wed 15/08/2018

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

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Another Kind of Life, Barbican review - intense encounters with marginal lives

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Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

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Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

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Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Pages

latest in today

Edinburgh Fringe 2018: Luisa Omielan/ Brennan Reece/ Olga Ko...

Luisa Omielan ****

Luisa Omiela, a confirmed party girl, is the first to admit she used to hate politics, and had...

F Off: National Youth Theatre puts social media on trial

F Off came about off the back of a meeting I had with Paul Roseby, the artistic director of the National Youth Theatre of Great Britain....

DVD: Arcadia

Arcadia is the latest and the best of a series of films which draw on the archives of the...

Prom 42, Buniatishvili, Estonian Festival Orchestra, Järvi r...

Music-lovers who normally balk at the sight of national colours in a concert hall would surely have forgiven the little...

Greed as the keynote: Robert Carsen on the timelessness of...

In the time of composer John Gay, greed and self-interest were the main motives for life; and his work The Beggar’s Opera is an open...

Edinburgh Festival 2018 reviews: Nigel Slater's Toast /...

 

Nigel Slater's Toast ★★★★  

“It’s...

CD: Oh Sees - Smote Reverser

Oh Sees have been perennial festival favourites for over 15 years now, releasing 21 albums under seven different band names. The change of name...

Prom 40, Academy of St Martin in the Fields, Bell review - t...

When did this weird mix-tape fashion take root at the Proms? Just...

theartsdesk at the Pärnu Music Festival 2018 - Pärt, Leonska...

Unanticipated miracles happen every summer in the quiet paradise of...