tue 16/07/2019

Demetrios Matheou

Bio
Demetrios Matheou is the film editor of theartsdesk. He's also the film critic for The Sunday Herald and a London correspondent for Indiewire. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

The Brink review – behind the scenes with Steve Bannon

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Too Late To Die Young review - an absorbing, Chilean coming-of-age

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Game of Thrones, Sky Atlantic, Series 8 Finale review – who will sit on the Iron Throne?

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Madeline's Madeline review – American indie heralds an astonishing new star

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Woman at War review – timely comedy-drama about an eco-warrior with a difference

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Game of Thrones, Sky Atlantic review - The Battle of Winterfell

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Greta review – Isabelle Huppert goes full psycho in eccentric stalker thriller

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The Sisters Brothers review – wonderfully off-the-wall western

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Interview with director Agnès Varda, who has died at 90

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Everybody Knows review - so-so Spanish kidnap drama

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

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On the Basis of Sex review – real-life legal drama

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theartsdesk in Tromsø: the celluloid Cold War

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Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

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LFF 2018: Roma review – Alfonso Cuarón’s triumphant return to Mexico

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LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to kill

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latest in today

CD: Sum 41 - Order In Decline

Sum 41 were one of those light-weight punk-ish bands in unfeasibly large pairs of shorts that washed up in the wake of Green Day’s early success...

Django Bates Belovèd Trio, Evan Parker, Wigmore Hall review...

"Genius" is a word to be used sparingly, but Django Bates surely is one. “A musical polymath and prodigiously gifted composer” went the citation...

Don Giovanni, Longborough Festival Opera review - Mozart in...

One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building...

Bob Dylan and Neil Young, BST Hyde Park review - flat-out br...

It was billed as a moment of musical history: two of the great icons of rock'n'roll sharing a double-headline. A dream ticket. Except, of course,...

Robin Ince, Soho Theatre review - fun among the chaos

How to describe a show that by Robin Ince’s own admission doesn’t have a narrative strand, and for which he has written several pages of notes...

Florence + the Machine, BST Hyde Park review - mastering the...

It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and...

CD: Sabaton – The Great War

It’s been 20 years since Sabaton’s formation in 1999, and the Swedish power...

Gina Apostol: Insurrecto review – a treacherous archipelago...

As in other countries born out of 19th-century uprisings against imperial power, the literary roots of the Philippines run deep. Executed by the...

theartsdesk Q&A: Lia Williams on the challenges of theat...

Lia Williams is not an actor who looks for easy options. Twice she has played two characters in the same production, switching between them for...