thu 01/05/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

Medusa review - stylish, smart, seriously strange Brazilian satire

Read more...

Dr Semmelweis, Harold Pinter Theatre review - a play in search of a bedside manner

Read more...

Mission: Impossible - Dead Reckoning Part One review - buckle up

Read more...

Air review - great fun but no slam dunk

Read more...

God's Creatures review - Irish drama with a touch of Greek tragedy

Read more...

1976 review - dark, chilly Chilean thriller

Read more...

Women, Beware the Devil, Almeida Theatre review - bewitching, up to a point

Read more...

Tár review - a towering Cate Blanchett conducts a classic

Read more...

Demetrios Matheou's Top 10 Films of 2022

Read more...

A Christmas Carol, The Old Vic review - more poignant, and more joyous than ever

Read more...

London Film Festival 2022 - women's voices powerfully to the fore

Read more...

London Film Festival 2022 - supermodels, juntas and toxic dust clouds

Read more...

John Gabriel Borkman, Bridge Theatre review - amusing tale of awful people

Read more...

Don’t Worry Darling review - dystopian thriller dries up in the desert

Read more...

Walking with Ghosts, Apollo Theatre review - a beguiling Gabriel Byrne opens up

Read more...

Nope review - more a nope than a yep

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Adrian Utley- Eddie Henderson Project, Ronnie Scott's r...

On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie Henderson brought their “...

Album: Suzanne Vega - Flying With Angels

Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk revival on the map...

First Person: Rising folk star Amelia Coburn on her French i...

“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year.  While living in...

Dealer's Choice, Donmar Warehouse review - fresh take o...

Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...

La Serenissima, Wigmore Hall review - a convivial guide to 1...

When Giuseppe Torelli made the journey from his birthplace of Verona to Bologna in the late 17th century, the trumpet was still seen as something...

theartsdesk Q&A: director Leonardo Van Dijl discusses hi...

"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...

Album: Lael Neale - Altogether Stranger

Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...

Much Ado About Nothing, RSC, Stratford - Messina FC scores o...

Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....

Zsuzsanna Gahse: Mountainish review - seeking refuge

Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....