mon 06/07/2020

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Read more...

Push review – lifting the lid on the housing crisis

Read more...

Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

Read more...

Steve McQueen, Tate Modern review – films that stick in the mind

Read more...

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

Read more...

Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

Read more...

Imran Perretta, Chisenhale Gallery review - a deeply affecting film

Read more...

Eco-Visionaries, Royal Academy review - wakey, wakey!

Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Read more...

Great Women Artists review - the book we have been waiting for

Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Read more...

Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

Read more...

Pages

latest in today

Album: Rufus Wainwright - Unfollow the Rules

After Unfollow the Rules: The Paramour Session and the...

Terri White: Coming Undone review - a British journalist unr...

The journalistic addiction-memoir is a crowded genre these days: Details editor Dan Perez chronicles his massive intake of Vicodin and...

Camille Laurens: Little Dancer Aged Fourteen review - the st...

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and...

Reissue CDs Weekly: Philip Rambow - The Rebel Kind

“Strange Destinies” is the first track. “Take your eyes off me Svengali” is its memorable opening phrase. Conjuring up Van Morrison, Tom Petty,...

Dom Joly / Daniel Sloss, Brent Cross reviews - UK's fir...

It was a weary and frustrated Dom Joly (★★) who left the stage after performing the first drive-in...

Homemade review - laughs, loss and madness in lockdown

If COVID-19 isn’t the only topic being tackled by creative folk at the moment, it certainly feels like it. That’s perfectly understandable, when...

Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite...

There’s sun and sand, and both are golden – but this is no holiday beach. Distantly, out of focus, you can make out a man with a donkey and cart....