Sarah Kent
Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.
Articles By Sarah Kent
latest in today
Masculinities: Liberation through Photography, Barbican revi...
The exhibition starts on the Barbican’s lift doors, which are emblazoned with photographs...
Alexei Sayle, Oxford Playhouse review - return of the politi...
It has been seven years since Alexei Sayle last toured – radio shows and books detaining him elsewhere – but he's back with a bang. As he walks on...
DVD/Blu-ray: The Winslow Boy
Though set in a handsomely-realised 1912, many of The Winslow Boy’s period details seem disconcertingly contemporary, from aggressive...
Panikos Panayi: Migrant City review – the capital of the wor...
Some menus never change. In 1910, the Loyal British Waiters Society came into being, prompted by “xenophobic resentment at the dominance of...
Patricia Grace: Potiki review – a searching examination of h...
With the publication of her first work, Waiariki (1975), Patricia Grace became the author of the first ever collection of short stories...
Reissue CDs Weekly: Bona Rays
For record buyers, Bona Rays left limited evidence for their existence. One single was issued by the aptly named Mystery Records in 1981. Pressed...
CD: Grimes - Miss Anthropocene
Grimes is hilarious. For all the grandiose conceptualism, apocalyptic visions, high tech sonic manipulation, outré costumes, modish witchery,...
Aimard, Gürzenich-Orchester Köln, Roth, RFH review - Beethov...
In Beethoven anniversary year, there are three ways to...
Hunters, Amazon Prime review - bringing God's justice t...
Apparently network executives initially reacted with alarm to the premise of Hunters,...
Supergrass, Barrowland, Glasgow review - nostalgic reunion p...
As Gaz Coombes noted around the halfway point of Supergrass’s Barrowland set “the last time we were here it was to say goodbye”. That was a decade...