tue 19/03/2024

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Harry Clarke, Ambassadors Theatre review - an entertaining curio

Read more...

Double Feature, Hampstead Theatre review - with directors like these, who needs enemies

Read more...

Eureka review - not enough to shout about

Read more...

The House of Bernarda Alba, Lyttelton Theatre review - dazzling darkness

Read more...

Ghosts, Sam Wanamaker Playhouse review - a claustrophobic descent into purgatory

Read more...

Powell and Pressburger: Spy masters

Read more...

Lyonesse, Harold Pinter Theatre review - a step backwards for #MeToo

Read more...

Martin Scorsese's 'Mean Streets' - a triumph of personal filmmaking

Read more...

Foe review - unsettling sci-fi drama

Read more...

London Film Festival 2023 - monsters, ghosts and diabolical people

Read more...

London Film Festival 2023 - provocation, celebration and film-buzzing community

Read more...

The Creator review - bold, beautiful, flawed sci-fi epic

Read more...

Frank and Percy, The Other Palace review - two-hander fails to escape a very short leash

Read more...

anthropology, Hampstead Theatre review - AI thriller runs out of code

Read more...

Passages review - amusing, lusty, surprising Parisian love triangle

Read more...

Medusa review - stylish, smart, seriously strange Brazilian satire

Read more...

Pages

latest in today

St Mary's Music School, RSNO, Søndergård, Usher Hall, E...

For the second year in a row the Royal Scottish National...

Manhunt, Apple TV+ review - all the President's men

President Abraham Lincoln was assassinated on 14 April 1865, five days after General Robert E Lee’s surrender at Appomatox signalled the end of...

Blu-ray: Beautiful Thing

Beautiful Thing’s opening scene plays out like a sweary take on Bill Forsyth’s Gregory’s Girl, Meera Syal’s potty-mouthed PE...

Bevan, Williams, BBCSO, MacMillan, Barbican review - inspira...

It began with the tolling of a lone bell and ended in a transcendent blaze of golden light. The UK premiere of James MacMillan’s Fiat Lux...

Salome, Irish National Opera review - imaginatively charted...

“Based on the play by Oscar Wilde,” declared publicity on Dublin buses and buildings, reminding opera-cautious citizens that the poet whose text...

Album: Elbow - Audio Vertigo

On this, their 10th album, the melodious...

First Person: conductor Peter Whelan on coming full circle w...

There's something undeniable about the way music can weave itself into the fabric of our lives, shaping our passions and leaving an indelible...

Music Reissues Weekly: The Mystic Tide - Frustration

Crashing chords are followed by a spindly, untrammelled solo guitar. After this subsides, the singer lays out the issue: “I try, I cry, I just can...

Hughes, SCO, Kuusisto, Queen’s Hall, Edinburgh review - Clyn...

Most concert promoters will tell you that contemporary music tends to be, to put it politely, a tricky sell, which is one of the reasons why it’s...

The New Boy review - a mystical take on Australia's tre...

This is writer-director Warwick Thornton’s third...