fri 14/02/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

The Irishman review - mobster masterclass

Read more...

Sorry We Missed You review – Ken Loach's unapologetic assault on the gig economy

Read more...

Terminator: Dark Fate review – look who's back

Read more...

Official Secrets review – powerful political thriller

Read more...

The Day Shall Come review – Homeland Security satire lacks bite

Read more...

LFF 2019: Marriage Story review – not a dry eye in the house

Read more...

Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

Read more...

San Sebastian Film Festival: Latin films thrive

Read more...

San Sebastian Film Festival: The Burnt Orange Heresy review – art world noir

Read more...

Hotel Mumbai review – Dev Patel shines in harrowing real-life drama

Read more...

The Laundromat review – The Panama Papers as root canal

Read more...

San Sebastian Film Festival: Proxima review – Eva Green has The Right Stuff

Read more...

Ad Astra review – out of this world

Read more...

The Kitchen review – more gangsters' molls taking over the reins

Read more...

Downton Abbey review – business as usual

Read more...

It Chapter Two review – time to stop clowning around

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Captain America: Brave New World review - talking loud, sayi...

In his first weeks in office, Harrison Ford’s US president survives an assassination attempt inside the White House, goes to war with Japan and...

Three Sisters, Sam Wanamaker Playhouse review - Chekhov...

Russia.

It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to...

MacMillan's Ordo Virtutum, BBC Singers, Jeannin, Milton...

Does any living composer write better for choirs, or more demandingly when circumstances allow, than James MacMillan? Admirable as it is to have...

Surviving Black Hawk Down, Netflix review - the real story b...

Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous...

Memoir of a Snail review - deliciously offbeat Australian an...

Having recently watched the charming animation Marcelle The Shell With Shoes On with my nine-year-old son, I was going to suggest for our...

To a Land Unknown review - the migrant hustle

The Refugee Movie is rapidly becoming a genre unto itself, with elements of suspense and humanism woven together into something that’s...

Album: Rizzle Kicks - Competition Is For Losers

After more than 10 years away, Rizzle Kicks are finally back, and it feels long overdue. Their music was a huge part of my childhood ...

Churchill in Moscow, Orange Tree Theatre review - thought-pr...

Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career as a left-winger in the turbulent...

Bridget Jones: Mad About the Boy review - older, sadder Brid...

Bridget Jones has grown up: v.v.g. Our heroine is still prone to daft pratfalls and gaffes and bursts of sensational idiot dancing....