sat 01/11/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

After the Hunt review - muddled #MeToo provocation

Read more...

Ballad of a Small Player review - Colin Farrell's all in as a gambler down on his luck

Read more...

Hamlet, National Theatre review - turning tragedy to comedy is no joke

Read more...

Urchin review - superb homeless drama

Read more...

Robert Redford: remembering All the President’s Men

Read more...

Not Your Superwoman, Bush Theatre review - powerful tribute to the plight and perseverance of Black women

Read more...

Islands review - sunshine noir serves an ace

Read more...

Dying review - they fuck you up, your mum and dad

Read more...

Blu-ray: Darling

Read more...

Dear England, National Theatre review - extra time for stirring soccer classic

Read more...

I'm Still Here review - powerful tale of repression and resistance

Read more...

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

Read more...

September 5 review - gripping real-life thriller

Read more...

Small Things Like These review - less is more in stirring Irish drama

Read more...

Oedipus, Wyndham's Theatre review - careful what you wish for

Read more...

The Other Place, National Theatre review - searing family tragedy

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
The Line of Beauty, Almeida Theatre review - the 80s revisit...

Alan Hollinghurst's 2004 novel The Line of Beauty finds a distinct beauty all its own in this long-awaited Almeida Theatre premiere...

Down Cemetery Road, Apple TV review - wit, grit and a twisty...

Back in 2003, when Mick Herron was a humble sub-editor, his...

The Railway Children, Glyndebourne review - right train, wro...

If the distance from Festen to The Railway Children looks like a long stretch of track, remember that Mark-Anthony Turnage’s...

Robin Holloway: Music's Odyssey review - lessons in com...

Robin Holloway is a composer and, until his retirement in 2011, don at Cambridge, where he taught many of the leading British composers of the...

'Everybody Scream': Florence + The Machine's...

If you were looking for the most perfectly brooding autumnal album this year, Florence Welch and her Machine may have been one...

Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....