Adam Sweeting
Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)
Articles By Adam Sweeting
latest in today
The Sister, ITV review - half-baked dramatisation of esteeme...
Neil Cross’s novel Burial was hailed for its skilful plotting and insightful characterisations, as well as its macabre atmosphere....
theartsdesk on Vinyl 60: Acid Pauli, Mercury Rev, Cabbage, K...
Due to COVID-related nonsense too tedious to relate, this month’s theartsdesk on...
Pavel Kolesnikov, Wigmore Hall review - the stuff of dreams
To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one...
Gigantic Cinema: A Weather Anthology review - wild writing t...
Among the French composer Claude Debussy’s greatest and characteristically subtle innovations was to put the titles at the end of his pieces. He...
Album: Emma Ruth Rundle & Thou - May Our Chambers Be Ful...
Post-rock singer-songwriter Emma Ruth...
Philharmonia, Rouvali, RFH review – wide range of American v...
There’s an old rule in the theatre that you don’t have to go on if there are more people on stage than in the audience. Last night I counted less...
The Undoing, Sky Atlantic review - trouble in paradise for g...
Plenty of pedigree wattage has been packed into this slickly addictive new HBO drama (showing on...
Northern Chords Festival, Church of St James and St Basil, N...
Whatever happens next – and even in Tier 3 the Royal Liverpool Phlharmonic goes on playing to carefully distanced audiences – this will be...
