wed 24/04/2024

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Beyond Utopia review - harrowing escape stories vividly captured with live footage

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El Anatsui: Behind the Red Moon, Tate Modern review - glorious creations

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RE/SISTERS: A Lens on Gender and Ecology, Barbican review - women fighting to protect the environment

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Hiroshi Sugimoto: Time Machine, Hayward Gallery review - a Japanese photographer uses droll humour to ask big questions

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Turner Prize 2023, Towner Eastbourne review - four contestants strike a sombre mood

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Philip Guston, Tate Modern review - a compelling look at an artist who derided the KKK

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Sarah Lucas: Happy Gas, Tate Britain review - overcrowding muffles the voice of the wildest of the YBAs

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The Nettle Dress review - a moving story exquisitely told

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Marina Abramović, Royal Academy review - young performers stand in for the absent artist

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A Life on the Farm review - a fabulous eccentric gets neatly packaged

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Baato review - Nepalese mountain folk await big changes with excitement and anxiety

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Jean Cooke: Ungardening, Garden Museum review - a cramped show of airy and spacious paintings

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Manchester International Festival exhibitions review - a new arts centre puts Manchester firmly on the cultural map

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Hello, Bookstore review - a documentary with shelf life

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Carrie Mae Weems: Reflections for Now, Barbican review - going from strength to strength on an epic journey

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Dear Earth: Art and Hope in a Time of Crisis, Hayward Gallery review - hope is what we need, but inspiration is a rarity

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latest in today

Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...