tue 16/10/2018

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Kusama - Infinity review - amazing tale of survival against the odds

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The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

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Space Shifters, Hayward Gallery review - seeing is not always believing

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Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

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Renzo Piano, Royal Academy review - worth the effort

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Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

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latest in today

Barneys, Books and Bust Ups, BBC Four review - the Booker Pr...

You had to keep your eyes skinned. Was that Iris Murdoch or AS Byatt, Kingsley Amis or John Banville, Margaret Atwood or Val McDermid – maybe,...

The Inheritance, Noël Coward Theatre review - tangled knot o...

Its roots are in an emotional truth: Matthew Lopez saw the film, then read the book, of Howards End when he was 15 and 11 years later...

Hallé, Gardner, Bridgewater Hall, Manchester review – drama...

Edward Gardner was back amongst friends when he opened the Hallé’s Thursday series concerts. This was the place where he made his mark, as the...

CD: Karine Polwart – Laws of Motion

Karine Polwart has a stellar track record as a pop and folk...

Barbara Kingsolver: Unsheltered review - too many issues

“When men fear the loss of what they know, they will follow any tyrant who promises to restore the old order.” Mary Treat, the real-life 19th-...

Reissue CDs Weekly: Rockin' in the USA - Hot 100 Hits o...

One marker arrived on 1 August 1981, when MTV began...

Modern Couples, Barbican review - an absurdly ambitious surv...

What an ambitious project! Modern CouplesArt, Intimacy and the Avant-garde looks at over 40 couples or, in some cases,...

The Music of Harry Potter, CBSO, Seal, Symphony Hall, Birmin...

Imagine an orchestral concert made up exclusively of contemporary works by living composers: a programme in which every note was written within...