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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Thursday, 27 January 2022 Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Friday, 10 December 2021 Read more...

Lubaina Himid, Tate Modern review – more explication please

Monday, 29 November 2021 Read more...

Waste Age, Design Museum review - too little too lame

Friday, 29 October 2021 Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Thursday, 07 October 2021 Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Tuesday, 05 October 2021 Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Friday, 01 October 2021 Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Wednesday, 29 September 2021 Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Wednesday, 22 September 2021 Read more...

The Story of Looking review – bedside musings on how and what we see

Saturday, 18 September 2021 Read more...

The Lost Leonardo review - an incredible tale as gripping as any thriller

Tuesday, 14 September 2021 Read more...

Sophie Taeuber-Arp, Tate Modern review - a creative talent that knew no bounds

Monday, 09 August 2021 Read more...

El Father Plays Himself review – a roller coaster ride of mixed emotions

Saturday, 07 August 2021 Read more...

The Most Beautiful Boy in the World review - a harrowing tale vividly told

Wednesday, 28 July 2021 Read more...

Afterness, Orford Ness review - a breath of fresh air, literally

Monday, 28 June 2021 Read more...

Bank Job review - an inspirational look at finance

Wednesday, 09 June 2021 Read more...

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“I think you’d better drive,” says Finetime, his face sallow, skull-sockets underscored by...

The Shrouds review - he wouldn't let it lie

“Dying is an act of eroticism,” suggested one of the many disposable characters in David Cronenberg’s first full-length feature, Shivers...

Album: Claudia Brücken - Night Mirror

German singer Claudia Brücken has had a long and busy career,...

Jurassic World Rebirth review - prehistoric franchise gets a...

The first Jurassic Park movie now seems virtually Jurassic itself, having been released in the sepia-tinged year of 1993. Directed with...

Album: Mocky - Music Will Explain (Choir Music Vol. 1)

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English...

Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...