wed 08/10/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Hamlet, National Theatre review - turning tragedy to comedy is no joke

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Urchin review - superb homeless drama

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Robert Redford: remembering All the President’s Men

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Not Your Superwoman, Bush Theatre review - powerful tribute to the plight and perseverance of Black women

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Islands review - sunshine noir serves an ace

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Dying review - they fuck you up, your mum and dad

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Blu-ray: Darling

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Dear England, National Theatre review - extra time for stirring soccer classic

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I'm Still Here review - powerful tale of repression and resistance

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The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling

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September 5 review - gripping real-life thriller

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Small Things Like These review - less is more in stirring Irish drama

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Oedipus, Wyndham's Theatre review - careful what you wish for

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The Other Place, National Theatre review - searing family tragedy

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The Real Thing, Old Vic review - Stoppard classic keeps on giving

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Sing Sing review - prison movie with an abundance of heart

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'We are bowled over!' Thank you for your messages... ...
R:Evolution, English National Ballet, Sadler's Wells re...

As the new season opens, confidence is high at ENB, just as it...

Trio da Kali, Milton Court review - Mali masters make the an...

Trio da Kali are griots, and their traditional role in...

Giustino, Linbury Theatre review - a stylish account of a sl...

It’s a good year to be Handel-lover. No sooner have summer runs of Rodelinda (Garsington) and Saul (Glyndebourne) finished than...

Hollie Cook's 'Shy Girl' isn't heavyweig...

Hollie Cook was in the final line-up of post-punk groundbreakers The...

theartsdesk Q&A: musician Warren Ellis recalls how jungl...

Warren Ellis is Nick Cave’s wild-maned Bad Seeds right-hand man and The Dirty Three’s frenzied violinist. Justin Kurzel’s Australian film subjects...

theartsdesk Q&A: Idris Elba on playing a US President fa...

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's...

Echo Vocal Ensemble, Latto, Union Chapel review - eclectic c...

Echo Vocal Ensemble have their genesis in Genesis. Sarah Latto’s group were initially formed by a cohort of the Genesis Sixteen young artists’...

Susanna, Opera North review - hybrid staging of a Handel ora...

Turning Handel oratorio into opera can be a rewarding enterprise. Charles Edwards’ presentation of Joshua, over 15 years ago, for...