Sarah Kent

Bio

Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show Tuesday, 11 April 2023 Read more...	Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro Tuesday, 04 April 2023 Read more...
Antidote review - two films in one that lose sight of their message Monday, 27 March 2023 Read more...	After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force Saturday, 25 March 2023 Read more...
The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity Thursday, 16 March 2023 Read more...	Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail Tuesday, 28 February 2023 Read more...
Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished Thursday, 16 February 2023 Read more...	Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration Tuesday, 14 February 2023 Read more...
Town of Strangers review - a whimsical foray into the meaning of home Wednesday, 08 February 2023 Read more...	Best of 2022: Visual Arts Wednesday, 28 December 2022 Read more...
Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences Friday, 18 November 2022 Read more...	Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists Saturday, 12 November 2022 Read more...
William Kentridge, Royal Academy review - from art to theatre, and back again Monday, 24 October 2022 Read more...	Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut Wednesday, 05 October 2022 Read more...
Remote review - an irredeemably silly first feature Saturday, 01 October 2022 Read more...	Hallyu! The Korean Wave, V&A review - frenetic but fun Tuesday, 27 September 2022 Read more...

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The Gathered Leaves, Park Theatre review - dated script lift...
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Oslo Stories Trilogy: Sex review - sexual identity slips, hu...
Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

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Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

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Music Reissues Weekly: The Beatles - What's The New, Ma...
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Sarah Kent

Articles By Sarah Kent

Ai Weiwei: Making Sense, Design Museum review - a deep sense of loss permeates this show

Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery review - lightning speed brushwork by an Impressionist maestro

Antidote review - two films in one that lose sight of their message

After Impressionism: Inventing Modern Art, National Gallery review - an impressive tour de force

The Ugly Duchess: Beauty and Satire in the Renaissance, National Gallery review - put in context, a much-loved picture reveals its complexity

Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detail

Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

Action Gesture Paint, Whitechapel Gallery review - a revelation and an inspiration

Town of Strangers review - a whimsical foray into the meaning of home

Best of 2022: Visual Arts

Magdalena Abakanowicz, Tate Modern review - a forest of huge and imposing presences

Making Modernism, Royal Academy review - a welcome if confusing intro to seven lesser known artists

William Kentridge, Royal Academy review - from art to theatre, and back again

Lucian Freud: New Perspectives, National Gallery review - a powerful punch in the gut

Remote review - an irredeemably silly first feature

Hallyu! The Korean Wave, V&A review - frenetic but fun

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