fri 21/02/2020

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Natalia Goncharova, Tate Modern review - a prodigious talent

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Lee Krasner: Living Colour, Barbican review - jaw-droppingly good

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Mike Nelson, The Asset Strippers, Tate Britain review – exhilarating reminder of industrial might

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The Thread, Russell Maliphant & Vangelis, Sadler’s Wells review – an inspiring marriage of old and new

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Dorothea Tanning, Tate Modern review – an absolute revelation

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Ray & Liz review - beautifully shot portrait of poverty

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Franz West, Tate Modern review - absurdly exhilarating

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Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

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Phyllida Barlow: Cul-de-sac, Royal Academy review - unadulterated delight

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Don McCullin, Tate Britain review - beastliness made beautiful

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América review - a joyous portrait of young men caring for their aged grandmother

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Bill Viola/Michelangelo: Life Death Rebirth, Royal Academy review - empty rhetoric versus focused intensity

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Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of opposites

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Lost Treasures of Strawberry Hill review - a brave attempt to recreate an important collection

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Modern Couples, Barbican review - an absurdly ambitious survey of artist lovers

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Elmgreen & Dragset, Whitechapel Gallery review – when is a door not a door ?

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Album: Ozzy Osbourne - Ordinary Man

Ozzy Osbourne stands on the front cover of his new album...

Greed review - so-so satire of the über rich

Steve Coogan’s long partnership with director...

Frang, CBSO, Yamada, Symphony Hall Birmingham review - the t...

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just...

La Cage aux Folles [The Play], Park Theatre review - half-co...

Not the musical then, worst luck. How timely it would have been to mark Jerry Herman's passing with a celebration of a great achievement. Just how...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles...

Album: Moonlight Benjamin - Simido

Moonlight Benjamin, the fierce and deep-voiced vocalist from Haiti, is a powerful presence on stage. On her second album, she is once again...

The Best Plays in London

London is the theatre capital of the world, with more than 50 playhouses offering theatrical entertainment. From the mighty National Theatre to...

The Cellist/Dances at a Gathering, Royal Ballet review - A g...

The cello is the stringed instrument most closely aligned to the human voice. It has a human shape, too, so in theory it was a short step for...