mon 04/07/2022

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Natalia Goncharova, Tate Modern review - a prodigious talent

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Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

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Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

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The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

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Dorothea Tanning, Tate Modern review – an absolute revelation

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Ray & Liz review - beautifully shot portrait of poverty

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Franz West, Tate Modern review - absurdly exhilarating

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Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

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Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

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Don McCullin, Tate Britain review - beastliness made beautiful

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América review - a joyous portrait of young men caring for their aged grandmother

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Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

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Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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latest in today

Alcina, Glyndebourne review - Handel on the strand

Reviewing the Grange Festival production of Tamerlano the other day, I noted the difficulty...

Jessie Burton: The House of Fortune review - a muted, sensit...

A sequel is always a hard thing to write, especially if the book that precedes it is a bestseller, adapted for television and read by more than a...

Favour, Bush Theatre review - Ambreen Razia's punchy ne...

Where should Leila live — Ilford or Kent? It doesn’t sound like an earth-shattering decision for a 15-year-old to make, but the stakes...

Album: Laura Veirs - Found Light

The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too...

Music Reissues Weekly: Ferkat Al Ard - Oghneya

Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons....

Mick Jagger: My Life as a Rolling Stone review, BBC Two - th...

At the beginning of this film, Mick Jagger says: “What most...

The Making of Pinocchio, LIFT 2022, Battersea Arts Centre re...

Pinocchio is one of our most irreverent metamorphosis stories, and in this visually ingenious blend of...

The Undeclared War, Channel 4 review - how would the UK cope...

As the world lurches ever deeper into multiple manifestations of chaos,...