mon 11/12/2023

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

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Women in Revolt!, Tate Britain review - a super important if overwhelming show

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A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

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Beyond Utopia review - harrowing escape stories vividly captured with live footage

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El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

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RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

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Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

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Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

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Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

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Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

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The Nettle Dress review - a moving story exquisitely told

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Marina Abramović, Royal Academy review - young performers stand in for the absent artist

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A Life on the Farm review - a fabulous eccentric gets neatly packaged

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Baato review - Nepalese mountain folk await big changes with excitement and anxiety

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Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

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Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

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latest in today

Gogol Bordello, O2 Institute, Birmingham review – an incendi...

Gogol Bordello’s gig in Birmingham this week took place on the evening of Shane MacGowan’s funeral and inevitably turned into something of a...

Album: Kate Rusby - Light Years

The regular appearance of Kate Rusby’s folkie...

theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Chris...

The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next...

Anselm review - post-war German reckonings in 3D

Water glassily reflects in a bridal train, the sun moves between trees, giving way to metal book-leaves, and inside a warehouse so vast he cycles...

Talking About the Fire, Royal Court review – urgent and info...

Let’s start with what we know: the climate emergency is the single most burning question facing the planet. Our life on earth depends on tackling...

I Fagiolini, Hollingworth, St Martin-in-the-Fields review -...

“Nobody likes a Messiah…”, deadpanned Robert Hollingworth, with the timing of a practised stand-up. After a pause, “…more than I do.” At...

Music Reissues Weekly: Chelsea - The Step-Forward Years

On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols...

Please Don't Destroy: Treasure of Foggy Mountain review...

Despite an ominous title, there’s always fair weather in the debut comic adventure film featuring Please Don’t Destroy, a NYC sketch...

Wonka review - a confusingly mixed bag of bonbons

As the 117 minutes of Wonka tick by, the question it poses gains momentum: who is this film actually for? Children of all ages...

Smyrna review - Greece at twilight

The Smyrna Catastrophe of 1922, in which tens of thousands of Greeks and Armenians were slaughtered by Turkish soldiers, is a topical subject...