fri 19/04/2024

Adam Sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Argylle review - Matthew Vaughn's secret agent fantasy dares you to deny it

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Masters of the Air, Apple TV+ review - painful and poignant account of the Eighth Air Force's bombing campaign

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True Detective: Night Country, Sky Atlantic review - death in a cold climate

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Criminal Record, Apple TV+ review - law and disorder in Hackney

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Poor Things review - other-worldly adaptation of Alasdair Gray's novel

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The Tourist, Series 2, BBC One review - an amnesiac Jamie Dornan explores his Irish roots

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Best of 2023: TV

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The Kemps: All Gold, BBC Two review - bickering with the Ballet boys

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Murder Is Easy, BBC One review - was this journey really necessary?

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Mad About the Boy: the Noël Coward Story, BBC Two review - the making of The Master

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A Ghost Story for Christmas: Lot No 249, BBC Two review - mummy's boy unleashes hell in the halls of academe

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The Heist Before Christmas, Sky Max review - the Santa Claus wars

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Blood Coast, Netflix review - mayhem in Marseille

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Vigil, Series 2, BBC One review - DCI Silva swaps a submarine for deadly drones

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Kin, BBC One review - in Dublin's not-so-fair city

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Boat Story, BBC One review - once upon a time in Yorkshire

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...

If Only I Could Hibernate review - kids in grinding poverty...

Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after...