tue 26/03/2019

Demetrios Matheou

Bio
Demetrios Matheou is the film editor of theartsdesk. He's also the film critic for The Sunday Herald and a London correspondent for Indiewire. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Everybody Knows review - so-so Spanish kidnap drama

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Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

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On the Basis of Sex review – real-life legal drama

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theartsdesk in Tromsø: the celluloid Cold War

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Laurent Cantet: 'Young people have different preoccupations nowadays' – interview

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LFF 2018: Roma review – Alfonso Cuarón’s triumphant return to Mexico

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LFF 2018: In Fabric review – Peter Strickland’s horror comedy is dressed to kill

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Agnès Varda: 'You think I'm finished?!' - interview

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Michel Hazanavicius: 'Losing himself is how he found himself'

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Juliette Binoche: ‘Repetition feels like near death’

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theartsdesk at the Viennale: shunning the 'illusion machine'

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The Killing of a Sacred Deer review - edge-of-seat psycho-thriller

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LFF 2017: Last Flag Flying review - anti-war film without a bite

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On the Road review - engrossing music documentary with a sly B-side

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An Inconvenient Sequel: Truth to Power review - Al Gore's urgent update

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theartsdesk at Bergman Week - finding the spirit of the great Swedish filmmaker

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The Phlebotomist, Hampstead Theatre review - thought-provoki...

Contemporary British theatre loves time travel — and not just to the past. It also enjoys imagining the future, especially the bad stuff ahead. So...

Elizabeth I/Macbeth, English Touring Opera review - elegance...

A crash, a scurry, a long, lilting serenade – the overture to Rossini’s Elizabeth I sounds oddly familiar. Not to worry....

Mary's Babies, Jermyn Street Theatre review - rollercoa...

Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatment of childless women and, back...

Biss, Philharmonia, Boyd, RFH review – compulsive life-force

Mozart in E flat (the Overture to The Marriage of Figaro...

Soltani, LPO, Gardner, RFH review – disciplined and dynamic...

No successor has yet been named to Vladimir Jurowski as Principal Conductor of the...

The Life I Lead, Park Theatre review - pleasant enough but l...

I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead,...

Victoria, Series 3, ITV review - can Her Maj cope with the A...

 ITV has an enviable knack for creating populist historical...

My Baby, Castle & Falcon, Birmingham review – the Dutch/...

Balsall Heath’s Castle & Falcon is one of the newer live music venues in...

CD: Steve Earle & The Dukes - Guy

Guy Clark is among the favourite songwriters of...