sun 15/06/2025

India Lewis

Articles By India Lewis

Howard Amos: Russia Starts Here review - East meets West, via the Pskov region

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The End review - surreality in the salt mine

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Shon Faye: Love in Exile review - the greatest feeling

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Jacqueline Feldman: Precarious Lease review - living on the edge

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Catherine Airey: Confessions review - the crossroads we bear

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Julia Holter, Islington Assembly Hall review - shelter from the storm in experimental delight

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Jeff Young: Wild Twin review - a box of tricks

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Since Yesterday review - championing a neglected female music scene

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Claire Messud: This Strange Eventful History review - home is where the heart was

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Travels Over Feeling: The Music of Arthur Russell, Barbican review - a sublime evening undercut by tonal shifts

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Heather McCalden: The Observable Universe review - reflections from a damaged life

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Andrew O'Hagan: Caledonian Road review - London's Dickensian return

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Sheila Heti: Alphabetical Diaries review - an A-Z of inner life

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John Francis Flynn, The Dome review - new trad and taped tin whistles

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Lankum, Roundhouse review - a warm evening of folk mastery

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This Is The Kit, Barbican review - familiarity and charm

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The opening images of Tornado are striking. A wild-haired young woman in Japanese peasant garb runs for her life through a barren forest...

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Do the French do irony? Well, was Astérix a Gaul? Obviously they do, and do it pretty well to judge by many of their movies down the...

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When I was writing the introduction to my book, Bass, Mids, Tops: An Oral History of Soundsystem Culture, I came up with a phrase, which...