sat 26/09/2020

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Hendrix and the Spook review - a search for clarity in murky waters

Read more...

Léon Spilliaert, Royal Academy review - a maudlin exploration of solitude

Read more...

Among the Trees, Hayward Gallery review - a mixture of euphoria and dismay

Read more...

Nicolaes Maes: Dutch Master of the Golden Age, National Gallery review – beautifully observed vignettes

Read more...

Push review – lifting the lid on the housing crisis

Read more...

Masculinities: Liberation through Photography, Barbican review – a must-see exhibition

Read more...

Steve McQueen, Tate Modern review – films that stick in the mind

Read more...

Radical Figures: Painting in the New Millennium, Whitechapel review - ten distinctive voices

Read more...

Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of art

Read more...

Imran Perretta, Chisenhale Gallery review - a deeply affecting film

Read more...

Eco-Visionaries, Royal Academy review - wakey, wakey!

Read more...

Lucian Freud: The Self-Portraits, Royal Academy review - mesmerising intensity

Read more...

Pre-Raphaelite Sisters, National Portrait Gallery review – a fascinating glimpse behind the scenes

Read more...

Great Women Artists review - the book we have been waiting for

Read more...

Anna Maria Maiolino: Making Love Revolutionary, Whitechapel Gallery review – a gentle rebellion

Read more...

Into the Night: Cabarets and Clubs in Modern Art, Barbican review - great theme, disappointing show

Read more...

Pages

latest in today

theartsdesk in Hamburg: Ghost Light - a ballet in the time o...

So the Royal Ballet is to make a live comeback, for one night only, on 9 October. Fielding the entire company of 100 dancers, suitably distanced,...

First Person: pianist Danny Driver on teaching online and th...

There’s an old saying that goes: if life deals you lemons, make lemonade. To say that the COVID-19 pandemic is a lemon would be a huge and trivial...

Miss Juneteenth review - a ray of Texan sunshine

Beauty queen pageants have long been ripe for parody, from their plastic glamour to the Machiavellian competitiveness. Miss Juneteenth...

An Evening with an Immigrant, Bridge Theatre review – poetic...

When the history of British theatre’s response to COVID-19...

Hold Still, National Portrait Gallery review - snapshots fro...

A digital exhibition for digital times – and just right: as a reproductive medium,...

Castalian Quartet/Elizabeth Llewellyn, Simon Lepper, Wigmore...

Songs of the beyond versus the profundity of the here and now struck very different depths in the Castalians’ evening concert at the...

Album: Róisín Murphy - Róisín Machine

This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-going...