mon 13/05/2024

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Walking with Ghosts, Apollo Theatre review - a beguiling Gabriel Byrne opens up

Read more...

Nope review - more a nope than a yep

Read more...

Bullet Train review - not really a first class ticket

Read more...

Jack Absolute Flies Again, National Theatre review - fluffy as a cloud but hugely entertaining

Read more...

Straight Line Crazy, Bridge Theatre review – in desperate need of a curve ball

Read more...

Paris,13th District review - millennial merry-go-round

Read more...

The Collaboration, Young Vic Theatre review - artistic giants, wigs, warts and all

Read more...

The Chairs, Almeida Theatre review - a tragi-comic double act for the ages

Read more...

theartsdesk at Tallinn's Black Nights Film Festival - still crazy after all these years

Read more...

Spencer review – daring, strange and deeply moving

Read more...

Last Night in Soho review - hung over

Read more...

Dune review - awesome display of sci-fi world-building

Read more...

No Time to Die review - Daniel Craig’s bold, bountiful Bond farewell

Read more...

The Nest review – intriguing, off-kilter family drama

Read more...

First Cow review - beautifully realised frontier drama

Read more...

The Mauritanian review – moving 9/11 drama

Read more...

Pages

latest in today

Coote, LSO, Tilson Thomas, Barbican review - the triumph of...

Programme notes for Mahler’s monumental symphonies will often blithely chat about the works’ epic struggle between life and death, creation and...

Conchúr White, St Pancras Old Church review - side-stepping...

If there’s a feeling of déjà vu, it isn’t detectable. Conchúr White played St Pancras Old Church in April 2016 with County Armagh’s Silences, the...

Rhod Gilbert, G-Live Guildford review - cancer, constipation...

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly...

Pop Will Eat Itself, Chalk, Brighton review - hip hop rocker...

By midway, things are cooking. “Can U Dig It?”, a post-modern list-song from another age (Ok,...

Album: Beth Gibbons - Lives Outgrown

It’s been a long while since Beth Gibbons released an album. Portishead’s Third was out in 2008.  She has lived through so many...

Britten Sinfonia, The Marian Consort, Milton Court review -...

Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...

Music Reissues Weekly: Little Girls - Valley Songs

The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...

DVD/Blu-ray: The Holdovers

Glance at The Holdovers’ synopsis and you might suspect that...

Kingdom of the Planet of the Apes review - a post-human para...

Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...