Van der Valk, Series 2 Finale, ITV review - sleaze, corruption and skulduggery in Amsterdam

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Better Call Saul, Season 6 Finale, Netflix review - end of the line for TV's most celebrated con artist

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Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy Perez

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Murder in Provence, ITV review - a little light sleuthing amid fabulous French scenery

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Where the Crawdads Sing review - picturesque film glosses over its darker themes

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The Gray Man, Netflix review - the Russo brothers explore big-bang theory

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Trom, BBC Four review - there's something fishy in the North Atlantic

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Freddie Flintoff's Field of Dreams, BBC One review - Lancashire all-rounder adds new strings to his bow

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Mick Jagger: My Life as a Rolling Stone review, BBC Two - the rock'n'roll enigma gives little away as the band reaches 60

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The Undeclared War, Channel 4 review - how would the UK cope with a devastating cyber-attack?

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Man vs Bee, Netflix review - or should it be Bee vs Bean?

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Elvis review - Austin Butler shines in patchy biopic

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Sherwood, BBC One review - a traumatic journey through a painful past

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We Own This City, Sky Atlantic review - 'The Wire' creator David Simon is back on the Baltimore beat

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Pistol, Disney+ review - Punk history repeats itself as farce

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Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years ago

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Album: Everything Everything - Mountainhead

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An opera about a day in the life of Karl Marx doesn’t exactly...

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In 2017, two years after Hir premiered, Taylor Mac was awarded a “Genius Grant” and nominated for a Pulitzer Prize for drama....

Memory review - love, dementia and truth

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You do not need to be Einstein to feel it. If the only dimension missing is time, 75% of a place’s identity can invade your very being, hollow you...

King Lear, Almeida Theatre review - Danny Sapani dazzles in...

Less than three years after her magnificent Macbeth, Yaël Farber returns to the Almeida with another...