fri 01/12/2023

India Lewis

Articles By India Lewis

This Is The Kit, Barbican review - familiarity and charm

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Charlie Porter: Bring No Clothes - Bloomsbury and the Philosophy of Fashion review - dress to impress

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Annie Ernaux: Shame review - the translation of pain

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Tirzah, The Colour Factory review - dry ice and bedroom beats

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Zadie Smith: The Fraud review - the trials we inherit

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Henry Hoke: Open Throat review - if a lion could speak

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Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the next

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Caleb Azumah Nelson: Small Worlds review - Ghana and London dance together

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Lucinda Chua, ICA review - sublimity on a rainy evening in London

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Lydia Sandgren: Collected Works review - the mysteries that surround us all

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Margaret Atwood: Old Babes in the Wood review - bookending the short story

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Nicole Flattery: Nothing Special review - returning to the Factory

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Jockstrap, Heaven review - ecstasy in underground bass

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Eliza Carthy and The Restitution, Barbican review - folk at its finest

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Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophile

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Wet Leg, O2 Forum Kentish Town review - eclectic glee from an emerging band

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Peter Pan Goes Wrong, Lyric Theatre review - adult panto del...

Mischief Theatre set themselves a big challenge when they evolved their brand of knowing slapstick. And not just about how to destroy...

Queendom review - an LGBTQ+ performance artist takes to the...

It takes a brave or a foolhardy person to walk the streets wearing almost nothing but barbed wire and platform shoes, especially when the occasion...

Album: Ghost Woman - Hindsight Is 50/50

Ghost Woman’s 2022 self-titled album and this January’s swift follow-up Anne, If were both fairly laidback and spaced out affairs, with...

The House of Bernarda Alba, Lyttleton Theatre review - dazzl...

Rebecca Frecknall opened 2023 with a youthful, visceral, and brutal Streetcar Named Desire at The Almeida; she ends it with...

Album: Trevor Horn - Echoes: Ancient & Modern

A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly,...

Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Str...

This is the show that launched a thousand puns, mostly ancient-Greek-oriented, and just as many corny rhymes, all delivered with high energy and...

Grosvenor, Park, Ridout, Soltani, Wigmore Hall review - cham...

Frank Bridge’s Phantasie Piano Quartet was astutely described by his student Benjamin Britten as “Brahms tempered with Fauré”, so it made...

Album: Peter Gabriel - I/O

Some 28 years in gestation, Peter Gabriel’s eighth studio album of wholly original songs – his first since 2002’s Up...

A Christmas Carol, The Old Vic review - older, wiser, and ye...

Familiarity has bred something quite fantastic with the Old Vic Christmas Carol, which is back for a seventh season and merits ringing...

Boat Story, BBC One review - once upon a time in Yorkshire

It was as long ago as January last year that the prolific Williams brothers,...