tue 12/11/2024

Graham Fuller

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Bio
Graham is a British writer and editor based in New York since 1986. He was the executive editor at Interview magazine (1990-2000) and the Sunday arts editor at the New York Daily News (2000-2005). He has written on film for the New York Times, New York Observer, all the British broadsheets, Sight and Sound, Film Comment and Rolling Stone.

Articles By Graham Fuller

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Amyl and the Sniffers, O2 Academy, Birmingham review - rowdy...

Amy Taylor and the rest of the Sniffers ambled onto the stage of Birmingham’s O2 Academy to a huge roar of approval from a packed and diverse...

Natalie Palamides: Weer, Soho Theatre review - a romcom of t...

Natalie Palamides doesn't do things by halves. Actually, the Los Angeles-based clown does just that in her inventive new show Weer ...

Wolf Hall: The Mirror and the Light, BBC One review - handso...

“Previously on Wolf Hall…” It’s been nine years since Claire Foy memorably trembled her way to the block as Anne Boleyn,...

Andrej Power, LSO, Mäkelä, Barbican review - singing, shriek...

Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in...

Burnt Up Love, Finborough Theatre review - scorching new pla...

Mac is in prison for a long stretch. He is calm, contemplative almost...

Album: Tomorrow X Together - The Star Chapter: Sanctuary

South Korean quintet TXT's latest mini-album delivers six meticulously crafted tracks that showcase the group's evolving artistry through...

Bird review - travails of an unseen English tween

There’s a jolt or a surprise in almost every shot in Andrea Arnold’s Bird – her most impacted and energised depiction of underclass life...

Music Reissues Weekly: The Yardbirds - The Ultimate Live at...

“The last we had was a bit of a flop. I own up about it, it was quite bad.” Speaking to the BBC’s Brian Matthew on 4 April 1967, Yardbirds’...

Pina Bausch’s The Rite of Spring/common ground[s], Sadler’s...

It takes a lot to make an audience not want to head to the bar at the interval. But the preparation of the stage floor for The Rite of Spring...