tue 24/06/2025

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Another Kind of Life, Barbican review - intense encounters with marginal lives

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Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

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Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

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Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

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Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

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Basquiat: Boom for Real, Barbican review - the myth explored

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Rachel Whiteread, Tate Britain review – exceptional beauty

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Final Portrait review - utterly convincing portrayal of an artist at work

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Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

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Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delight

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Portraying a Nation, Tate Liverpool review – an inspired juxtaposition

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The Seasons in Quincy: Four Portraits of John Berger review - voyages round a giant

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latest in today

'We are bowled over!' Thank you for your messages... ...
Brad Mehldau Trio, St George's Bristol review - exquisi...

There's something luminous about the Brad Mehldau Trio. The music they create with such joy shines with a special clarity, in which ever-changing...

Ian Leslie: John and Paul - A Love Story in Songs review - h...

Do we need any more Beatles books? The answer is: that’s the wrong question. What we need is more Beatles books that are worth reading. As the...

Schubertiade 3 at the Ragged Music Festival, Mile End review...

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to...

Showmanism, Hampstead Theatre review - lip-synced investigat...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “...

Immersive Night Music Show, Makita, Londinium Ensemble, Worl...

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and...

theartsdesk on Vinyl 91: Sex Pistols, Pink Floyd, Tropical F...

VINYL OF THE MONTH

Frank From Blue Velvet I Am Frank (Property of the Lost) + Column258...

Kieran Hodgson, Soho Theatre review - a love affair soured b...

Kieran Hodgson is known to television viewers from Two Doors Down and to online fans for his spoofs of TV dramas; but comedy...

Outrageous, U&Drama review - skilfully-executed depictio...

If somebody submitted a treatment for a new costume drama series set in the...