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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Marina Abramović: Gates and Portals, Modern Art Oxford and Pitt Rivers Museum review - transcendence lite

Monday, 26 September 2022 Read more...

Winslow Homer: Force of Nature, National Gallery review - dump the symbolism and enjoy the drama

Tuesday, 20 September 2022 Read more...

Carolee Schneeman: Body Politics, Barbican review - challenging, in-your-face and messy

Thursday, 15 September 2022 Read more...

The Fire of Love review - awe-inspiring footage of volcanoes marred by sentimental narration

Saturday, 30 July 2022 Read more...

Milton Avery: American Colourist, Royal Academy review - from backward-looking impressionist to forward looking-colourist

Thursday, 14 July 2022 Read more...

We (Nous) review - a low-key look at life in the suburbs of Paris

Tuesday, 28 June 2022 Read more...

Vivian Maier: Anthology, MK Gallery review - what an amazing eye!

Tuesday, 21 June 2022 Read more...

Whitstable Biennale review - a breath of fresh air

Tuesday, 14 June 2022 Read more...

The Camera Is Ours - Britain's Women Documentary Makers review - four decades of directors rediscovered

Thursday, 02 June 2022 Read more...

Cornelia Parker, Tate Britain review – divine intelligence

Monday, 23 May 2022 Read more...

Walter Sickert, Tate Britain review - all the world's a stage

Thursday, 12 May 2022 Read more...

Ali Cherri: If you prick us, do we not bleed?, National Gallery review - cabinets of curiosity

Monday, 21 March 2022 Read more...

River review – gorgeous visuals and a timely message: so what’s not to like?

Saturday, 19 March 2022 Read more...

The Metamorphosis of Birds review - picture perfect

Tuesday, 15 March 2022 Read more...

Surrealism Beyond Borders, Tate Modern review - a disappointing mish mash

Monday, 14 March 2022 Read more...

Postwar Modern: New Art in Britain 1945-65, Barbican review - revelations galore

Friday, 04 March 2022 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...

As You Like It: A Radical Retelling, Edinburgh International...

There is, let’s be honest, a certain self-congratulatory self-satisfaction among some particularly well-heeled sections of the Edinburgh...

Album: Nova Twins - Parasites & Butterflies

For Nova Twins, the alternative rock/metal duo of Amy Love and Georgia South, the years since 2020 have been a non-stop journey of evolution....

Oslo Stories Trilogy: Sex review - sexual identity slips, hu...

Two chimney sweeps sit by a window. The boss (Thorbjørn Harr) recounts a dream meeting with David Bowie, who disconcertingly looks at...

BBC Proms: Royal Concertgebouw Orchestra, Mäkelä review - de...

Klaus Mäkelä teased out all the fragility and the sense of impending mortality in Mahler’s Fifth Symphony, revealing a vision that was as...

Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV...

Music Reissues Weekly: The Beatles - What's The New, Ma...

“What's the New Mary Jane” is a nursery rhyme-like song, one of John Lennon’s most peculiar offerings. It was recorded for late 1968’s double...