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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

The Metamorphosis of Birds review - picture perfect

Tuesday, 15 March 2022 Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Monday, 14 March 2022 Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Friday, 04 March 2022 Read more...

A Century of the Artist's Studio, Whitechapel Gallery review - a voyeur's delight

Wednesday, 02 March 2022 Read more...

Louise Bourgeois: The Woven Child, Hayward Gallery review - the wife, the mistress, the daughter and the art that came out of it

Saturday, 12 February 2022 Read more...

America in Crisis, Saatchi Gallery review - a country in jeopardy

Friday, 28 January 2022 Read more...

Francis Bacon: Man and Beast, Royal Academy review – a life lived in extremis

Thursday, 27 January 2022 Read more...

Kehinde Wiley, National Gallery review - more than meets the eye

Friday, 10 December 2021 Read more...

Lubaina Himid, Tate Modern review – more explication please

Monday, 29 November 2021 Read more...

Waste Age, Design Museum review - too little too lame

Friday, 29 October 2021 Read more...

Yoko Ono, Mend Piece, Whitechapel Gallery review – funny and sad in equal measure

Thursday, 07 October 2021 Read more...

Theaster Gates - A Clay Sermon, Whitechapel Gallery review - mud, mud, glorious mud

Tuesday, 05 October 2021 Read more...

Isamu Noguchi, Barbican review – the most elegant exhibition in town

Friday, 01 October 2021 Read more...

Gerhard Richter: Drawings, Hayward Gallery review - exquisite ruminations

Wednesday, 29 September 2021 Read more...

Mixing it Up, Hayward Gallery review - a glorious celebration of diversity

Wednesday, 22 September 2021 Read more...

The Story of Looking review – bedside musings on how and what we see

Saturday, 18 September 2021 Read more...

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As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

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Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...

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The Mastermind review - another slim but nourishing slice of...

The clatter of cool jazz on the soundtrack announces writer-director Kelly Reichardt’s latest project, the kind of score that back in the day...

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The Scottish Chamber Orchestra punches well above its weight when it comes to guest artists, and it was a big thing for them to have someone of...

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There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...