sat 03/05/2025

Demetrios Matheou

Bio
Demetrios Matheou is a London-based journalist, critic and author. He was the chief film critic for The Sunday Herald in Glasgow between 2004-18, and a contributing film critic for The Independent on Sunday between 2000-2016. He’s currently published in The Times, The Standard, The i, Sight and Sound and Screen Daily, among others. He is also a London theatre critic for The Hollywood Reporter. Demetrios is the author of The Faber Book of New South American Cinema, while contributing to a number of other film titles. He co-curated the retrospective season South American Renaissance for The BFI South Bank and co-founded the London Argentine Film Festival. He's served on the juries of a number of international film festivals.

Articles By Demetrios Matheou

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Pimpinone, Royal Opera in the Linbury Theatre review - farce...

Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by...

Krapp's Last Tape, Barbican review - playing with the l...

In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a door briefly...

Formula E: Driver, Prime Video review - inside the world...

The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but also...

Die Walküre, Royal Opera review - total music drama

Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches exaltation and misery, terror...

Georgia Mancio, Alan Broadbent, Pizza Express Dean Street re...

Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based vocalist/lyricist...

The Extraordinary Miss Flower review - odd mashup of music,...

The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie...

Borrowed Time: Lennon's Last Decade review - how the gr...

Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing....