mon 16/06/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Dear England, National Theatre review - extra time for stirring soccer classic

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I'm Still Here review - powerful tale of repression and resistance

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The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

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September 5 review - gripping real-life thriller

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Small Things Like These review - less is more in stirring Irish drama

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Oedipus, Wyndham's Theatre review - careful what you wish for

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The Other Place, National Theatre review - searing family tragedy

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The Real Thing, Old Vic review - Stoppard classic keeps on giving

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Sing Sing review - prison movie with an abundance of heart

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Only the River Flows review - damp noir

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Mnemonic, Olivier Theatre review - thanks for the memories

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Kinds of Kindness review - too cruel to be kind

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Furiosa: A Mad Max Saga review - just as mad without Max

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People, Places and Things, Trafalgar Theatre review - a scintillating shot in the arm

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La Chimera review - magical realism with a touch of Fellini

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Minority Report, Lyric Hammersmith Theatre review - ill-judged sci-fi

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Pulp, O2 Arena review - common people like us

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Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Mazeppa, Grange Park Opera review - a gripping reassessment

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Sam Fender, St James' Park, Newcastle review - Geordie...

Had a passer-by from outwith Newcastle been asked to guess...

Dandy, BBC Philharmonic, Storgårds, Bridgewater Hall, Manche...

The opening and closing concerts of a season tend to be statements of intent – to pursue a path of exploration or (latterly) to celebrate a...

Album: Yaya Bey - do it afraid

One of the great untold stories of the past decade is just how potent a cultural force R&B has been. It might not have had the wild musical...

North by Northwest, Alexandra Palace review - Hitchcock adap...

Older readers may recall the cobbled together, ramshackle play, a staple of the Golden Age of Light Entertainment that would close...

Music Reissues Weekly: Pilot - The Singles Collection

"It was really strange. Really quite conflicting, the sort of thing most bands didn't have to deal with. At the front, we'd have the kids who'd...

Tornado review - samurai swordswoman takes Scotland by storm

The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...