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Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Sutra, Sadler’s Wells review – a masterpiece 10 years on

Wednesday, 28 March 2018 Read more...

Joan Jonas, Tate Modern review - work as elusive as it is beautiful

Wednesday, 21 March 2018 Read more...

Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

Friday, 16 March 2018 Read more...

Another Kind of Life, Barbican review - intense encounters with marginal lives

Friday, 02 March 2018 Read more...

Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

Friday, 16 February 2018 Read more...

Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

Monday, 29 January 2018 Read more...

Human Flow review - two hours of human misery

Tuesday, 05 December 2017 Read more...

Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

Sunday, 03 December 2017 Read more...

Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

Friday, 01 December 2017 Read more...

The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

Wednesday, 22 November 2017 Read more...

Red Star Over Russia, Tate Modern review – fascinating history in a nutshell

Wednesday, 08 November 2017 Read more...

Ilya and Emilia Kabakov, Tate Modern review – funny, moving and revelatory

Wednesday, 18 October 2017 Read more...

Basquiat: Boom for Real, Barbican review - the myth explored

Friday, 22 September 2017 Read more...

Rachel Whiteread, Tate Britain review – exceptional beauty

Wednesday, 13 September 2017 Read more...

Final Portrait review - utterly convincing portrayal of an artist at work

Monday, 14 August 2017 Read more...

Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerising

Saturday, 22 July 2017 Read more...

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It was a hefty evening, as it needn't necessarily have been throughout, since Shostakovich’s Ninth Symphony can conceal more darkness between the...

Classical CDs: Shrouds, silhouettes and superstition

 

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Album: Robert Plant - Saving Grace

Robert Plant is magnificently well-equipped to shine as a consummate musical survivor: not only has his voice kept its magic, with a range from...

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Hot on the heels of Goodnight, Oscar comes another fictional meeting of real entertainment giants in Los Angeles, this time...