sun 18/04/2021

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Stray review - a delightful portrait of a dog named Zeytin

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Sing Me a Song review - beautiful but devastatingly sad

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Lynette Yiadom-Boakye, Tate Britain review - enigmatic figures full of life

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Tracey Emin / Edvard Munch, Royal Academy review - juxtapositions that confuse rather than clarify

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Zanele Muholi, Tate Modern review - photography as protest

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One Man and His Shoes review - beautifully crafted, fast-paced documentary

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Sin, National Gallery review - great subject, modest show

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Bruce Nauman, Tate Modern review - the human condition writ large in neon

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Hendrix and the Spook review - a search for clarity in murky waters

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Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

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Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

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Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

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Push review – lifting the lid on the housing crisis

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Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

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Steve McQueen, Tate Modern review – films that stick in the mind

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Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

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The Royal Ballet - variations on a comeback

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Citizen Lane review - fascinating dramadoc about Irish arts...

On first sight, Citizen Lane's appeal may seem limited to those with an...

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On the 30th floor of a Tokyo apartment building, a charming little boy brushes his teeth, watched over by his smiling mother who sings...