sat 24/08/2019

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Beuys' Acorns, Bloomberg Arcade London review – not much to look at, but important all the same

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Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installed

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Félix Vallotton: Painter of Disquiet, Royal Academy review – strange and intriguing

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Kiss My Genders, Hayward Gallery review – a shambles

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Eating Animals review - a compelling tale of imminent disaster

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Natalia Goncharova, Tate Modern review - a prodigious talent

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Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

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Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

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The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

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Dorothea Tanning, Tate Modern review – an absolute revelation

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Ray & Liz review - beautifully shot portrait of poverty

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Franz West, Tate Modern review - absurdly exhilarating

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Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

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Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

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Don McCullin, Tate Britain review - beastliness made beautiful

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América review - a joyous portrait of young men caring for their aged grandmother

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