thu 15/05/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Medusa review - stylish, smart, seriously strange Brazilian satire

Read more...

Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner

Read more...

Mission: Impossible - Dead Reckoning Part One review - buckle up

Read more...

Air review - great fun but no slam dunk

Read more...

God's Creatures review - Irish drama with a touch of Greek tragedy

Read more...

1976 review - dark, chilly Chilean thriller

Read more...

Women, Beware the Devil, Almeida Theatre review - bewitching, up to a point

Read more...

Tár review - a towering Cate Blanchett conducts a classic

Read more...

Demetrios Matheou's Top 10 Films of 2022

Read more...

A Christmas Carol, The Old Vic review - more poignant, and more joyous than ever

Read more...

London Film Festival 2022 - women's voices powerfully to the fore

Read more...

London Film Festival 2022 - supermodels, juntas and toxic dust clouds

Read more...

John Gabriel Borkman, Bridge Theatre review - amusing tale of awful people

Read more...

Don’t Worry Darling review - dystopian thriller dries up in the desert

Read more...

Walking with Ghosts, Apollo Theatre review - a beguiling Gabriel Byrne opens up

Read more...

Nope review - more a nope than a yep

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Billy Nomates – Metalhorse

Metalhorse is a concept album that uses visions of a dilapidated funfair as a metaphor for life’s various ups and downs. It especially...

The Comedy About Spies, Noel Coward Theatre review - 'G...

From the creative team that brought you The Play That Goes Wrong in 2012 (and assorted sequels) comes this spy caper. As ever...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...