tue 15/07/2025

Sarah Kent

Sarah Kent's picture
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Read more...

The Settlers review - a western populated only by anti-heroes

Read more...

Entangled Pasts 1768-now, Royal Academy review - an institution exploring its racist past

Read more...

Barbara Kruger, Serpentine Gallery review - clever, funny and chilling installations

Read more...

The Disappearance of Shere Hite review - the rise and fall of a woman who dared to explore female sexuality

Read more...

Queendom review - an LGBTQ+ performance artist takes to the streets of Moscow in protest

Read more...

Women in Revolt!, Tate Britain review - a super important if overwhelming show

Read more...

A World in Common: Contemporary African Photography, Tate Modern review - pulling out the stops to address issues around cultural identity

Read more...

Beyond Utopia review - harrowing escape stories vividly captured with live footage

Read more...

El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

Read more...

RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

Read more...

Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

Read more...

Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

Read more...

Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

Read more...

Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

Read more...

The Nettle Dress review - a moving story exquisitely told

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Billie Eilish, O2 review - power, authenticity and deep conn...

Billie Eilish may be one of the biggest names in new music, but here at the O2 Arena, she’s just Billie – the one who stares deep into your soul,...

Sir Brian Clarke (1953-2025) - a personal tribute

Brian Clarke died on 1 July 2025, after a long illness. He was one of the most original British artists of our time – wide-ranging, ground-...

Interview: Quinteto Astor Piazzolla on playing in London and...

“I still can’t believe that some pseudo-critics continue to accuse me of having murdered...

Falstaff, Glyndebourne review - knockabout and nostalgia in...

From the animatronic cat on the bar of the Garter Inn to the rowers’ crew who haul their craft across the stage and the military ranks of “Dig for...

S/HE IS STILL HER/E - The Official Genesis P-Orridge Documen...

“I like guns. At school we had to fight with guns in the army cadets. I’m actually a first-class sniper. I could shoot people from half a mile...

Blu-ray: Heart of Stone

Heart of Stone (Das kalte Herz) was the first colour film produced by...

Salome, LSO, Pappano, Barbican review - a partnership in a m...

A Salome without the head of John the Baptist is nothing new: several directors have perversely decided they could do without in recent...

Too Much, Netflix - a romcom that's oversexed, and over...

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr...