Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Eden, Hampstead Theatre Downstairs review - thoughtful comme...
"It's gonna be the best golf course in the world," a man in an Aertex shirt and a bright red baseball cap is assuring us. "The best. I ...
Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulte...
It doesn’t get better than this! Phyllida Barlow has transformed the Royal Academy’s...
Old Boys film review - short but not especially sweet
How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of...
The Monstrous Child, Royal Opera, Linbury Theatre review - f...
Hel, heroine of Gavin Higgins and Francesca Simon’s new opera, is the illegitimate daughter of the Norse god Loki. In many ways The Monstrous...
Equus, Theatre Royal Stratford East review - thrilling physi...
There is no doubt that Peter Shaffer's Equus is a modern classic. But does that justify reviving this 1973 hit play in our current social...
Sleeping with Extremists: The Far Right, Channel 4 review -...
It’s always interesting to see how presenters make their presence known in...
Jesus Hopped the 'A' Train, Young Vic review - sha...
An entirely electric leading performance from the fast-rising Ukweli Roach is the reason for being for revisiting Jesus Hopped the 'A' Train...