tue 03/08/2021

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Most Beautiful Boy in the World review - a harrowing tale vividly told

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Afterness, Orford Ness review - a breath of fresh air, literally

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Bank Job review - an inspirational look at finance

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Matthew Barney: Redoubt, Hayward Gallery review - the wild west revisited

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David Hockney / Michael Armitage, Royal Academy review - painting with an iPad vs brushes and paint

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Eileen Agar, Whitechapel Gallery review - a free spirit to the end

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The Human Voice review - an intense half-hour that pulls no punches

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Stray review - a delightful portrait of a dog named Zeytin

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Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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One Man and His Shoes review - beautifully crafted, fast-paced documentary

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Sin, National Gallery review - great subject, modest show

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Bruce Nauman, Tate Modern review - the human condition writ large in neon

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Hendrix and the Spook review - a search for clarity in murky waters

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RhineGold, Birmingham Opera Company, Symphony Hall review -...

The love of power corrupts, the power of love falters or fails. The essence of...

Johnston, BBCNOW, Bancroft, BBC Proms - laments and luminosi...

The Proms are back, even if they don’t yet feel remotely...

Thora Hjörleifsdóttir: Magma review - love burns in debut no...

Thora Hjörleifsdóttir’s Magma is certainly not an easy read. It describes, in short...

Blu-ray: Beauty and the Beast

Beauty and the Beast? Not quite; the Czech title of...

Luisa Miller, Glyndebourne review – small-scale tragedy, big...

“Time-travelling” is how Enrique Mazzola, the superb first conductor of...

Bo Burnham: Inside, Netflix review - a masterpiece about loc...

Some people perfected their banana loaf or sourdough bread during...

theartsdesk at the Ryedale Festival 2021 - music returns to...

In its 40th anniversary year, the Ryedale...

Album: Liars - The Apple Drop

Despite being renowned for a somewhat fluid membership since their formation in 2000, it would seem that Liars has now become the solo concern of...

The Cunning Little Vixen, Longborough Festival Opera review...

There are advantages and disadvantages about opera-in-the-round, and it’s a format that suits some operas better than others. Longborough’s ...