sun 17/08/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Emily Kam Kngwarray, Tate Modern review - glimpses of another world

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Kiefer / Van Gogh, Royal Academy review - a pairing of opposites

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Jenny Saville: The Anatomy of Painting, National Portrait Gallery review - a protégé losing her way

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Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

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Edward Burra, Tate Britain review - watercolour made mainstream

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Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

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Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

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Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

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Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

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Bogancloch review - every frame a work of art

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The Last Musician of Auschwitz review - a haunting testament

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Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

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Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

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Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

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Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

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Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

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