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Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

Hot Milk review - a mother of a problem

Friday, 04 July 2025 Read more...

Lollipop review - a family torn apart

Saturday, 14 June 2025 Read more...

Good One review - a life lesson in the wild with her dad and his pal

Friday, 16 May 2025 Read more...

'Classic-era prog’s Olympian pinnacle': Pink Floyd's 'Echoes' returns in their restored Pompeii concert film and as Nick Mason's band's vinyl hit

Friday, 09 May 2025 Read more...

Restless review - curse of the noisy neighbours

Friday, 04 April 2025 Read more...

Misericordia review - mushroom-gathering and murder in rural France

Wednesday, 02 April 2025 Read more...

Album: Bryan Ferry and Amelia Barratt - Loose Talk

Sunday, 30 March 2025 Read more...

Album: Steven Wilson - The Overview

Thursday, 13 March 2025 Read more...

On Falling review - human cogs in a merciless machine

Friday, 07 March 2025 Read more...

Album: Jethro Tull - Curious Ruminant

Monday, 03 March 2025 Read more...

Blu-ray: Hitchcock - The Beginning

Sunday, 22 December 2024 Read more...

Blu-ray: Black Tuesday

Sunday, 01 December 2024 Read more...

Bird review - travails of an unseen English tween

Sunday, 10 November 2024 Read more...

Blitz review - racism persists as bombs batter London

Friday, 01 November 2024 Read more...

The Old Man and the Land review - dark secrets of a farming family

Thursday, 03 October 2024 Read more...

Album: The Smile - Cutouts

Tuesday, 01 October 2024 Read more...

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'We are bowled over!' Thank you for your messages... ...
Insomnia, Channel 5 review - a chronicle of deaths foretold

A mixture of legal drama, medical mystery and psychological thriller with creepy supernatural overtones, Insomnia sometimes seems to be...

Album: Mark Stewart - The Fateful Symmetry

I met Mark Stewart once. It was on a platform at Clapham Junction, I wouldn’t normally approach a famous person like that, but I felt I had to pay...

Run Sister Run, Arcola Theatre review - emphatic emotions, o...

Near the start of Chloë Moss’s latest play, Run...

First Person: country singer Tami Neilson on the superpower...

I was born Tamara Lee Neilson. I had an Uncle Kenny and an Aunt Dolly (who played guitar and banjo, respectively). I mean, did I really have a...

Album: Gwenno - Utopia

Stylistically, Utopia wears multiple faces. Opening cut “London 1757” drifts by like a twig floating upon an unhurried stream. Next, “...

Live Aid at 40: When Rock'n'Roll Took on the World...

“Bob’s not the kind of guy you can say no to,” said Sting, reminiscing about the origins of 1984’s Band Aid charity single “Do They Know It’s...

theartsdesk Q&A: actor Emma Mackey on 'Hot Milk...

Emma Mackey might have had her breakthrough role as a teenage tough cookie in Netflix's hit Series Sex Education (2019-20223), but there...

Blu-ray: A Hard Day's Night

Andrew Sarris, doyen of auteurist film critics, dubbed A Hard Day’s Night “the Citizen Kane of jukebox musicals”. Wild over-...

Sabrina Carpenter, Hyde Park BST review - a sexy, sparkly, s...

Has Sabrina Carpenter officially conquered London? A year after bestie and fellow Disney alumni Taylor Swift declared the “Summer of Sabrina”...