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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Metamorphosis of Birds review - picture perfect

Tuesday, 15 March 2022 Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Monday, 14 March 2022 Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Friday, 04 March 2022 Read more...

A Century of the Artist's Studio, Whitechapel Gallery review - a voyeur's delight

Wednesday, 02 March 2022 Read more...

Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

Saturday, 12 February 2022 Read more...

America in Crisis, Saatchi Gallery review - a country in jeopardy

Friday, 28 January 2022 Read more...

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Thursday, 27 January 2022 Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Friday, 10 December 2021 Read more...

Lubaina Himid, Tate Modern review – more explication please

Monday, 29 November 2021 Read more...

Waste Age, Design Museum review - too little too lame

Friday, 29 October 2021 Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Thursday, 07 October 2021 Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Tuesday, 05 October 2021 Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Friday, 01 October 2021 Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Wednesday, 29 September 2021 Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Wednesday, 22 September 2021 Read more...

The Story of Looking review – bedside musings on how and what we see

Saturday, 18 September 2021 Read more...

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It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

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Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

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There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...

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We are in – it needs to be shouted from the rooftops every day – a golden age of British soul and jazz. It isn’t just about a few quality artists...