mon 20/10/2025
Home > users

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Remote review - an irredeemably silly first feature

Saturday, 01 October 2022 Read more...

Hallyu! The Korean Wave, V&A review - frenetic but fun

Tuesday, 27 September 2022 Read more...

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Monday, 26 September 2022 Read more...

Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Tuesday, 20 September 2022 Read more...

Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

Thursday, 15 September 2022 Read more...

The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

Saturday, 30 July 2022 Read more...

Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

Thursday, 14 July 2022 Read more...

We (Nous) review - a low-key look at life in the suburbs of Paris

Tuesday, 28 June 2022 Read more...

Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

Tuesday, 21 June 2022 Read more...

Whitstable Biennale review - a breath of fresh air

Tuesday, 14 June 2022 Read more...

The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

Thursday, 02 June 2022 Read more...

Cornelia Parker, Tate Britain review – divine intelligence

Monday, 23 May 2022 Read more...

Walter Sickert, Tate Britain review - all the world's a stage

Thursday, 12 May 2022 Read more...

Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

Monday, 21 March 2022 Read more...

River review – gorgeous visuals and a timely message: so what’s not to like?

Saturday, 19 March 2022 Read more...

The Metamorphosis of Birds review - picture perfect

Tuesday, 15 March 2022 Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Bryony Kimmings, Soho Walthamstow review - captivating tale...

Bryony Kimmings’ new show - her first in five years – was created to celebrate the opening of Soho Walthamstow, the previously...

La bohème, Opera North review - still young at 32

Phyllida Lloyd’s production of La Bohème for Opera North is...

Shibe, LSO, Adès, Barbican review - gaudy and glorious new m...

Many orchestral concerts leaven two or three established classics with something new or unusual. The LSO reversed that formula...

Frankenstein review - the Prometheus of the charnel house

Guillermo del Toro strains every sinew to bring his dream film to life, steeping it in religious symbolism and the history of art, cannily...

Solar Eyes, Hare & Hounds, Birmingham review - local lad...

Their new album may have been born out of a deep dive into Quentin Tarantino’s cinematic reimagining of the post-Manson killings’ atmosphere of...

The Free Association launch review - strong start for improv...

It’s always good to welcome the opening of a new arts venue, and sadly it doesn’t happen too often in the current economic climate. But...

The Lemonheads' 'Love Chant' is a fine return...

The Lemonheads were one of the original punk-pop outfits and have been an on-off going concern for 40 years. However, singer, guitarist,...

Anja Mittermüller, Richard Fu, Wigmore Hall review - a glori...

Helping to build the careers of superb young singers is what Wigmore Hall has done for decades: I still remember Olaf Bär’s debut in the hall...

Music Reissues Weekly: Evie Sands - I Can’t Let Go

Over 1965 to 1968 Brooklyn's Evie Sands issued a string of singles with classic top sides. Amongst them were “Take Me For a Little While,” “I Can'...