Graham Fuller
Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.
Articles By Graham Fuller
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Uproar, Rafferty, Royal Welsh College, Cardiff review - colo...
There’s a lot to be said for the planning that clearly went into this concert by the Cardiff-based new music ensemble, Uproar....
Attacca Quartet, Kings Place review - bridging the centuries...
Memorably described by Gramophone magazine as the “new kids on the classical block…with lavish pocket money”, Apple’s London-based label...
Music Reissues Weekly: Norma Tanega - I Don't Think It...
After scoring a hit in 1966 with the distinctive folk-pop of her jazz-inclined debut single "Walkin' my Cat Named Dog," US singer-songwriter Norma...
Manchester Collective, RNCM review - exploring new territory
Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed...
Henry Gee: The Decline and Fall of the Human Empire - Why Ou...
Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK...
All Happy Families review - unhappy in their own way
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence...
Album: The Loft - Everything Changes, Everything Stays The S...
“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of...
Black Bag review - lies, spies and unpleasant surprises
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...
Weather Girl, Soho Theatre review - the apocalypse as surrea...
Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...