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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Kusama - Infinity review - amazing tale of survival against the odds

Thursday, 04 October 2018 Read more...

The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strange

Thursday, 04 October 2018 Read more...

Space Shifters, Hayward Gallery review - seeing is not always believing

Friday, 28 September 2018 Read more...

Turner Prize 2018, Tate Britain review - a shortlist dominated by political issues

Tuesday, 25 September 2018 Read more...

Renzo Piano, Royal Academy review - worth the effort

Friday, 14 September 2018 Read more...

Under the Wire review - risking everything to tell the world the truth

Wednesday, 05 September 2018 Read more...

The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

Friday, 18 May 2018 Read more...

Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

Friday, 11 May 2018 Read more...

Shape of Light, Tate Modern review - a wasted opportunity

Thursday, 03 May 2018 Read more...

Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

Monday, 30 April 2018 Read more...

Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

Tuesday, 24 April 2018 Read more...

Sutra, Sadler’s Wells review – a masterpiece 10 years on

Wednesday, 28 March 2018 Read more...

Joan Jonas, Tate Modern review - work as elusive as it is beautiful

Wednesday, 21 March 2018 Read more...

Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

Friday, 16 March 2018 Read more...

Another Kind of Life, Barbican review - intense encounters with marginal lives

Friday, 02 March 2018 Read more...

Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

Friday, 16 February 2018 Read more...

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Aldeburgh Festival Weekend 1 review - dance to the music of...

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “...

Joyceana around Bloomsday, Dublin review - flawless adaptati...

It amuses me that Dubliners dress up in Edwardian finery on 16 June. After all, this was the date in 1904 when James Joyce first walked out with...

Stereophonic, Duke of York's Theatre review - rich slic...

The tag “the most Tony-nominated play of all time” may mean less to London theatregoers than it does to New Yorkers, but Stereophonic,...

Ithell Colquhoun, Tate Britain review - revelations of a wei...

Tate Britain is currently offering two exhibitions...

Sarah Silverman, Netflix Special review - finding the funny...

Death can be a powerful driver for comedy...

Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "...

Pulp, O2 Arena review - common people like us

Jarvis Cocker is proudly holding the No 1 trophy handed to him on the day Pulp topped the album chart for the first time in 27 years with More...

Mazeppa, Grange Park Opera review - a gripping reassessment

Tchaikovsky has precisely two operas in the standard repertoire (including The Queen of Spades, currently playing at Garsington), and...

Sam Fender, St James' Park, Newcastle review - Geordie...

Had a passer-by from outwith Newcastle been asked to guess...