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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history

Monday, 29 July 2024 Read more...

The Echo review - a beautiful but confusing look at life in a Mexican village

Friday, 26 July 2024 Read more...

Heart of an Oak review - an adventure film starring a tree and its inhabitants

Friday, 05 July 2024 Read more...

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all

Wednesday, 03 July 2024 Read more...

Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tears

Friday, 28 June 2024 Read more...

Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstances

Wednesday, 19 June 2024 Read more...

Wilding review - a life enhancing experience

Thursday, 13 June 2024 Read more...

Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the world

Friday, 31 May 2024 Read more...

Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumph

Tuesday, 28 May 2024 Read more...

Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity

Tuesday, 30 April 2024 Read more...

Stephen review - a breathtakingly good first feature by a multi-media artist

Wednesday, 24 April 2024 Read more...

Fantastic Machine review - photography's story from one camera to 45 billion

Saturday, 20 April 2024 Read more...

Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight

Wednesday, 17 April 2024 Read more...

The Last Year of Darkness review - a loving portrait of a Chengdu gay bar

Tuesday, 12 March 2024 Read more...

Driving Mum review - a dark comedy that has you laughing out loud

Tuesday, 27 February 2024 Read more...

Sargent and Fashion, Tate Britain review - portraiture as a performance

Saturday, 24 February 2024 Read more...

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To hear Kadiatu Kanneh-Mason speaking live is to hear a woman...

Bryony Kimmings, Soho Theatre Walthamstow review - captivati...

Bryony Kimmings’ new show – her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

Blu-ray: Le Quai des Brumes

From its opening scene, Le Quai des Brumes (Port of Shadows,1938) feels like a reverie, a period of sustained waiting, during...

The Perfect Neighbor, Netflix review - Florida found-footage...

Another day, another shooting: this is Florida, USA, where the "Stand Your...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...