sun 20/10/2019

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Great Women Artists review - the book we have been waiting for

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Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

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Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

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Kara Walker: Fons Americanus, Tate Modern review – a darkly humorous gift

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Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

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Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

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Kiss My Genders, Hayward Gallery review – a shambles

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Eating Animals review - a compelling tale of imminent disaster

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Natalia Goncharova, Tate Modern review - a prodigious talent

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Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

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Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

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The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

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Dorothea Tanning, Tate Modern review – an absolute revelation

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Ray & Liz review - beautifully shot portrait of poverty

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Franz West, Tate Modern review - absurdly exhilarating

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John le Carré: Agent Running in the Field review - fake news...

That John le Carré! It turns out the agent isn’t so much running in the field as playing badminton. The master of the...

Spiral, Series 7, BBC Four review - hard-hitting return of o...

And welcome back to our favourite French cop show – perhaps our favourite...

Reissue CDs Weekly: The Kinks - Arthur or the Decline and Fa...

Arthur or the Decline and Fall of the British Empire hasn’t had the stratospheric levels of praise as the preceding...

Hisham Matar: A Month in Siena review – memories, framed

A Month in Siena is a sweet, short mediation on art,...

10 Questions for musician Craig Finn

As frontman and lyricist of US rockers The Hold Steady, Craig Finn...

The Mask of Orpheus, English National Opera review - amorpho...

Advance publicity overstated the case for The Mask of Orpheus. "Iconic"? Only to academics and acolytes, for British audiences haven't...

Maleficent: Mistress of Evil review - fantasy follow-up fall...

Angelina Jolie is back again with those cut-glass cheekbones and...

Don Pasquale, Royal Opera review - fun and frolics in stylis...

Venetian director Damiano Michieletto’s new...

Glennie, Lubbe, Ticciati, O/Modernt, Kings Place review - a...

Some of the greatest pieces of the string orchestra repertoire are based on pre-existing pieces: the fantasias by Tippett and Vaughan Williams, on...