sat 23/02/2019

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

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Don McCullin, Tate Britain review - beastliness made beautiful

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América review - a joyous portrait of young men caring for their aged grandmother

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Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

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Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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latest in today

Eden, Hampstead Theatre Downstairs review - thoughtful comme...

"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I ...

Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulte...

It doesn’t get better than this! Phyllida Barlow has transformed the Royal Academy’s...

Old Boys film review - short but not especially sweet

How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of...

CD: Royal Trux - White Stuff

It's 18 years since the last Royal Trux album, but it might just...

The Monstrous Child, Royal Opera, Linbury Theatre review - f...

Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...

Equus, Theatre Royal Stratford East review - thrilling physi...

There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...

Sleeping with Extremists: The Far Right, Channel 4 review -...

It’s always interesting to see how presenters make their presence known in...

Jesus Hopped the 'A' Train, Young Vic review - sha...

An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train...