wed 02/07/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Abstract Erotic, Courtauld Gallery review - sculpture that is sensuous, funny and subversive

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Edward Burra, Tate Britain review - watercolour made mainstream

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Ithell Colquhoun, Tate Britain review - revelations of a weird and wonderful world

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Rachel Jones: Gated Canyons, Dulwich Picture Gallery review - teeth with a real bite

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Yoshitomo Nara, Hayward Gallery review - sickeningly cute kids

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Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

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Bogancloch review - every frame a work of art

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The Last Musician of Auschwitz review - a haunting testament

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Do Ho Suh: Walk the House, Tate Modern review - memories are made of this

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Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängers

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Hylozoic/Desires: Salt Cosmologies, Somerset House and The Hedge of Halomancy, Tate Britain review - the power of white powder

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Mickalene Thomas, All About Love, Hayward Gallery review - all that glitters

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Donald Rodney: Visceral Canker, Whitechapel Gallery review - absence made powerfully present

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Noah Davis, Barbican review - the ordinary made strangely compelling

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Best of 2024: Visual Arts

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Nocturnes review - the sounds of the rainforest transport you a remote region of the Himalayas

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Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...