Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Sunnymead Court, Tristan Bates Theatre review - a lovely loc...
The first words of Sunnymead Court, a new play...
theartsdesk in Hamburg: Ghost Light - a ballet in the time o...
So the Royal Ballet is to make a live comeback, for one night only, on 9 October. Fielding the entire company of 100 dancers, suitably distanced,...
First Person: pianist Danny Driver on teaching online and th...
There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial...
Miss Juneteenth review - a ray of Texan sunshine
Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth...
An Evening with an Immigrant, Bridge Theatre review – poetic...
When the history of British theatre’s response to COVID-19...
Hold Still, National Portrait Gallery review - snapshots fro...
A digital exhibition for digital times – and just right: as a reproductive medium,...
Castalian Quartet/Elizabeth Llewellyn, Simon Lepper, Wigmore...
Songs of the beyond versus the profundity of the here and now struck very different depths in the Castalians’ evening concert at the...
Album: Róisín Murphy - Róisín Machine
This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-going...
Finley, LPO, Gardner, Royal Festival Hall (p)review - specia...
There was a rainbow over the Royal Festival Hall...