Harry Thorfinn-George

Articles By Harry Thorfinn-George

Caroline, Islington Assembly Hall review - south London octet mesmerises Friday, 06 June 2025 Read more...	Mongrel review - deeply empathetic filmmaking from Taiwan Saturday, 24 May 2025 Read more...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwaka - Magnificent Little Dudes Vol. 1 Monday, 06 January 2025 Read more...	Nosferatu review - Lily-Rose Depp stands out in uneven horror remake Tuesday, 24 December 2024 Read more...
theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema Tuesday, 22 October 2024 Read more...	Smile 2 review - worthy follow up to runaway hit Saturday, 19 October 2024 Read more...
Strange Darling review - love really hurts Friday, 20 September 2024 Read more...	Red Rooms review - the darkest of webs Tuesday, 10 September 2024 Read more...
In a Violent Nature review - inverted slasher is fascinating Sunday, 21 July 2024 Read more...	Longlegs review - like its titular killer, this summer's most hyped horror film leaves no trace Saturday, 13 July 2024 Read more...
The Moor review - Yorkshire chiller is ambitious but muddled Saturday, 15 June 2024 Read more...	DVD/Blu-Ray: Priscilla Tuesday, 23 April 2024 Read more...
Album: Fabiana Palladino - Fabiana Palladino Sunday, 07 April 2024 Read more...	Late Night With the Devil review - indie-horror punches above its weight Monday, 25 March 2024 Read more...
Immaculate review - grisly convent horror is timely but flawed Saturday, 23 March 2024 Read more...	Albums of the Year 2023: Jim Legxacy - HNPM Saturday, 30 December 2023 Read more...

latest in today

'We are bowled over!' Thank you for your messages... ...

Macbeth, RSC, Stratford review - Glaswegian gangs and ghouli...

It’s hard to pinpoint exactly what’s so very different about Belfast and Glasgow, both of which I have visited in the last few...

Sananda Maitreya, Town Hall, Birmingham review - 80s megasta...

During a false start to “Billy Don’t Fall”, on Sunday night at Birmingham’s iconic Town Hall, Sananda Maitreya took the opportunity to address the...

First Person: Kerem Hasan on the transformative experience o...

There is a scene in the second act of Jake Heggie and Terrence McNally’s Dead Man Walking in which the man condemned to death, Joseph De...

Mr Scorsese, Apple TV review - perfectly pitched documentary...

This five-parter by Rebecca Miller is essential viewing for any...

Madama Butterfly, Irish National Opera review - visual and v...

Emotional truth backed up by musical sophistication is what saves Puccini’s drama about a geisha deserted by an American officer from mawkishness...

Hallé John Adams festival, Bridgewater Hall / RNCM, Manchest...

Am I dreaming? Did I really see a living composer of...

'Vicious Delicious' is a tasty, burlesque-rockin...

Three of last year’s finest singles were by Luvcat, a classy-but-naughty Eartha Kitt-style bad girl steeped in burlesque-rock’n’roll spirit. In...

theartsdesk at Wexford Festival Opera 2025 - two strong prod...

A drawback of choosing relatively or very obscure operas, as they've been mostly doing in Wexford Festival since 1951, is that the audiences...

Bach's B minor Mass, Irish Baroque Orchestra, Whelan, C...

The greatest procession of mass movements ever composed merits the best line-up of soloists, both vocal and instrumental, as well as the perfect...