New Music Reviews
Album: Paraorchestra with Brett Anderson and Charles Hazlewood - Death SongbookWednesday, 17 April 2024
Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about death, or the death of love, about loss, about anxiety.” Suede’s Brett Anderson, on board for this endeavour, notes “I've always found dark material more inspiring than upbeat songs. Upbeat songs always make me depressed somehow. I've always liked those songs that deal with the murkier sides of life.” Read more... |
theartsdesk on Vinyl 83: Deep Purple, Annie Anxiety, Ghetts, WHAM!, Kaiser Chiefs, Butthole Surfers and moreTuesday, 16 April 2024
VINYL OF THE MONTH London Afrobeat Collective Esengo (Canopy) Read more... |
Music Reissues Weekly: Congo Funk! - Sound Madness from the Shores of the Mighty Congo RiverSunday, 14 April 2024
Brazzaville is on the north side of the Congo River. It is the capital of the Republic of the Congo. Kinshasa is on the south side of the Congo. It is capital of the Democratic Republic of the Congo, formerly known as Zaïre. The cities face each other, about 1.5km apart, divided by the river and being in different nations. Read more... |
theartsdesk at Tallinn Music Week - art-pop, accordions and a perfect techno hideawayThursday, 11 April 2024
Tallinn is a very civilised city. It’s enough to provoke intense jealousy on arrival from the land of potholes, two year waiting lists and seven pound pints to find that not only do they have pretty much all the infrastructure of their Nordic neighbours, but you can get a beer for €5 to boot. Read more... |
Music Reissues Weekly: Patterns on the Window - The British Progressive Pop Sounds of 1974Sunday, 07 April 2024
Half-way through this three-CD set, the energy level suddenly shifts upwards. It’s just one track of the 67 collected, but in this context this basic, blunt recording stands on its own. Issued in October 1974, Dr. Feelgood’s debut single “Roxette” was an early sign that British music could change, needed to change. Read more... |
Slash featuring Myles Kennedy and the Conspirators, OVO Hydro, Glasgow review - guitar heroics against a low-key backdropFriday, 05 April 2024
The theme tune to John Carpenter’s horror classic The Thing rang out as Slash and his crew of collaborators took to the stage. Unlike that film’s famous climax though, there was no ambiguity here, for these were experienced stalwarts of rock music putting on a traditional, no frills show with a minimum of fuss. Read more... |
The Hives, Brighton Dome review - Swedish power-pop dynamo are as entertaining as everThursday, 04 April 2024
The joy of The Hives on record is encapsulated by their 2012 micro-song “Come On”. Despite being one-minute long and consisting solely of the title phrase, it fizzes with righteous, effervescent buzzsaw euphoria. They open their encore with it, showcasing with ease that, whatever the pleasures of their studio output, live in concert is where The Hives truly explode. Read more... |
Thundercat, The Halls, Wolverhampton review - jazz-funk bassist lets looseTuesday, 02 April 2024
Thundercat is known for his love of having a good old noodle on his six-stringed bass guitar – and there was plenty of that going on at the Halls in Wolverhampton on Easter Sunday. But this was far from the whole story of his show that threw in sci-fi funk, prog jazz and hip-swinging soul music to a performance that was dedicated to Anime master Akira Toriyama. Read more... |
Music Reissues Weekly: Status Quo - The Early YearsSunday, 31 March 2024
“So Ends Another Life” is strange. Very strange. The song’s dolefulness is immediately set up with a strummed guitar along the lines of the intro to The Bee Gees’ “New York Mining Disaster.” “In a world of agitation, there’s no time for compassion” are the opening lyrics. Read more... |
Album: Jane Weaver - Love In Constant SpectacleFriday, 29 March 2024
“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced on her 2007 and 2010 albums Cherlokalate and The Fallen By Watch Bird. Not that her new album is rooted in past ventures, more that it appears she has taken a step back to consider what she has done, and has found this reflection comfortable. Read more... |
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