thu 13/05/2021

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

latest in today

Sam Riviere: Dead Souls review – whip-smart literary satire...

In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and ...

Some Kind of Heaven review - a Florida retirement community...

In the UK, we usually get a peek inside The Villages in Florida...

Danny Boy, BBC Two review - when law and war collide

The issue of public inquiries into the conduct of the military is in the headlines again, with a current focus on Northern Ireland, but at the...

Album: Paul Weller - Fat Pop (Volume 1)

“The Changingman” came to sound a little rich in the years after it introduced Stanley Road, as...

Blu-ray: Columbia Noir #3

Anxiety, injustice and desperate disorder are the themes of these six disparate noirs. In one, The Dark Past, Lee J. Cobb’s...

Lucy Caldwell: Intimacies review - exploring the empty space...

In the first short story of Lucy Caldwell’s collection Intimacies, “Like This”, one of the worst possible things that could ever happen...

Crosby, Stills, Nash and Young: Déjà Vu 50th Anniversary Del...

With over eight million copies sold in its 50-year lifespan, Déjà Vu was,...

Das Lied von der Erde, Kožená, Staples, LSO, Rattle, Barbica...

The drunkard in spring; the lonely man in autumn; the long goodbye. ...

Maylis de Kerangal: Painting Time review - safer in simulati...

"Trompe-l’œil," explains the director of the Institut de Peinture in Brussels, “is the meeting of a painting and a gaze, conceived for a...